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Stoner/Doom Bassists Thread, Part 90: Maxed Out

Record the first part through your $20 radio shack mic into your parent's tape deck onto cassette. Then put that cassette into the tape deck your Montgomery Ward bookshelf system and crank that to appropriate volume while you play the second part into the mic, recording it all onto fresh tape in the first tape deck.

As a kid I actually did this very thing.

If you got it, flaunt it.

Fvcking rock stars, outta touch with the commom folk.

Been on a mellow music kick at work, just trying to concentrate and get poopie done.

This has prompted me to impulse buy the entire Acetone discography on CD from ebay, 17 bucks all in, shipping included. Squanch you might want to do the same, there's some stupid deals on ebay. For some reason their cds are going for ridiculous amounts of Amazon.

My wife and I are major Acetone fans. Richie Lee's suicide hit us hard.

Had the chance to see them open fir Spiritualized many years back (late 90s maybe?) but blew it.
 
Questions for duders who are tuning low: do you use a compressor? If so, for what purpose? Any specific benefits/drawbacks? I'm specifically talking about drop A/A#, BEAD, C-standard tunings (I'm using all of the above). Thinking about trying out my old Boss CS-2 and seeing what happens but I thought I'd canvass the braintrust, too.
I get enough compression from the tubes.

Ugh I found out about that fake SS svt in such a bad way. I saw one on Clist for $200 and thought it was a real SVT. The ad said feck her Ex come get it. I called she said everything was cool. I'm at a family BBQ now rushing around gathering cash and leaving. leave and decide before I get too far to call about the glass in the back.

Yea no glass....
I had one. It's good if you ignore the clip light.
 
Questions for duders who are tuning low: do you use a compressor? If so, for what purpose? Any specific benefits/drawbacks? I'm specifically talking about drop A/A#, BEAD, C-standard tunings (I'm using all of the above). Thinking about trying out my old Boss CS-2 and seeing what happens but I thought I'd canvass the braintrust, too.
I don't use a compressor but I will use my amps limiter. I actually feel the compressor is unnecessary given the levels of distortion/OD I'm running. If I was using a completely clean signal I'd definitely use one but I find with my OD/Gain being so high its a bit unnecessary. I actually feel like a light OD is more interesting sounding to me then a compressor, even while recording. I always use my amps limiter though. I think you're drawback to using a compressor is you lose some dynamics on the attack if you like to vary playing hard/soft, this would be mitigated by using light compression.

The only time I use compression on bass is when I'm recording my clean DI double track is heavily compressed and limited and I roll off any frequencies above 400 hz and mostly use it to support the low and low mids.
 
Been on a mellow music kick at work, just trying to concentrate and get poopie done.

This has prompted me to impulse buy the entire Acetone discography on CD from ebay, 17 bucks all in, shipping included. Squanch you might want to do the same, there's some stupid deals on ebay. For some reason their cds are going for ridiculous amounts of Amazon.

Thanks for the tip, will do. Yeah I have been on a mellow kick lately too. Something about Fall gets me back in the alt country mood. Probably because I get my annual Fall sinus infection and can't handle screaming vocals and/or heavy drumming.
 
Since my Megalith clone is being repaired and I had free space on my pedalboard, I bought the Mooer Tender Octave. It's supposed to be EHX POG clone, I've never had any octave pedal, so I have no comparison, but it tracks pretty flawlessly to my ear, although gets a bit muddy on sub octave when played low. I'm tuned to D standard, so that might be the case.
No idea how would I use it in the band, but it sure is a fun pedal.
 
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View attachment 713483
I think I found the kit for me. Sonor player 12x20, 12x14, 8x10, 5x14. The center post holds a Tom and cymbal. $440ish decent sizes but doesn't take up space. I bet it mic's well.

So it seems grey sparkle is what's advertised, but there's a gold sparkle version and I want that!

Damn, that kit is hot. That's perfect for an instrumental surf rock band or some kind of 60's garage rock, nice and sparkly. Pairs nicely with weird 60's Fenders and whammy bars.
 
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Well, things are up in my musical world.

First off, ran into a guy I haven't seen in 25 years. didn't know him well, but we have several mutual friends. I've been car shopping (and hope to get a 2009 Chevy HHR today...not that I was shooting for that specific car...just need something decent at a good price.)

Turns out this guy I mentioned owns the car lot where we're getting the car. he's a drummer and said his band's bass player ditched them (too busy) and wants me to start jamming with them, maybe gigging once or twice a month. Not sure how it'll go. He's an old metalhead from way back, but has wide tastes and said he'd describe this current band as "beer drinking music." Sort of alt-country stuff, etc.

So I may actually have a real, live band situation soon. Have to see how I mesh with them, how much I like the music itself, etc. They do a lot of originals apparently but also some covers from old Johnny Cash to Wilco-ish stuff from what he said. I don't know how much I'd be into the actual music, but I'm gonna jam with them soon and see.

Also, my recording project, which has up to now been kind of lo-fi surf/garage 60s sort of stuff has already mutated like a rampaging virus. The guy I'm working on it with is a great guy and the most incredible living artist I know of, in many mediums, but he's totally schizo when it comes to working on projects. He just changes up so fast, wants to cover different territory, do different stuff...lay down one thing then move on. Makes it kind of tough sometimes because you never know what he's gonna want to do or if one day he's making plans about this and that, but the next day wants to do a 180. I love him for it though.

Anyway, our "new direction" is towards THE HVY. He's got a drummer on the hook who is already recording some doomy stuff with another band, and the plan is to cut some stuff on much better, hi-fi recording equipment and try for a dual bass, drums of doom setup. We've already started working up some stuff and IMO it is sounding pretty damn good.

I think it'll be a blast, and I've wanted to get heavier, evil and mightier than the hand of an avenging god, so we'll see how this goes.

It may well be that we do this long enough to get 12 or 20 songs in the can and then he'll want to go all folk rock or do 50s country covers or something. All of which would be fine.

Through all this I've also decided to work on my own recording project a little. Just whatever strikes me. THAT stuff so far is sounding like science fiction, futuristic harsh new wave or something...like Suicide (but with guitars) or Chrome or something.

Update concluded.
 
Damn, that kit is hot. That's perfect for an instrumental surf rock band or some kind of 60's garage rock, nice and sparkly. Pairs nicely with weird 60's Fenders and whammy bars.

Which pretty much sums up my gear and kinda my current music leanings minus surf.

No, it's their first entry into the Micro category.

Then they are wasting time...
 
tomorrow is shaping up to be a marathon session of creativity

early - goth country/post punk instrumental cram session, need to arrange four songs for next friday's show
afternoon - need to teach a drawing workshop for the peeps of the china town art community
late afternoon - need to teach our drummer how to play the filtered and octaved bass over the slow mo drum track, because we are
now going in a JAMC/love and rockets direction with HELL-0 (we're also playing the friday show)
late late afternoon - photo job - gotta photograph enormous paintings in inglewood for a gallery in houston
 
That kit reminds me of the dark gold sparkle CB kit that I used in the New Mexico band, belonged to the guitar player. Shells were pretty small, dinged up and dirty - never really liked them that much. One show we were opening for Bad Wizard from NYC and the drummer flipped his poopie when he saw that kit. Ended up talking to me about drums for half an hour, I appreciated it a little more after that. I still had my Tama Imperialstar kit shipped to NM from WI a few months later...