Alright, well, here it is. It's surprisingly usable, but unusable at the same time. I didn't play around too much with settings, because I felt that this wouldn't really be about "nuance" or "subtlety". Settings are in the pics, and I used my favorite settings for the most part. I realize that's not too in depth, but again, nuance and subtlety are not the intended goal here (I assume, at least).
I started with both Arions, just to see. Incredibly grindy, loses some bass (but less than I had anticipated) and sounds glitchy on anything from the D on my A string. Usable in specific settings, but not my style. Couldn't imagine it being used for an entire song, except maybe by some noise artist or something. Still, I've heard worse bass tones, especially high gain ones.
Then I cranked one Arion into a single PD-7. This was very much a usable tone. Added some grit to the Arion, but also compressed it to be more "in your face" and seemed to recoup some bass. I could see using this for some doom or slower death metal tones no problem. Again, though, higher pitched tones often got a bit too glitchy and processed for my tastes, but I could live with it if it worked for the song. Adding the second PD-7 to this just accentuated it more. Again, usable tone, but nothing too different besides slightly more gain and treble.
Doubling up on PD-7s just sounded like a single PD-7 on distortion setting (I prefer the OD setting), but with slightly less treble. Very usable, and if the second one is on "clean" it's basically just an extra EQ boost.
Everything on sounded like a crazy glitch fest. Enough bass for low notes, but incredibly glitchy on most other stuff. Unusable for me, maybe for some noise/doom stuff. Kinda like Electric Wizard, but not really, if that makes sense. At least in that incredible wall of distortion tone, but sounding different. For me, this tone would best be served for heavy industrial type stuff. I could see it being put to use there quite well.
Guess that's all. Hope you enjoyed it!
View attachment 4053072