• TalkBass has been independent since 1998. Add your voice.
    Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
    Join freeLog in
    Want zero display ads or expanded classifieds tools? Compare plans.

Tal Wilkenfeld, who's like her?

Is this true?

Yes it is, read her bio, picked up the guitar at 14 on her own, by 16 realized school wasn't working for her, then flew to America and went to a music school in LA, part way through she switched to bass because everyone told her her playing was more like a bass player than a guitarist.

As soon as she left school she headed to NY and right away started playing at clubs with name brand players there. Her teachers at LA were her connections to the players she met in NY and the rest is history.

So when you have no responsibilitys, and nothing more to do than sit around and play bass all day and with the musical training she had she got good.
 
Thanks for the shout out will. It's nice to be compared to a killer bassist by a killer bassist. I have checked out a bit of Tal and she is a solid player. And don't be confused by YouTube clips. Just because somebody posts a clip of someone soloing and playing a bunch of notes doesn't mean that is all they can do. "soulful" groove players should have some solo chops and "virtuouso bass gods" should be able to hold a groove. To me it comes down to what players are great bass players and what players are great musicians. I think Tal fits into this category... But so do a ton of other bass players. The guy from Snarky Puppy comes to mind as similar to Tal. And if you think I do then follow the links in my sig or look up Tim Seisser on YouTube.... Judge for yourself. And I am humbled by the comparison.

My point was that many people were over the top praising Tal based on her soloing with Jeff Beck declaring it to be something more than what it was;a nice solo I like the way you play and I wanted to show that there is another level to that type of thing done by someone who they might not know. All the guy's I posted work very hard at their craft,lead bands and write music and happen to be friends of mine
 
Most of the guys that failed to get mentioned on TB! Charnett Moffett is truly incredible. Sekou Bunch is one that you would really have to see live to greatly appreciate. Matt Garrison, Richard Bona and Etienne Mbappe, to name a few. As for female bass players, there is a local player by the name of Aleata Holloway that is a BEAST! Her playing is very diverse as wel as creatively soulful. I have seen her start off with a flamenco style, Stanley Clarkesque riff into a thump that would make both Larry and Louis proud. All along singing something soulful that was just this side of MeShell Ndegeocello, with some really beautiful melodic melodic chordal work interwoven. She would make folks think twice about giving Tal so much credit...but then too Aleata, altough beautiful, is a bit older, and African American, so she may not get the same reception from some of those that really are listening with their eyes.



Considering who you dig I'm surprised you don't enjoy Hadrien or Janek.


Kwesi just because Biily Low likes who he likes, has nothing at all to do with who you like.


It really is apples and oranges

Never said that it does.



You really did.
 
So when you have no responsibilitys, and nothing more to do than sit around and play bass all day and with the musical training she had she got good.

Never underestimate the power of money and it's ability to grease wheels.

I fail to see what this has got to do with anything. Money doesn't buy talent and it certainly doesn't buy feel. This is just getting ridiculous. I'll have to remember next time to read a musician/composer's bio before I decide whether or not that person is worthy of my admiration because, obviously, just using my ears isn't good enough.

And RotoRick, I'm still waiting for your thoughts on Miles Davis.
 
No, i didnt. know what I wrote. I mean, I did write it after all. I just found it interesting is all. He Doesn't have to like anyone I like and he doesn't have talk about it if he doesn't want I just found it interesting albeit off topic. Your reading a bit too much into it.


Ok let me clarifie. We all at TB know how much you are into Hadrien and Jamek (and there's nothing wrong with that) and that's what I was basing my comment off of.
 
I have read through most of this thread, but not all. Strange conversation really; not very neighborly in places. I like Tal, and she is a talented player. I like many other players too. Oddly, some of the "greats" as some call them don't move me musically like many of the unknowns. But they are all good - credit where credit is due. However Tal got to where she is great for her, I wish I could be working successfully in the music field and paying all the bills - and playing as tastefully as her as well.
 
I fail to see what this has got to do with anything. Money doesn't buy talent and it certainly doesn't buy feel. This is just getting ridiculous. I'll have to remember next time to read a musician/composer's bio before I decide whether or not that person is worthy of my admiration because, obviously, just using my ears isn't good enough.

And RotoRick, I'm still waiting for your thoughts on Miles Davis.

Having access to capital enables you to do a lot of things that you can't do if you don't have access to it.

With access to capital a person doesn't have to worry about spending time working to pay for things like rent, food, equipment, lessons, studio time, studio musicians, sidemen, arrangers, etc. When you can spend more time on music and you spend that time on music you get better. With access to capital you can study with all types of people that you couldn't if you didn't and that's going to make you better. With access to capital you can hire web developers, PR people, photographers, etc.

This is how money has power and how it has the ability to grease the wheels.
 

Latest posts