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Stoner/Doom Bassists Thread, Part 90: Maxed Out

i only use fuzz pedals if child porn is etched on the box.

How much bee could a beebass be if a beebass could be bass?

I don't even know what's happening.

I think I want to get a W&C Mercy Phuk. No idea how they sound on bass, but I was listening to some guitar demos this morning and it had a really cool sound to it. Just sat in a mix nicely, had a cool baked in voicing to it. I really like my Pickle Pie B, the gain and tone knobs are so much more usable than most fuzz pedals I've owned, all the way around the dial. Throw in the clean blend and it really does a lot. I wish they would make something similarly bass oriented but in the OD/Distortion realm.


EDIT: Oh yeah, Bryce, your tracking shows the Ibanez bass arrived!
 
Regarding fuzz use: I often find that a grindy OD tone works better for me than all-out fuzz (blankety or buzz saw). That's coz my guitarist usually goes for fuzz tones and the mix can get pretty muddy when I do, too. Sometimes it's a cool wall-of-sound effect, sometimes it's a less-cool bog of murk. I usually end up preferring a cutting OD instead to get some separation in the mix.

Among all the dirt and combos of dirt I've tried, I almost always come back to the Sheehan OD into BDPG, for recording at least. For live I'll just go with whatever dirt's suiting my fancy at the moment and can get gnarly.
 
Regarding fuzz use: I often find that a grindy OD tone works better for me than all-out fuzz (blankety or buzz saw). That's coz my guitarist usually goes for fuzz tones and the mix can get pretty muddy when I do, too. Sometimes it's a cool wall-of-sound effect, sometimes it's a less-cool bog of murk. I usually end up preferring a cutting OD instead to get some separation in the mix.

Among all the dirt and combos of dirt I've tried, I almost always come back to the Sheehan OD into BDPG, for recording at least. For live I'll just go with whatever dirt's suiting my fancy at the moment and can get gnarly.

I like both, for different things. I just want all the pedals. As much as I love fuzz, my actual favorite tone for bass just by itself is overdrive, kind of light, just enough to make it sound big and grindy.
 
i've yet to play a show perfectly. There is always at least one major (for me) fvck up. But practicing is soooo not kool. :bassist:

playing a perfect show is next to impossible. theres always something you can play better. i definitely dont have major screw ups every show, but little blips here and there are what make live music human (strike a note funny, miss a small transition, play a fill a little awkwardly, etc). id be weirded out if i saw a band play a 100% flawless show lol (sleepytime gorilla museum is the closest ive ever seen a band come to absolutely flawless live).
 
Playing a perfect show is like having sex with two women at once. It's not impossible but it doesn't happen as often as the pros would lead us to believe. And they are both allot easier if you don't aim too high.
 
I go through most shows without missing a single note, and I've never had one major screw up that any normal audience member would ever noticed, but I still get the bubble guts on show days haha.

I don't get nervous but I do get hyper and anxious. I've been doing this more than half my life so it's second nature at this point.

I think big stages or huge crowds might make me feel differently though.

Fortunately, I'll never have to deal with those.

I used to worry about my hands hurting too much to play. I've had some cramp-ups and mishaps but I just switch up my playing when it hurts and go back to normal when it stops hurting. This can happen several times a song.
 

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