Traded my epi eb3 for an Arbiter rickenfaker today, heavy but sounded nice! Cant wait for rehearsal
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Looking for a decent soldering iron. Nothing too fancy, as I'm not too great at soldering, but the two I've had so far just haven't lasted very long. What's a good middle of the road starter?
Also, as mentioned, I'm not great at this. Any links/vids/articles on how to do this stuff properly would be great as well. Thanks!
Thanks! Never heard of that place. I'll have to check it out.I just use a cheap weller with adjustable heat. It works like a charm and I think it was like $35. A nice iron would be cool, but I've had no issues with mine. You can find them and a variety of replacement tips at Gateway Electronics.
I'm getting a mix of different clipping in my D-180. There's the regular gain it does, and then if you use the graphic, and only boost like I do, that'll add another flavor of grindiness to the drive. I'm not sure quite what's going on electrically, but I like it.Hehehe, a far more complex set up. Ever try to get by with just the Marshalls? What's the traditonal-ish bass rig composed of?
After hearing me and the drummer go it alone for about 10 minutes with the Super-Fuzz and the Traynor, my signer commented that it would be a great setup for a bass-drums two piece act.
Very nice, and it looks like you've got a new pal, too. When I bought the Traynor, I felt it had the good parts of a 5150, along with a really nice clean channel for surf guitar. I still wonder if I need a 5150/6505, though.
The current active band is Drawer Devils, very pleased to meet ya! I last lived in Denton in 1998. Our next show is a festival/benefit to fight anti-LBGT legistation/free show on the 23rd at the 515 Bar in FTW. There'll be ton of good bands, so many that we're going on at 3pm. At least it's inside.
What heads (bass and gits) do you use? Who do ya play with?
Yeah, even when I was using a crazy Polytone amp that even Polytone support couldn't identify (it was a 2x15 combo the size of a fridge), I knew more gain=good. With the Traynor, gain is always dimed on each channel. Same thing with pretty much every amp before that. If it has a preamp knob, and it's in my possession, it's almost certainly on 10.
That D-180 is kind of what I was thinking of when I was looking around for a gain monster. But they're a little pricey, and it still doesn't quite have the gain I was looking for. I honestly don't know of a modern bass amp that does. I've attached one of the demos I did with the VHT as an example of what it could do and the gain levels I was looking for.That's the bass into a delay, then straight into the amp.
Yep, people pop off with lots of advice that may work for themselves, but they often aren't really taking your situation or goals in mind. I've had several people actually state that they didn't understand my goals, so therefore I obviously didn't, so they were going to substitute theirs instead. Apparently, in their world I was going to want to be in a Motown cover band or something. Then they bloviate on about what would reach their goals for me.
Thanks guys, this place can make you think "Maybe I am wrong. Maybe I want to play mellow Carpenters-style tunes." Some days I do, but it's a rare day.
Happy birthday @Turkeypills ! Here's what came up when I google searched Sunn+Birthday, so yeah, let's roll with it.
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In other news, Sam's thread has stirred up quite some fun in the general population.
I like that there are a couple people who aren't into it, but get that for what we do it's right.it's by far the most responses a thread of mine has ever generated
Would really depend on the cabs in question.Sudden question:
Does anyone here tune to low G standard?
If you do, do you prefer 410 or 215 cab?
And well, other than the EQ's not necessarily in the traditional spot, just about any amp head can be used for bass, provided you use speakers that are made to handle the frequencies.
In that vein, when I was making a demo of a song idea; out of laziness I just plugged my 6W VHT Special 6 Ultra into my GK cab, and cranked it. I loved it immediately. It sounded better than any bass amp I've owned. It was groany, beautiful, soft distortion, and lots of it. I played it that way for a week, made some demos, confirmed that it woulldn't keep up with a drum set with two cabs, then started looking for a bass amp with a lot of gain. My band's probably more Texas Acid Punk (think Scratch Acid/Butthole Surfers-ish) than Stoner/Doom, but I have a Super-Fuzz, and reason to use it. So, tonally we're probably speaking the same language.
It quickly became clear that I was going to have to spend a lot to even get close to the gain of that 6W motherscratcher in a traditional bass amp, and even then it was doubtful. Channel switching to accommodate the best qualities of the Super-Fuzz was going to be a feature that would be hard to come by. Then, I realized that my Traynor YCS-100 was sitting right there. Sure it's a guitar amp, but It's got 100W (you can barely hear the difference between 100W and 200W) and three channels with separate EQ and effects controls: a Fender-ish clean channel, a Marshall-ish gain channel, and a high gain channel that sounds like S.O.D.'s guitar track.
I plugged it in, and wondered what I ever saw in the VHT. It sounded just as good, but bigger in every way. The EQ is funky, but it seems active. Treble/Mid/Bass all at zero = silence. If it's in the wrong place, it's still versatile enough to work. When I used it at practice with a single 15", it was plenty loud enough at 40% on master. My bandmates commented that the low end sounded fuller, without being overpowering. I'll probably bring both the 15" and the 4x10" to the next show just in case, but I would do that with the 500W G-K fusion, anyway. If for some reason the PA isn't adequate, I can always preamp the G-K with the Traynor (the Traynor can run as just a preamp, provided you don't run the power tubes).
So, has anyone else decided that a high gain guitar amp is exactly what the doctor ordered when you are sick and tired of people talking about clean headroom?