• TalkBass has been independent since 1998. Add your voice.
    Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
    Join freeLog in
    Want zero display ads or expanded classifieds tools? Compare plans.

Stoner/Doom Bassists Thread, Part 90: Maxed Out

And they're so proud of it that there's ZERO mention of their Midwestern origins anywhere on their websites. I had to find an SFweekly article to confirm their Davenportish heritage. Not that I don't trust you Ampegfuzz, but I'm sure you understand one is a bit surprised to hear that a band from the Quad-Cities, like, um, WENT somewhere. ;)

I will NEVER hide my Davenportish origins! Iowan and proud! You can take the boy outta Da Port but you can't take the Da Port out of the boy!! QC REPRAZENT! D-PORT IN THE HAYY-YYOWSE!!

Hellz to the yeah!

Hey--aren't Slipknot from Iowa?

That's cool, right?

You know--Slipknot! From Iowa!

Hella cool!

Come on...Slipknot, right?
 
Need some helper elves...

Will anyone take a look at this with me?

[Invalid or Expired Link Removed]

So, I realize I am not gonna be playing 500+ shows with a combo amp.

At the same time, it remains to be seen if and when I'll ever play any shows of any kind as much as I hope to down the road.

I do like older Peavey stuff and gigged with a TNT 150 for years. Was it the best sounding amp? No. But it was loud, did the job and was indestructible.

I also think grabbing something like the TNT in this add will at least allow me to get together and jam with a drummer buddy and another player or two.

I never have cash in hand, but I do get paid soon and will actually be in Tahlequah (where the listing is from) this weekend (assuming this is still available by then.)

What I'm thinking is, grab this deal then turn around and flip the bass.

Bass actually looks cool, and it is an MIJ 70s copy. Bolt on neck (my preference as you know) and I'm almost positive it's short scale. I have played this very model of bass way in the past.

I saw a bass identical to this (maybe in rougher shape) that sold on Reverb for $350 recently.

Obviously my thought is I might end up with more or less a free amp that at the very least has some volume. Assuming I can sell the bass quickly. It would put me in kind of a bind for several days.

Of course, have to check out the bass and amp. Will definitely haggle..."Well, I got $200 cash....that cool?"

What you people thinking?
 
  • Like
Reactions: JoeVictim
How's this CL ad look? Simple and straight to the point, am I missing anything you guys would be looking for if you were looking for someone to jam with?

[Invalid or Expired Link Removed]

Good ad, Only thing Id add is they gotta have "good" gear or willing to spend the money to get "good" gear and by "good" i mean LOUD enough. Aint nobody got time fer quiet practice bedroom combos.

Need some helper elves...

Will anyone take a look at this with me?

[Invalid or Expired Link Removed]

So, I realize I am not gonna be playing 500+ shows with a combo amp.

At the same time, it remains to be seen if and when I'll ever play any shows of any kind as much as I hope to down the road.

I do like older Peavey stuff and gigged with a TNT 150 for years. Was it the best sounding amp? No. But it was loud, did the job and was indestructible.

I also think grabbing something like the TNT in this add will at least allow me to get together and jam with a drummer buddy and another player or two.

I never have cash in hand, but I do get paid soon and will actually be in Tahlequah (where the listing is from) this weekend (assuming this is still available by then.)

What I'm thinking is, grab this deal then turn around and flip the bass.

Bass actually looks cool, and it is an MIJ 70s copy. Bolt on neck (my preference as you know) and I'm almost positive it's short scale. I have played this very model of bass way in the past.

I saw a bass identical to this (maybe in rougher shape) that sold on Reverb for $350 recently.

Obviously my thought is I might end up with more or less a free amp that at the very least has some volume. Assuming I can sell the bass quickly. It would put me in kind of a bind for several days.

Of course, have to check out the bass and amp. Will definitely haggle..."Well, I got $200 cash....that cool?"

What you people thinking?

That old TNT100 cranked will sound gnar and mos def be loud enough to hang with non thor fisted drummer and not LOUD guitarist/s.
 
  • Like
Reactions: Muddslide
And they're so proud of it that there's ZERO mention of their Midwestern origins anywhere on their websites. I had to find an SFweekly article to confirm their Davenportish heritage. Not that I don't trust you Ampegfuzz, but I'm sure you understand one is a bit surprised to hear that a band from the Quad-Cities, like, um, WENT somewhere. ;)

I will NEVER hide my Davenportish origins! Iowan and proud! You can take the boy outta Da Port but you can't take the Da Port out of the boy!! QC REPRAZENT! D-PORT IN THE HAYY-YYOWSE!!

sorry okay sorry I'll stop now. Carry on.
No it's cool. I grew up with the guitar player Nolan (kinda). He lived in the same hood as I. They were cooler back in the day more rock, less trippy.
 
  • Like
Reactions: Burnsy
image.jpg

The unhappy lady.
 
Well, I dragged my Zebrabird out from under my bed yesterday, gave the frets a good polishing with some 0000 steel wool, dropped the action and lowered the pups, and I'm thinking it might start seeing a lot more action. I've always loved the look of the thing, but never really jived with it playing wise. The neck, coming straight from the '62 AVRI Precision always made my hand cramp up and I felt the string spacing was too narrow. After spending more time on the Jazz bass, I've grown far more used to 1.5" nuts, though I still think the spacing is a bit tight. But what I'm really, REALLY jonesing for is a Non-reverse, in either Polaris White or aged Pelham Blue. I can dream right?

I'd also love to track down one of those 8-string non-reverse birds that have popped up every once in a blue moon. Apparently Jeff Ament now owns the coral one that used to show up on TB.
 
Well, I dragged my Zebrabird out from under my bed yesterday, gave the frets a good polishing with some 0000 steel wool, dropped the action and lowered the pups, and I'm thinking it might start seeing a lot more action. I've always loved the look of the thing, but never really jived with it playing wise. The neck, coming straight from the '62 AVRI Precision always made my hand cramp up and I felt the string spacing was too narrow. After spending more time on the Jazz bass, I've grown far more used to 1.5" nuts, though I still think the spacing is a bit tight. But what I'm really, REALLY jonesing for is a Non-reverse, in either Polaris White or aged Pelham Blue. I can dream right?

I'd also love to track down one of those 8-string non-reverse birds that have popped up every once in a blue moon. Apparently Jeff Ament now owns the coral one that used to show up on TB.

One of my gear non-purchase regrets from last year was not picking up a Dean 8er a dude had for cheap via my local CL. This was the same dude from which I nabbed the 80s NJ Series Warlock for $50.
 
  • Like
Reactions: JoeVictim
...what I'm really, REALLY jonesing for is a Non-reverse, in either Polaris White or aged Pelham Blue. I can dream right?

I'd also love to track down one of those 8-string non-reverse birds that have popped up every once in a blue moon. Apparently Jeff Ament now owns the coral one that used to show up on TB.

Man, need pics of said Zebrabird!

I love NR T-birds. Love to have one. Polaris White would be my choice but some of those aged Pelhams that have gone almost green are drop dead.

Never even heard of an 8-string version.

Used to have a Dean 8 string. Miss that. Very under-used instruments, 8 string basses.

I played a couple of those Westone 12'ers and they are cool but I don't know how well I'd get on with one long term, plus I'd think tuning and neck stability would be a bisshhh.
 
It's always kind of hilarious to read the internet experts weighing in with a bunch of horsesh*t. I was watching a bunch of Acid King videos and was kind of wondering what tuning they play in, so I searched online for a couple minutes. I found a video of a guy playing along with a couple songs and nailing it pretty reasonably, so I look below to see if he mentioned the tuning. It's wall to wall jerks saying things like "you're playing stupid one finger drop tuning, learn to do it in standard like the real f*cking band does or just give up guitar!". Every single video of Acid King...Lori playing in the one finger drop tuning power chord, super clearly, up close, facing the camera, I'm sure sounding 100 times better than all those chumps bands put together.
 
It's always kind of hilarious to read the internet experts weighing in with a bunch of horsesh*t. I was watching a bunch of Acid King videos and was kind of wondering what tuning they play in, so I searched online for a couple minutes. I found a video of a guy playing along with a couple songs and nailing it pretty reasonably, so I look below to see if he mentioned the tuning. It's wall to wall jerks saying things like "you're playing stupid one finger drop tuning, learn to do it in standard like the real f*cking band does or just give up guitar!". Every single video of Acid King...Lori playing in the one finger drop tuning power chord, super clearly, up close, facing the camera, I'm sure sounding 100 times better than all those chumps bands put together.
The same armchair quarterbacks that talk poopie about non fender basses and playing with a pick, no doubt.
 
  • Like
Reactions: deathsdj