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Stoner/Doom Bassists Thread, Part 90: Maxed Out
- Thread starter Korladis
- Start date
I think the Palmer has roots in that circuit, but it sounds a bit different than the clips on that page. So I'm guessing that they made some modifications to the circuit.
EDIT:
Listening to clips online and it does sound pretty similar to the clips on the homewrecker page. Sounds a bit different with my gear, but yeah - sounds pretty damn close.
EDIT:
Listening to clips online and it does sound pretty similar to the clips on the homewrecker page. Sounds a bit different with my gear, but yeah - sounds pretty damn close.
Last edited:
That B15 is gorgeous. I had one years ago, but well, we needed diaper money. That said, very impractical for anything but personal practice. But the TOAN.
Interested to hear more about that 810. Trade you a janky 215 for it
Musicgoround had one of those EHX Cock Fight cocked wah/fuzz pedals for $65 shipped so I snatched it up. Hoping for some synthy fuzz fun with it set wah into the fuzz.
Very curious about your thoughts, do you have an expression pedal?
I saw moog has a dirt pedal with wah expression in function too.
just wanted to post this, not really for any other reason than it looks cool
Will let you know how I like it. I mostly want to try and cop a Micro Bass Synth fuzz sound. Yeah I do have one, it is mostly for Micah to have fun with as wah wah sounds have gotten kind of tired for me over the years. I have it hooked up to my EHK Pitch Fork so Micah can have fun with it but man that is a terrible sound lol. Think I am going to sell off my EQD Speaker Cranker, Behringer Noise Gate, and Behringer Super Fuzz as a package deal. The Pork Loin has been so epic, a sound I was totally missing, and stacking the ODB-3 or Slash Octave Fuzz is so wicked. If I could only have one pedal it would totally be the Pork Loin.
I think I may have to set up a bass as BEAD or get a five string and capo, so I can play E standard at the fifth fret. My damn wrist hurts me a little all over but playing in first position is truly brutal shooting pain. When I have to twist my left hand really far to left is what nails me. Or maybe I have to get my one them there fancy fanned fret basses one of these days. No more fancy chords on guitar either, power chords and riffs only. I might just sell off my guitar gear. I highly suggest never breaking your wrist as a kid or getting old, just don't do it
i've gotta go more geometric at some point, sometimes i see big al's cheap in LA, because they aren't traditional looking
So Levitation Post-Mortem. Didn't see Sleep, or Boris, or Sunn, or Purson. The tickets to those shows sold out in maybe a minute, and were being scalped for $100+ so f that noise. So instead, I ended up getting into this 12 hour show from 3pm to 3am, hanging out with all these cool psych/pop bands, and getting wrecked with a Spaniard and some swedes. Pretty much did that sort of thing every night, meeting up in these dingy bars and hanging out with foreigners and the bands, and also drinking in a Hearse. Met a bunch of guys from LA that said they'll help me get connected when I move down. Was it what I expected when I bought my festival tickets? No, and the weather excuse was some serious bull. But was it still awesome and totally worth going.
Looks so simple, might have to try one and do the mods... Just can't drill a case with my stuff.
Based on my semi fluency in blurry that's an ibanez 2350B at 44 1/2" long overall so most likely 34" scale
Oh. Sad.
I've been interested in a V4 for a while.
And recording.That B15 is gorgeous. I had one years ago, but well, we needed diaper money. That said, very impractical for anything but personal practice. But the TOAN.
Interested to hear more about that 810. Trade you a janky 215 for it
That's a G&L? What a weird but cool looking bass.
That B15 is gorgeous. I had one years ago, but well, we needed diaper money. That said, very impractical for anything but personal practice. But the TOAN.
Interested to hear more about that 810. Trade you a janky 215 for it
The history, the collector aspect, recording and being able to practice with an all tube amp that isn't shaking my building are all major pluses. My only fear is that my Sunn and V4B will collect dust between practices and shows.
As for the 810, I can't really make any trades for any of the gear I'm selling that isn't mine, unless it's something that I could flip without much difficulty. The Eden 810 is a killer cab. Super heavy, but to my knowledge it's basically a 410XLT and 410XST stacked. Those two designs apparently compliment each other very well. When I was big on Eden, that's what everyone was doing, a 410 or 210 XLT on top of a 410 or 210 XST. The XSTs have ports on just one side and have better speakers that produce more lows. The XLTs have ports on top and bottom and are more mid rangey.
That said, for an $1800 cab it will probably go for a joke of a price simply because Ampeg 810s are so abundant and far cheaper. Like mine for example, that all probably be selling soon.
Oh. Sad.
I've been interested in a V4 for a while.
And recording.
That's a G&L? What a weird but cool looking bass.
Yeah it is. He is legitimately convinced that he is a sort of prophet. Before he got locked up again for some serious time, he was posting images, GIFs, YouTube videos, songs every few seconds on his wall and the walls of others. On a smoke break at work one time, I checked FB and had 0 notifications. After finishing the smoke, I checked again and had 12 notifications. All from this dude. No commonality outside of just being strange. He apparently wrote a letter to his brother and asked him to continue his work(abstract excessive posting) while he was in jail. He even included a couple pages of instructions.
I hate to say it but the dude is nuts. If he doesn't decide to keep the V40 maybe we can work out something. It's late 70s as best I can tell, 76-79.
That G&L is awesome.
I love watching the Kavasseur's kava review vlogs and even more when it is my root.
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