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————————————-Good luck!
I will contend I am a worse Las Vegas person. I don't drink much, but I do gamble. And I know to stop when I'm up! I go with a set amount of cash (typically $20-40) and my rule is that I either lose it or double it, but that's when I stop. I went to Vegas for the first time recently, and when I doubled my money, I quit. The wife protested, but ages ago we'd go to the local casino occasionally to kill time, and I kept track of our winnings. She lost about $200 total over the course of the few years (so not much at all, considering the time frame), but I was up about $300. Not that I won every time, but overall, when I made some cash, I stopped! Casinos probably don't like me, but thankfully for them, there are many who don't stop and lose plenty.
—————————-What tuning are you aiming for? The Harris strings would kill my MiM's neck (maple) in E-Standard. C-Standard would be fine.
I'd recommend you using Chromes in E. They are flats with enough highs that you'd need for emulating Steve's sound.
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(*bump*)
Has anyone else used the SH77 flats for strings???
My P should be coming in two days or so and this comment has me kinda worried they are gonna put too much stress on the neck if I tune to E based on this comment…
Granted I did read some reviews where they complained they had to adjust the truss rod to make them more playable, but reading that quote stressed me out…
I mean I suppose I can always look for another set of flats, but hopefully I didn’t screw up picking those strings (I like heavy gauge strings and I’m already play .110s even though they are rounds)…
I do plan on taking my new Bass to a luthier for a setup and a restring in the not too distant future, so hopefully they can help me out there…
In the meantime I’d be curious to know if anyone else here has played .110 flats tuned to E and found that setup unplayable/difficult…My hands are pretty large and moderately strong so it’s not something I had really considered as a potential problem…
Thanks! \m/
So, out of the blue, I get a text from a guy I used to work with years ago. He's now playing guitar and singing in a full-on dad band and wanted to know if I'd like to join. I'm not doing anything but sitting in my basement making noises on the bass, so I told him sure. Not a heavy song to be seen in the practice list, but, what the heck, it's a project. So, I'm going to have to learn some yacht rock tunes. And these guys are a good bit better than me, so I'll have to offer the only thing I can: a good hang.
Good man!cashed out immediately and went and bought a pair of running shoes with my winnings
Totally serious. Hands up in the open claw position sideways shuffle, and the Three Stoogian "Woop woop woop".
Can't help you because I wouldn't even try that. I like lower tension and I think I have a softer than average touch with my plucking hand (though I don't know of any way to objectively determine that). A .110 E string, particularly with flats, is not something I'd be likely to go anywhere near. Even on my Mikro the E string is a .105 round. That said, vive la difference! You've got very little to lose by giving it a try.In the meantime I’d be curious to know if anyone else here has played .110 flats tuned to E and found that setup unplayable/difficult…My hands are pretty large and moderately strong so it’s not something I had really considered as a potential problem…
———————————————Totally serious. Hands up in the open claw position sideways shuffle, and the Three Stoogian "Woop woop woop".
I loved them for about a week.—————————-
(*bump*)
Has anyone else used the SH77 flats for strings???
My P should be coming in two days or so and this comment has me kinda worried they are gonna put too much stress on the neck if I tune to E based on this comment…
Granted I did read some reviews where they complained they had to adjust the truss rod to make them more playable, but reading that quote stressed me out…
I mean I suppose I can always look for another set of flats, but hopefully I didn’t screw up picking those strings (I like heavy gauge strings and I’m already play .110s even though they are rounds)…
I do plan on taking my new Bass to a luthier for a setup and a restring in the not too distant future, so hopefully they can help me out there…
In the meantime I’d be curious to know if anyone else here has played .110 flats tuned to E and found that setup unplayable/difficult…My hands are pretty large and moderately strong so it’s not something I had really considered as a potential problem…
Thanks! \m/
—————————————Never used em myself, but yeah they are real high tension from what I've heard. Now they could just be stiff as hell (flats typically are more stiff at same tension as an equally thick round wound) and that people are calling them higher tension, but I don't know.
Does Steve tune to E? Do you have reservations of tuning to Eb or D standard? For whatever reason, Eb is a ton of fun. It gains a lot of the heft that drop tunings have, loosens tension a little without going floppy, and doesn't throw your head off too much with the fretboard. D does the same for me, but having that open Eb is awesome IMO.
I did that for a short bit, and although it was great, obscure blues and classic rock, the hang was great and expectations were low. In fact I got to try a lot of stuff as long as I kept it from being too crazy. I actually learned a lot and got better on the fretboard because of the repetitiveness allowing exploration.
Between that stuff and hired gun gigs, I feel like I almost get better from learning that stuff. At the least I always seem to learn something new.
On a side note, not sure if I posted this before, but I'm a believer for RCO pedals. The guy's legit. Recently took a chance on the Black Ash clone (Carbon), and he delivered in spades. With my eyes closed and stomping both it and my original at the same time to switch back and forth, I couldn't even tell which was which. Furthermore, the slight voicing difference I could sometimes, sometimes hear, would never be noticeable by anyone in a mix. I sure as hell wouldn't notice. Feel and everything else was identical. The best comparison would be how close the waza HM-2 and original sound in the comparison videos. Anyway, for $75 compared to $350, it's a no brainer. So much so, that my Ash is already gone...
The other, MT-X, an Ibanez 10 series mostortion clone is damn good too. The build quality is great, so glad I took a chance with Ryan's work, totally worth it. He's quick to respond and he's offered putting together custom requests too. Can't recommend enough to anyone looking for something on the budget or rare. View attachment 4451076
—————————————————————I loved them for about a week.
I prefer super stiff strings so that wasn't a problem.
They were clanky and gnarly and awesome, sound just like Iron Maiden.
Then they died and lost ALL overtones and sounded like some thumpy garbage.
Apparently Steve Harris puts a fresh set on before every show, and I believe it.
Chromes got me in the same ballpark, but last much much longer. Just get a heavier gauge if you really want the stiffness.
Random Funny story-Sweetwater was sold out of a P case so I ordered one thru GC…
I spent about 20 mins thinking they had shipped me a case that somehow locked in transit with no key…Tore the f-ing box apart looking for a key
Called customer support and got a hold of someone who clearly did not use English as a first language…They tried to convince me I needed to buy a key so they could ship it to me…
Was about to march into my local GC and demand Satisfaction, but thank God I Googled that question and found this video (hey the Internet CAN be useful sometimes):
Turns out the key was in fact inside the case once I figured out how to work the spring latch (that’s kind of a weird design IMO, but whatever…A 3” piece of paper accompanying the case that tells you to slide the spring latch would’ve been nice…
Felt a bit foolish after that, but it beat wasting an hour of my life driving over to the store and back over something so minor…(Admittedly I did feel better when I considered that my spouse couldn’t figure out how to work the latch either and she’s a LOT smarter than myself)…
So the lesson here is-When in doubt ask for help…
Also, thanks Google-Sure, you spy on me and probably almost every other person on the planet 24/7 and you’re probably going to become sentient like SkyNet at some point, but I did appreciate the assist on that one…
Hopefully that case won’t be empty much longer…
Thanks! \m/
—————————————
Turns out the key was in fact inside the case once I figured out how to work the spring latch (that’s kind of a weird design IMO, but whatever…A 3” piece of paper accompanying the case that tells you to slide the spring latch would’ve been nice…
I have also read that flats are a bit more comfortable to play than rounds (pretty sure I asked something along those lines in this thread a few pages back)…Every now and then I wish that my strings didn’t feel quite so “pointy” (for lack of a better word)…
Was about to march into my local GC and demand Satisfaction, but thank God I Googled that question and found this video (hey the Internet CAN be useful sometimes):
Turns out the key was in fact inside the case once I figured out how to work the spring latch (that’s kind of a weird design IMO, but whatever…A 3” piece of paper accompanying the case that tells you to slide the spring latch would’ve been nice…