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Stoner/Doom Bassists Thread, Part 90: Maxed Out

I just restrung my bass with the fattest string I have ever played with. I had picked up a set of TI jazz flats for my SB-2 NIB but second hand here on TB. It wasn't described in the listing and I didn't think to ask about the scale length or gauge but the price was right so I bit. When I got them I found out they were 36" scale light gauge. They sounded awesome in standard and drop D, and ok in drop C. However, they were just to floppy in C standard or drop Bb. which is what we play in. So I gave in and ordered a low B from bassstringsonline. I got the string today and when I opened the package I just laughed at the power cable my fingers will be dancing on. Now it is strung .136,.096,.072,.057. It sounds great and I am excited to let them settle and make the necessary adjustments. I am curious how the tension increase from essentially uptuning all of these strings will play out. What do you guys think? Good idea/bad idea? Would it be safer to switch the ADG strings back to the original lighter gauges, or will the heavier strings be ok up tuned a half step?

I haven't been able to really find a tension calculator for up tuned custom gauge sets.

flats+fingers+SB-2 into my tortuga fire ant>smoothie>blower box is pretty beastly.
 
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well, they just got the masks 15 minutes ago, and the label was correct, which means it was a new mail carrier or something i guess, i paid the ten bones to have it reshipped, i'm starting to get overly excited again, i want to put the witch mask on the headstock of my L2000 like jerry only's skull
 
The bassist from doom metal band Orodruin plays a Jazz bass. Chris Kosnik from Atomic Bitchwax, Black NASA and Monster Magnet plays a Jazz (identical to the one Sam bought a while back, LPB with the matching headstock, tort guard and ashtrays). I've seen a lot of kind of in the trenches, random low to mid level stoner rock/heavy rock bands using Jazz basses, but I can't recall any big doom metal bands that do off the top of my head. Precisions and Rics tend to be more popular there, but I'm sure there are lots of exceptions.
 
Like I said before I am a P guy at heart. But listening to Acid King and now Olde Growth(still have the other to check out), makes me crave for that dirty punch that a J with heavy over drive can produce. **** my financial future.

I've played both as my main basses and they're both good for different reasons. I like a Jazz type bass more for the kind of tight, grindy tone that a lot of the post hardcore and heavy rock hybrid style bands do. Russian Circles, Young Widows and those types of bands. Though I don't know if either of them have ever actually used one on a recording, a Jazz with an OCD style pedal really nails that kind of sound for me.
 
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Whoa was looking up monster magnet since it just got mentioned. Dave got a little swollen.

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My friends band hosted a house show last night, around 6 bands I think played til 3am and not a single angry neighbor or cop showed up. Was pretty fun. Also had stand up comedy interludes which was pretty fun.
 
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I've played both as my main basses and they're both good for different reasons. I like a Jazz type bass more for the kind of tight, grindy tone that a lot of the post hardcore and heavy rock hybrid style bands do. Russian Circles, Young Widows and those types of bands. Though I don't know if either of them have ever actually used one on a recording, a Jazz with an OCD style pedal really nails that kind of sound for me.

Oh yes, My J with Joyo UD gets me to places where P won't even get near. Also, I noticed that the P doesn't sound that good with the UD.
I'll have to decide which one should be my main bass soon, but I'm waiting for P's novelty to go away.
Besides, my drummer told me he hears no difference :D Go figure.
 
Oh yes, My J with Joyo UD gets me to places where P won't even get near. Also, I noticed that the P doesn't sound that good with the UD.
I'll have to decide which one should be my main bass soon, but I'm waiting for P's novelty to go away.
Besides, my drummer told me he hears no difference :D Go figure.

My Precision with my Ultimate Drive is my main tone lately. Though I constantly get comments from other bassists like "I never could get a P to sound like that!". I have no idea what I do differently. I think the Dimarzio Model P pickup is at least 50% of my bass tone with that setup.
 
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Not that I know of, and that's too bad because he's a great goddamn bass player. So melodic and tasteful, he's been a big influence on my playing (though I'm nowhere near as good).
I never really listened to these guys maybe a few tracks, before today.
But when I jammed with the old band, I think I kind of have the same flavor. Some of his lines are like hey! Also I'm not as good. But that 1999 album reminded me of a lot of jam sessions.
 
Gotta make 200lbs of baguettes and 200 lbs of pretzel buns. Should be a light night. Hoping to be home dooming at 6 or 7.

Why no babies???!? Get 'em started young. ;)
We often ignore this, but let's not kid ourselves. The volumes we play at are damaging to the human ear.

That's a fact.

I wear ear plugs, and even if some people at my shows don't, well, they on some level chose to be there, and chose not to wear ear plugs. That's fine, it's their choice, so I have no problem with potentially inflicting hearing damage on them.

That's not the case with a baby. I'm not okay with bringing people who have no choice in the matter into a situation that will result in physical injury (which, when you get down to the bones of it, is what hearing damage is, even if it is a mild injury) without them having any input or a say in the matter. I don't like parents making me party to the injury of their infants. And while I'm sure some parents do try to protect their babies' ears, I haven't actually seen it done, though I have seen babies at shows.

My opinion is different with kids who aren't babies anymore, because usually they have ear plugs in when I see them with their parents at shows. And while I don't know how the family dynamic works for all cases, I imagine that the parents might have said "do you want to go to the concert with us?" and the kid may have had some choice in whether or not to go.

Anyway, that's enough standing on a soap box for me, but that's why no babies. I'll shut up on this for now.

Good morning Doomers.

Got to roll into Portland this weekend, choke some bitches out, then dash back to Boise. Very fun time.

Learning new songs with Mariana is one of the most painful processes in the world. All the guys are so ADD they just want to move on to playing. So, isntead of getting to work through new parts we just get to jam on our current songs. Taking steps to provide the songs to them all figured out...I write everything on guitar already, basslines are mine, and can track all the drums in EZdrummer/Reaper. Just need to send 'em the new stuff all nice and packaged and say, "learn this **** b!tches! we'll be playing it next week!" Will be interesting how that turns out.
I'm generally of the opinion that learning riffs and song stuff is best done in bassist/guitarist low volume sessions, rather than at rehearsal. Because the drums kinda dictate the volume at rehearsal, in my experience, it's too loud to get much done in terms of songwriting there. Especially if you have more than three people in the band.

Still the heaviest band I've ever seen. I've been to tons of Death Metal shows. I guess it's just the vibe filthy, heavy, fat riffs mixed with booze. Yeah! Their sets are just massive.
I wasn't at this show. I've only seen them 4 times between 2009-2011

I saw them with Graves at Sea. I dunno, maybe it just wasn't that great a show for them, but they weren't quite the amazingness I'd been expecting, though they were definitely cool. Probably didn't help that Graves at Sea played an amazing set to what was basically a hometown crowd, too.

The bassist from doom metal band Orodruin plays a Jazz bass. Chris Kosnik from Atomic Bitchwax, Black NASA and Monster Magnet plays a Jazz (identical to the one Sam bought a while back, LPB with the matching headstock, tort guard and ashtrays). I've seen a lot of kind of in the trenches, random low to mid level stoner rock/heavy rock bands using Jazz basses, but I can't recall any big doom metal bands that do off the top of my head. Precisions and Rics tend to be more popular there, but I'm sure there are lots of exceptions.
Speaking of Graves at Sea, when I saw them, their bassist was playing a Jazz, too. Their previous bassist played a Rickenbacker and an EB-3, I think, though.

I love Rickenbackers, but it does seem odd to me sometimes that they're so popular in the stoner/doom metal community. I mean, not everyone uses one or has even ever owned one, as we established previously in this thread, but way more people do in this genre than among bassists in general.
 
My Precision with my Ultimate Drive is my main tone lately. Though I constantly get comments from other bassists like "I never could get a P to sound like that!". I have no idea what I do differently. I think the Dimarzio Model P pickup is at least 50% of my bass tone with that setup.
This. My jazz and Rat play really well. Still need to mess with the eq a bit, but grindy, bassy, yum yum. I think the rat might have been what I was looking for. The UD is the boost with the jazz, but is the main tone with this $40 MIJ Pbass I scored. Best thing I ever flipped a pedal for.

The Pbass has the natural grunt, and the UD pushes that grunt harder and deeper ;)