Oh my yes, I've had the same experience. It's certainly not bad, the guitar for Black Dog was played through a compressor (with compression off, so it's really a preamp) driving another compressor really hard and straight into the board from there. Through that and EQ massaging it sounds like a normal guitar track.
Funny you should mention that; the Beatles derived the fuzzy guitar sound of the “Revolution” single by plugging in directly, and overloading, the mixing board. But more interesting is that the advent of ‘fuzz’(as opposed to just amp overdrive)came from another similar situation, but by accident(actually equipment failure)and it involved an old school 6-string bass. In 1961, smooth Country star Marty Robbins was recording a track, and a component in the channel strip with the Dano failed, creating drastic clipping/fuzz. Robbins hated it, but the producer insisted that the unusual sound be left in. An engineer, intrigued by it, figured out the ‘problem’, created a module, and sold it to Gibson, who marketed it under the Maestro brand. It’s what you hear on the Stones’ “Satisfaction”.
Here’s the track, buzzing starts at 1:25…
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