They are projecting a delivery date of 04/28You should have one soon and be able to do your own 'Cork Sniffing'![]()

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They are projecting a delivery date of 04/28You should have one soon and be able to do your own 'Cork Sniffing'![]()

The slope for the HPF should be in the Specifications section of the user manual. I only have an early working draft of the manual handy where I was making edits in that area so I'm not 100% sure, but I think it is: HI-PASS Filter Range: 30Hz – 150Hz, 12dB/octave variable, 6dB/octave fixedCouple questions:
—Is the HPF slope 24db/octave? IIRC that’s what the OG Subway+ pre had.
—Is there a Voicing control frequency chart or graph or sumpin that’s out there? Couldn’t find one.
Hope these aren’t too repetitive. I really did look but didn’t find anything. Thanks!
Was also wondering about where that voicing mid dip starts and ends up as it rises in freq. when increased as described.Couple questions:
—Is the HPF slope 24db/octave? IIRC that’s what the OG Subway+ pre had.
—Is there a Voicing control frequency chart or graph or sumpin that’s out there? Couldn’t find one.
Hope these aren’t too repetitive. I really did look but didn’t find anything. Thanks!
If you like tweaking there’s loads of really interesting interactions to be had between the voicing and EQ.I don’t have the schematic with me, but I’m pretty sure it follows the Bass 800D HPF scheme, which allowed me to capture a little more forgiving feel at the expense of brute force control and precision. It’s a very mild tradeoff that makes more sense in the pedal compared with a full amp because the design of the power amp offsets some of the tighter control. Otherwise, all models use the same HPF filter architecture with appropriate tuning for the product as a whole.
The voicing circuit is complex enough that it’s hard to describe accurately. Bands go up and down at different rates and also slide around as the control is turned. You are better off just using your ears for this function, as it can easily become misleading, resulting in false conclusions. Start with the control fully CCW and rotate CW until you are happy, it’s really that simple.
Throw the deep and bright filters into that mix as well and you have even more!If you like tweaking there’s loads of really interesting interactions to be had between the voicing and EQ.
It's even more impressive in person than you might expect from just the spec sheet.Thanks everyone! Appreciate the responses. Here’s a link to the manual. I was looking at a spec sheet and not the manual. Duh.
I’m on the hunt for a fun new preamp. For $200 this seems like a no brainer.
First, your choice to use "affecting" was 100% correct. Second, you are 100% reading the schematic correctly.Ok. One more question: Looks like I can use the Master as a Headphone out volume, without affecting* the DI out, in ampless situations? Am I reading the schematic correctly?
*Or is it “effecting”?
....for extra reassurance, here is a section of the manual that attests to your excellent schematic reading skills and grammatical choice:First, your choice to use "affecting" was 100% correct. Second, you are 100% reading the schematic correctly.
....for extra reassurance, here is a section of the manual that attests to your excellent schematic reading skills and grammatical choice:
MASTER VOLUME – The MASTER control adjusts the output volume to the PREAMP OUTPUT and HEADPHONE OUTPUT jacks but does not affect the level to the DIRECT OUT in either pre or post EQ modes.
Don't feel too bad, I would probably be having the same problem except that I helped write it.I really need to work on my manual reading chops.
The scheme really makes sense when you think about it. The XLR will go to a controlled input in any case, while the line out could go any number of places, including an instrument level input - good to have a control. I too scratched my head for a bit.Don't feel too bad, I would probably be having the same problem except that I helped write it.![]()
Correct.Ok. One more question: Looks like I can use the Master as a Headphone out volume, without affecting* the DI out, in ampless situations? Am I reading the schematic correctly?
*Or is it “effecting”?
I.have one of those laying around just in case LOLI guess when my Subway+ preamp comes, I’ll be retiring this. Ol’ standby…
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I had the original Subway preamp +, it was really great but the form factor was a little too large for my pedal board. I am glad to see that Mesa has changed that. As far as sound, does the new version sound the same as the original or have enhancements been made there as well?Couple questions:
—Is the HPF slope 24db/octave? IIRC that’s what the OG Subway+ pre had.
—Is there a Voicing control frequency chart or graph or sumpin that’s out there? Couldn’t find one.
Hope these aren’t too repetitive. I really did look but didn’t find anything. Thanks!