Yeah, I've never owned a Peavey Amp but they seem fine, I've never been that impressed except by their longevity but I know someone locally who plays through a monster Peavey rig with a T-MAX head and his sounds great.
Enjoy the benefits of a premium membership!
Upgrade Account
-
TalkBass has been independent since 1998. Add your voice.
Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
Join free Log in
Want zero display ads or expanded classifieds tools? Compare plans.
Stoner/Doom Bassists Thread, Part 90: Maxed Out
- Thread starter Korladis
- Start date
Yeah, I've never owned a Peavey Amp but they seem fine, I've never been that impressed except by their longevity but I know someone locally who plays through a monster Peavey rig with a T-MAX head and his sounds great.
Let me know if you want a hand picking it up, or just just want to grab a beer while you're in town.
Edit: just realized it's in waukesha, never mind!
- Mar 8, 2011
- 12,232
- 51,187
- Disclosures
- Authorized greenboy designs builder/Owner of BNA Audio
Piquods is the holy grail of Chicago style pizza. The crust is a thing of beauty
Like the inside of Askrere's mom jeans?
So I have the big ambient stereo board almost done. Still leaves a few pedals open. I figure tuner daisy chains into a blue beard, bad stone into the mini delay.
I had this idea the delay oscillates as is, but if I dialed back to close to that it's usable still. My question is what is available or easily build able to basically go from the normal delay > amp, switched to delay signal fed back through signal chain and out the same original output. That way I can go from normal, delay, or crazy walk of oscillating repeating noise.
I have one delay set for oscillating craziness and another further down the chain for normal delay settings.
Could work, but then I need another delay when really I seldom use it. I think an LS-2 and a y cable could achieve it, but that's more space and stuff. I was hoping for a passive cheap tiny malekko sized option. I'm not very versed in loops and such though.
So today im thinking I wish I had another solid state head that's lighter then the racked up gk800. I have the peavey 400 but I leave that at the studio for people who rent the spot to practice. Then I say to myself I shouldn't of gave back the sunn beta bass I was borrowing. Then craigslist..........
Fate I say
Fate I say
I'll try to go. Not sure if I have work yet on saturday, in which case I might be hard to pry out of my chair when I get home. But I'll try.
See, I hate tone controls, though, on pedals. Absolutely despise them. At least noon is apparently pretty flat?lots of bands just don't bother with vocals.
i don't know what you mean. it's just a tone control. noon sounds pretty flat. but it's so subtle it's hard to tell.
My basses have passive single coils. That might be it. Every fuzz or dirt pedal I've ever used has squealed.
Dude, if your tuner is squealing, I think there might be something seriously wrong with it.the two on the left are the squealers
Your opinion that it is not a loud amp is wrong.
Took the night off and catered a friends rehearsal dinner as my gift to the bride and groom. Fed 20 people to the gills for all of $40.
What's was the menu? Do you get a discount somewhere or was it a starch heavy evening?
I pretty much just use D'Addario nickel wound. The XLs. .130 gauge low B, .100 low E, .80 A I think, and .60 D
They all pretty much work for me, I tend to stick to d'addario chromes and and earnie ball rounds for cheap and easy to find purposes. Both brands and types work great for bass and guitar.
On my bass vi though I use a set of whatever @Squanch72 sent me I forget but it's just nickel rounds with a .85 E like the stock gender strings were.
On my bass vi though I use a set of whatever @Squanch72 sent me I forget but it's just nickel rounds with a .85 E like the stock gender strings were.
