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Stoner/Doom Bassists Thread, Part 90: Maxed Out

Hey all, first time posting on TB and it's a beginner question for the more seasoned sludge/stoner players on here...

I recently started playing in a sludge band and am new to using fuzz. I keep my DOD 250 on all the time for a little dirt but am wondering how you guys utilize fuzz. In general, do you keep it on all time, have it on most of the time with the exception of some clean intros/outros/whatever, or kick it on sparingly when needed.

Looking at some influences (Brainoil, etc.) and it seems like they use it all the time for their basic tone. Searched for some info on this but can only find stuff on chain placement. Like I said, pretty newbie question.

I also use a DOD250 as an always on dirt (gain around noon) and recently started to stack the new EHX Russian Muff on the top of it for thicker parts. Works a charm.
 
Thanks for the reply. Yeah, I totally get that. Finding your own sound is important. But in addition to listening to how my tone works in the mix, I'm listening to bands I like to see how they get their sound, and talking (or writing) to people who have come before me.

I'm not going to do exactly what you do if it doesn't sound good to me. Just interested in how others use that effect.

Here is the thing. I am going to sound like me no matter what amp I play through, Same for you.

Lots of guys here would tell you that they want a little dirt from their amp at minimum all the time. That works for them. It may not be what you need though. It depends on your songs, and your mix. It is ok to have it on all the time, but it is ok to be clean too. There are a bunch of "it depends" here.
 
I tend to run 3 or 4 gain stages. I run my amp pretty clean to where i might get a tiny bit of break up if i dig in hard, then i have a dunwich volt thrower i use for guitaresque gain and a mountainking megalith fuzz if i want a really woolly fuzz part. Then its all about matching up the gain stage to the atmosphere we are trying to create.
 
I typically don’t stack dirt, as I prefer to just find the tone I want in a single pedal. The only exception is for parts I really want to stand out. For that, I have found that my GK Rails excels at both light dirt on its own and a dirty boost when run before my other dirt. Ditto on the Trans-Boost, but when run after dirt. I run DOD BiFETs for clean boosts on guitar and love them.
 
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Is it possible for a doom\stoner\sludge band to be viable in today's market if they tuned to E or D?
Thoughts?


most of our stuff is in Eb. Tuning low only does so much. too many bands use it as a crutch and end up writing some extremely mediocre stuff...monolord cough cough.


a good heavy song will sound good and heavy in any key and on any instrument.
 
My Cataldo NR41 came in today. Rad bass
007C59A8-3426-42EC-9BD1-CF417A8ABC64.jpeg
 
most of our stuff is in Eb. Tuning low only does so much. too many bands use it as a crutch and end up writing some extremely mediocre stuff...monolord cough cough.


a good heavy song will sound good and heavy in any key and on any instrument.
Aww...I liked Rust :(

Some bands do use it as a crutch in some places I like it. Cathedral never abused it too much. With the Dead's first CD was good for me, the second relied a little too much on the low droning. I don't mind that Crowbar is down around A sometimes. I don't know what Spaceslug tunes too, but I've been really digging them lately. I definitely like my death metal in the D to B range.
Playing it is a different story. I'm tired of screwing around with finding strings that work in C, or converting 4 strings to B. With my next project I think I'm going to push for D. The strings are easy to find and I don't have to mod the bass too much.
 
Aww...I liked Rust :(

Some bands do use it as a crutch in some places I like it. Cathedral never abused it too much. With the Dead's first CD was good for me, the second relied a little too much on the low droning. I don't mind that Crowbar is down around A sometimes. I don't know what Spaceslug tunes too, but I've been really digging them lately. I definitely like my death metal in the D to B range.
Playing it is a different story. I'm tired of screwing around with finding strings that work in C, or converting 4 strings to B. With my next project I think I'm going to push for D. The strings are easy to find and I don't have to mod the bass too much.

I just started using the Daddario Balanced tension 50-120 for C standard on my 34" scale Thunderclapper and it is working pretty good, ~31 lbs of tension per string. For reference ~31 is just a bit below a standard E strings tension with .100s