*** am I looking at here...
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*** am I looking at here...
Yeah there's been a few bands I've been in where we'd have a song or two that I would switch over for, for exactly that reason. I favored stainless steel picks on those occasions. Did a hired gun session where the producer requested a pick specifically (though he didn't like my steel picks and had me use a regular plastic one).
I can "do" it, just never put in the time to get "good" at it. Been telling myself I should get around to it for the past 10 years or so. Much like everything else in my life.
So were you using flats for doomier stuff? If so, what strings? Just curious because you don't really see that often, and I love flats but I have yet to get any that are stiff enough for C-standard and bright enough for doom. My experience is very limited though!
I posted this in the basses section but Squier has some cool looking stuff coming out:
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I really like this medium scale jag:
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I used .88's for guitar and I'd use em for bass if/when I work pick into my bass playing.Tortex .88 club!
I tried so many picks. The most disappointing were the metal ones, I thought they would have sounded metallic but it doesn't work that way, apparently
Oh, I bought new strings for the Peavey T-40:
EPS330 ProSteels | Bass Guitar Strings | D'Addario
I hope that 107 won't be too light to tune it in C
I chose this set to have the top strings lighter so chords will sound better (hopefully)
If chromes aren't bright enough, Cobalt Slinkys will be. I think they have a set with something heavier than a 110, not sure though, but I think there's a 5 string set.
So for people that play without pics in metal groups, jam sessions, or the like... Do y'all find yourselves beating the crap out of your strings like Geezer or are you cutting through with less aggressive styles?
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I would feel castrated with thoseJust cuz...
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Thats not a rig, its a spoon.
So for people that play without pics in metal groups, jam sessions, or the like... Do y'all find yourselves beating the crap out of your strings like Geezer or are you cutting through with less aggressive styles?
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You ever use the SF300 and Green muff together?I second (or third /fourth?) the suggestions of the EHX Green reissue and the superfuzz. The Behringer SF-300 is a cheap clone that's great fun. Together can be had for (significantly) less than $100 and IMO a good starting point in any body's fuzz journey
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I don't feel that I'm beating the crap. I feel that I play firmly. I developed this when I played viola, where a good technique is your only chance of being loud, and boy did I want to be loud.So for people that play without pics in metal groups, jam sessions, or the like... Do y'all find yourselves beating the crap out of your strings?
not for any useful soundsYou ever use the SF300 and Green muff together?
Haven't tried the Cobalt Slinkys yet. What's their lifespan? I've had the Chromes on for about 8 years or so, and I have no complaints. I've been interested in the Cobalts, but haven't needed to switch.
Just cuz...
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That rig is sick.Those are Ibanez right? I'm not big on headless, multiscale, 5 or 6 string, or coffee table burl finish (though they look amazing) or even wild about active electronics, but for some reason those Ibanez basses just keep making me want to get one. I think they look great, and I've always been a fan of Ibbys ergos and quality. The "lower" end solid color ones are something I'm seriously considering picking up. Surprisingly on the fence between the 5 string ss multi (which would normally never be specs I'd jump for) or the 4 string ss.
Probably wait for more to hit the used market, but thats not a knock. Seems quite the bass for $1k.
Yeah both Ibanez. This is my first 6 string, and somewhat of an experiment to see if I can be happy with a 6 string as my only bass. I've got a new set of Chromes that will go on it in a bit after it's had more time to acclimate to the ultra-dry air here. I love Chromes on the 5. FWIW, the degree of fanning Ibanez uses isn't nearly as noticeable as Dingwall's. This is not to say one is better than the other, but just to say that the multiscale isn't as noticeable most of the time with the Ibanez. (Don't get me wrong, though, I love my Dingwall and a headless 5 or 6 string Dingwall would probably be the absolute perfect bass for me.)Those are Ibanez right? I'm not big on headless, multiscale, 5 or 6 string, or coffee table burl finish (though they look amazing) or even wild about active electronics, but for some reason those Ibanez basses just keep making me want to get one. I think they look great, and I've always been a fan of Ibbys ergos and quality. The "lower" end solid color ones are something I'm seriously considering picking up. Surprisingly on the fence between the 5 string ss multi (which would normally never be specs I'd jump for) or the 4 string ss.
Probably wait for more to hit the used market, but thats not a knock. Seems quite the bass for $1k.