what sounds good is relative, meaning what sounds good to me, may not sound good to you. and vice versa.
That said...
The last time I was in GC, i saw an amp i wanted to demo. So i looked around and grabbed a new MIA P bass off the wall, $1400. The first thing that struck me about the bass was that it (of course) needed a setup. The action was high and there was too much relief in the neck. No big suprise. The big suprise was the generous amount of fret sprout, and i mean a LOT. There were also some high frets evident, although they were partially disguised by the high action.
How did it sound? Like a P bass being played through a GK head and cab. Nothing exciting and nothing any of my MIM or MIC P basses could not do as well or better.
But, in the shape it was in, it was going to need a pro setup to be a serious player. And where I take my basses, a pro setup is $120 (neck, bridge and nut adjustments, plus fret level, crown and polish, and these guys are good). So the $1400 bass is going to need another $120 of work just to play as well as my SX basses... hmmmm...
I also played an MIA jazz and while it did not have the fret sprout, it was still in need of a setup (which is not a rarity in itself at GC, we all know)
I had the $120 setup done to one to my SX P/J (because it had some high frets) and now it looks, sounds and plays great, and is still $1200 less than the MIA Fender.
math time?
I'll admit that I was dissapointed with the SX P/J when i discovered the high frets (only because my 2 previous SX basses did not have this problem) but decided on getting the setup done instead of sending it back. it was the correct choice.
And I know that the 2 Fenders i played are not represenative of the entire Fender line, but the same should be said about the SX basses.
I'm rambling now...
GO ROCKETS!!!!!
That said...
The last time I was in GC, i saw an amp i wanted to demo. So i looked around and grabbed a new MIA P bass off the wall, $1400. The first thing that struck me about the bass was that it (of course) needed a setup. The action was high and there was too much relief in the neck. No big suprise. The big suprise was the generous amount of fret sprout, and i mean a LOT. There were also some high frets evident, although they were partially disguised by the high action.
How did it sound? Like a P bass being played through a GK head and cab. Nothing exciting and nothing any of my MIM or MIC P basses could not do as well or better.
But, in the shape it was in, it was going to need a pro setup to be a serious player. And where I take my basses, a pro setup is $120 (neck, bridge and nut adjustments, plus fret level, crown and polish, and these guys are good). So the $1400 bass is going to need another $120 of work just to play as well as my SX basses... hmmmm...
I also played an MIA jazz and while it did not have the fret sprout, it was still in need of a setup (which is not a rarity in itself at GC, we all know)
I had the $120 setup done to one to my SX P/J (because it had some high frets) and now it looks, sounds and plays great, and is still $1200 less than the MIA Fender.
math time?
I'll admit that I was dissapointed with the SX P/J when i discovered the high frets (only because my 2 previous SX basses did not have this problem) but decided on getting the setup done instead of sending it back. it was the correct choice.
And I know that the 2 Fenders i played are not represenative of the entire Fender line, but the same should be said about the SX basses.
I'm rambling now...
GO ROCKETS!!!!!