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Stoner/Doom Bassists Thread, Part 90: Maxed Out

I got my Carvin and my iMac sold at last. Made back most of the money I had to spend on dental work. I was thinking about sending my pine P bass body off to get professionally refinished now, since it's been sitting out in my shop forever and I don't have any free time to practice getting better at painting with an HVLP spray gun. I've got all the parts sitting, waiting to finish the build. Part of me thinks I should just build a new one from scratch, much quicker and better than the pine body, and have that professionally painted.
 
I got my Carvin and my iMac sold at last. Made back most of the money I had to spend on dental work. I was thinking about sending my pine P bass body off to get professionally refinished now, since it's been sitting out in my shop forever and I don't have any free time to practice getting better at painting with an HVLP spray gun. I've got all the parts sitting, waiting to finish the build. Part of me thinks I should just build a new one from scratch, much quicker and better than the pine body, and have that professionally painted.

Did you sell the iMac you just bought?
 
@satori when is the last time anyone besides me mentioned the CL 400 to you?
People on the amps forum mention it. Not just you.

Link Removed

Sometimes things happen and it's almost like I'm a real musician.

If you're interested in reading something where I go way more in depth about bass gear than I probably needed to.
Never. I like hearing about what gear people use.

You needed more gear talk I think.





Uuugh now begins the GASing for one of these again.
I never stopped GASing for one. I GAS for many things. I just don't even have the money to fix the stuff I have.

Sartori, I bought the pickup and was told it was out of a... 78 or 79 (I can't quite remember, I know it was late 70s). So I guess it's out of a 4001.
Those years, it's probably a high-gain, rather than a toaster. I'm intending to eventually get a toaster pickup for my Peavey.

Speaking of tacky looking basses, I just can't get into spalted maple at all. Yuck. Same goes for about 75% of that zebrawood stuff.
A coffee table book about coffee table basses. :p
Spalted is cool with me if it's just a little. Same goes for lots of figuring. It depends on context.

It definitely does. On some instruments, it's fitting. On others, I find it really gaudy.

I like some instruments made from barnwood more than I could ever enjoy spalted/marbly tops.

If I had the skill I'd build a neckthrough bass with railroad tie wings for the body.
This is true. My Rickenbacker has a bit of interesting grain, but just a little.

Oh...well then...this is awkward
View attachment 462106

But in all seriousness, I'm not a fan of spalted tops either. And what I find really yucky are the excessively flamed/quilt tops on Gibson Les Pauls. A little flame I'm cool with, but I'm a way bigger fan of plain tops.



Some mofo named Max Carl just added me on FB, you know this guy? He's got all these peaveys as his cover photo...
Overly quilted ones are the type I feel are the most gaudy. Especially with bright gold hardware. Really not my thing.
 
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You liked that post 4 hours and 45 minutes ago, just get around to reading it now? :D

I was at work so I liked it then responded on a bathroom break.

Interesting Tbird. I'd rock it.

That is awesome, I've never seen one like that. What year is it?

It's a 2007, that year they did like a guitar for every month or something. It doesn't get much play time as I've never quite adjusted to the shape of the neck and have my Fenders, but it sounds great and looks boss, so I keep it around for recording.
 
Oh...well then...this is awkward
View attachment 462106

But in all seriousness, I'm not a fan of spalted tops either. And what I find really yucky are the excessively flamed/quilt tops on Gibson Les Pauls. A little flame I'm cool with, but I'm a way bigger fan of plain tops.



Some mofo named Max Carl just added me on FB, you know this guy? He's got all these peaveys as his cover photo...

DAT GRAIN...and yes my middle name is Carl.


I hate it.
 
sunn 2000s - mine had an absurdly deep voicing and did not really break up harshly when overdriven, very heavy due to the huge transformer, loud even with a 115
d180 - way more mids and a very focused sound whether full grind overdriven or not, capable of bright cutting tone, weighs half what the sunn head weighed, can get warm and vintage sounding at more controlled volumes, loud with a 215, seemed to be too much amp for a 115
 
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sunn 2000s - mine had an absurdly deep voicing and did not really break up harshly when overdriven, very heavy due to the huge transformer, loud even with a 115
d180 - way more mids and a very focused sound whether full grind overdriven or not, capable of bright cutting tone, weighs half what the sunn head weighed, can get warm and vintage sounding at more controlled volumes, loud with a 215, seemed to be too much amp for a 115
Yeah, I've noticed that D.M.N. often boosts his treble a lot on his 2000S... I can't imagine doing that on my D-180.
 
DAT GRAIN...and yes my middle name is Carl.


I hate it.



Yeah, I've noticed that D.M.N. often boosts his treble a lot on his 2000S... I can't imagine doing that on my D-180.

Yeah, I always run mine with treble on 10 and bass on about 2, contour adjusted depending on the bass and situation. But I also go for a pretty mid and treblely tone.
 
What setting you guys use with your Ultimate Drives?

image.jpg

Bronco new roto steel 66's > UD> mine into the mb500 with flat gain, treble and bass, maxed hi and low mids and the master nearly turned off into the bassic it's quite loud.

Those roto steel 66's are awesome they give me most of the tone I associate with full scale to the short scale bronco.

Time to dump that mb500 wanna try something else.
 
What setting you guys use with your Ultimate Drives?

View attachment 462140
Bronco new roto steel 66's > UD> mine into the mb500 with flat gain, treble and bass, maxed hi and low mids and the master nearly turned off into the bassic it's quite loud.

Those roto steel 66's are awesome they give me most of the tone I associate with full scale to the short scale bronco.

Time to dump that mb500 wanna try something else.
Gain at 1 o'clock
Tone at 10 o'clock
Level at 11 o'clock