Anybody here run filter after fuzz? Looking for a wet sound out of my MXR BEF, but can't quite get there. Not sure what to do, but suggested settings might be nice.
All day. I like the grindy wail of a dirty filter.
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Anybody here run filter after fuzz? Looking for a wet sound out of my MXR BEF, but can't quite get there. Not sure what to do, but suggested settings might be nice.
Mids knob is an easy add on to a muff, you just replace one resistor with a pot. Other than that, the green Russian is pretty awesome as is. Maybe a couple of capacitor tweaks for more bass so you don't have to live in the mud zone of the tone knob, but even that is optional.
It's looking like I'll be doing most of the booking for the current band, which is fine, I'm also being tasked with finding and choosing a studio to record us, which is a lot more daunting. Basically putting that off until school is done in two weeks.
I know tons of audio folks and musicians in town so it's not like I'm hurting for options, but if the end result isn't so great it's going to be me that gets the blame. Oh well.
All day. I like the grindy wail of a dirty filter.
Any tips to make it not destroy my speakers with squelching death noises? Worried about killing my cab, especially when it closes. Got a subtle thing happening now, want it less subtle without causing damage.All day. I like the grindy wail of a dirty filter.
Any tips to make it not destroy my speakers with squelching death noises? Worried about killing my cab, especially when it closes. Got a subtle thing happening now, want it less subtle without causing damage.
Yeah, I've got the FX volume about 10:00,and have the Q (intensity) at 9:00. Gives a nice subtle quack, and a little more treble bite, but not lots of vowel sounds. It works for now, but would like more vowels without killing my cab.Doesn't the BEF have wet and dry controls? Using a blend or low gain are the only solutions I can think of for that. The Fwonk beta has some potentially HUGE low end surges in it, and the peaks can sound like what I imagine the sound of voice coils vaporizing to be. I usually just dial in a more mild filter sound when using dirt with it.
Yeah, I've got the FX volume about 10:00,and have the Q (intensity) at 9:00. Gives a nice subtle quack, and a little more treble bite, but not lots of vowel sounds. It works for now, but would like more vowels without killing my cab.
We recorded separate.How did having that many signals on the bass work out? We could potentially record the bass with DI, SM57, and JTS NX2 (or even throw a condensor mic on there as well). Seems extreme though, no?
Currently plan is:
Drums- Kick, snare, and overhead
Bass-DI and SM57 mic
Guitar-SM57
Singer- Condenser mic or SM58 (Maybe running two vocal tracks, one with each).
That's what I thought. I'll mess with it more, but I also think that might lead to unwanted noises of the speaker killing kind.You're probably going to have to widen that Q a bit for more vowels.
PM me if you need a contact for quality & affordable mixing/mastering.
So this guy has a fender vibro King worth apparently 1-3 grand and doesn't want to pay for a fender extension cab so is gonna buy my old beat up peavey 1x15 bass cab for it?
Attempting to apply logic to batpoopie CL weirdos is a losing game. Just take his money and back away slowly.