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Stoner/Doom Bassists Thread, Part 90: Maxed Out

Can anyone make a recommendation on a Model T pedal? Looking at the Model feT but I know there are a few options out there (Acupulco Gold?) so I figured I would get some input from people that play the same stuff I do.

The signal chain will most likely be P-Bass --> PEDAL --> Ampeg Micro VR as my live pedalboard is pretty set.
 
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Can anyone make a recommendation on a Model T pedal? Looking at the Model feT but I know there are a few options out there (Acupulco Gold?) so I figured I would get some input from people that play the same stuff I do.

The signal chain will most likely be P-Bass --> PEDAL --> Ampeg Micro VR as my live pedalboard is pretty set.

Acapulco is pretty damn good. A little low loss, but how much I can't recall. Almost strictly use it for guitar.

I do recommend checking out Hilbish. That'll be a home run.
 
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Can anyone make a recommendation on a Model T pedal? Looking at the Model feT but I know there are a few options out there (Acupulco Gold?) so I figured I would get some input from people that play the same stuff I do.

The signal chain will most likely be P-Bass --> PEDAL --> Ampeg Micro VR as my live pedalboard is pretty set.
Kuro Exegol is based on a 1st gen Model T and includes some power amp simulation. I recently got one and it sounds great, but I haven't been able to do a proper shootout.

The Ground Fx Burning Sunn has served me well for a couple of years. It doesn't have power amp simulation and I find it lacking in a couple of areas (tone control and headroom) but it sounds absolutely amazing.

The Acapulco is not based on a Model T, just inspired by its sound whatever that means. It seems cool and I intend to make a clone at some point, but it's not what you're looking for if you want an actual Model T replica.
 
What up, hippies? I got nothin'. Well, a bit of something. Found out the battle Dachshund has renal failure, as she is 15 years old, so the clock is ticking for her trip to the Rainbow Bridge. That makes me sad, but, it's the contract we enter when we bring them into our lives.
I'm sure you gave her a great life, which is what really matters. Enjoy the time you have left with her.
 
What up, hippies? I got nothin'. Well, a bit of something. Found out the battle Dachshund has renal failure, as she is 15 years old, so the clock is ticking for her trip to the Rainbow Bridge. That makes me sad, but, it's the contract we enter when we bring them into our lives.

Sorry to hear it, duder. We're a 'no babies but fur-babies' family over here. So I can only imagine it's rough - especially after 15 years. A buddy of mine is going through the same with his pup right now. He said with his last dog they planned a final hurrah weekend when he was near the end - two days of all his favorite parks, steak, ice cream, unrelenting pets, etc. Hope you can make the most and keep her comfortable for the time she's got left...
 
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Sorry to hear it, duder. We're a 'no babies but fur-babies' family over here. So I can only imagine it's rough - especially after 15 years. A buddy of mine is going through the same with his pup right now. He said with his last dog they planned a final hurrah weekend when he was near the end - two days of all his favorite parks, steak, ice cream, unrelenting pets, etc. Hope you can make the most and keep her comfortable for the time she's got left...
We're the same: animals, no humans. She's already lived the life of Riley, the little spud.
 
IMG_20220412_135636425~2.jpg
Moving back into the Doom Room.
 
Just out of curiosity, have you guys tried using EQ to boost the low end after the Acapulco Gold?

That's a good call, I have not. When I get a chance, I'll give that a go. And yeah @YawningJorin is right about the AG being based on, not a clone/etc. It's based on a T with every knob cranked, and it does amp blowing up blooming explosiveness extremely well. I have the ability to blend, not sure why I haven't tried that either. Hopefully will have time in the near future, but I need to finish some projects.

What up, hippies? I got nothin'. Well, a bit of something. Found out the battle Dachshund has renal failure, as she is 15 years old, so the clock is ticking for her trip to the Rainbow Bridge. That makes me sad, but, it's the contract we enter when we bring them into our lives.

Glad to hear she had a great time, best wishes for the transition and future.

On a side note, I meant to comment on your idea of tilting the amp and using a stool. Personally, outside of being able to shake everything, when there's enough volume, that's what makes the large cabs so valuable.

For stage volume alone, a 2x12, 1x15, 4x10 is plenty. If you've ever played a 4x10 and only had room to stand like 5-10ft in front, you know you dont hear yourself well. You end up being way louder to the crowd.

The fridge, 2x15s, 4x12s all bring speakers much close to your ears. Yes they can move a ton of air and that's one of the best things about them, I love having the feeling of sounds enveloping you physically. It's something to behold for sure. But yeah being close to your ears so you can hear yourself in a mix is huge. Ever vertical I ch does make a huge difference. I like the ampeg 6x10 better tone wise than the 8x10 I borrowed for most gigs with a band way back. What's funny is that I could hear myself on stage way better with 8, so I passed the 6s on. 10in of height difference made that much impact. I remember pushing the 6x10 so hard to get the same stage volume.

2 funny things I've got to mention about cabs too. First is that moving an 8x10, etc, is not bad if you have a friend (for stairs) and the right vehicle. The bar and wheels make moving em way easier than any 4x10, you just need to roll em up or down stairs and an extra hand makes that easy for sure. But in and out of cars and rolling around was so much easier than a 4x10 being carried even 20ft.

The other was I normally only used a 15w 1x12 Vox for the "guitar" octave of my signal chain with my band when we were gigging. I put it on top of my bass rig 2x12 and head, so it was about chest height. I'd have that matched to my bass volume and it never went more than noon on the master. Surprising to some bit, of 15w vs 500w, but height makes a big difference, and frequencies being pushed too. I digress, the point was, that every engineer I asked said they didn't even put the guitar in the PA since it was loud enough to carry the whole venue as is, because it was so much higher than anything else!
 
That's a good call, I have not. When I get a chance, I'll give that a go. And yeah @YawningJorin is right about the AG being based on, not a clone/etc. It's based on a T with every knob cranked, and it does amp blowing up blooming explosiveness extremely well. I have the ability to blend, not sure why I haven't tried that either. Hopefully will have time in the near future, but I need to finish some projects.



Glad to hear she had a great time, best wishes for the transition and future.

On a side note, I meant to comment on your idea of tilting the amp and using a stool. Personally, outside of being able to shake everything, when there's enough volume, that's what makes the large cabs so valuable.

For stage volume alone, a 2x12, 1x15, 4x10 is plenty. If you've ever played a 4x10 and only had room to stand like 5-10ft in front, you know you dont hear yourself well. You end up being way louder to the crowd.

The fridge, 2x15s, 4x12s all bring speakers much close to your ears. Yes they can move a ton of air and that's one of the best things about them, I love having the feeling of sounds enveloping you physically. It's something to behold for sure. But yeah being close to your ears so you can hear yourself in a mix is huge. Ever vertical I ch does make a huge difference. I like the ampeg 6x10 better tone wise than the 8x10 I borrowed for most gigs with a band way back. What's funny is that I could hear myself on stage way better with 8, so I passed the 6s on. 10in of height difference made that much impact. I remember pushing the 6x10 so hard to get the same stage volume.

2 funny things I've got to mention about cabs too. First is that moving an 8x10, etc, is not bad if you have a friend (for stairs) and the right vehicle. The bar and wheels make moving em way easier than any 4x10, you just need to roll em up or down stairs and an extra hand makes that easy for sure. But in and out of cars and rolling around was so much easier than a 4x10 being carried even 20ft.

The other was I normally only used a 15w 1x12 Vox for the "guitar" octave of my signal chain with my band when we were gigging. I put it on top of my bass rig 2x12 and head, so it was about chest height. I'd have that matched to my bass volume and it never went more than noon on the master. Surprising to some bit, of 15w vs 500w, but height makes a big difference, and frequencies being pushed too. I digress, the point was, that every engineer I asked said they didn't even put the guitar in the PA since it was loud enough to carry the whole venue as is, because it was so much higher than anything else!

Thanks from the battle Dachshund.

I'm going to be prowling the thrift stores for a nice comfy footstool. I figured that would give me something to sit on during playing and the breaks we have to take, sadly and humorously, because we all have old joints and hands and they start to hurt after playing for a while.
 
Was playing along to the iPad last night, and I'll be damned if I can figure out the proper notes to AC/DC songs. Sometimes I'll play a half step down and it will be right, then it's at standard tuning, then it's some weird off-tuning. I doubt that my tin ear helps.