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Tasty walnut Jazz

I’m talking it to a audition/rehearsal. The first real workout. It still plays like a dream an sounds fantastic.
I’ve been using just the neck PU for learning songs. It sounds great even alone without the treble PU.

Many thanks to @/\/\3phist0 , it really is what I wanted for a long time.
It worked well, but I used a Fender combo amp that was there…not an ideal amp for bass…IMO. It was at an apartment building.
 
I played all my basses yesterday. This Tasty bass is by far my favorite. I also played it for a long time guitarist friend…ya…he’s not a fan of the switches. But he confessed he plays his guitars with the knobs turned all the way up…:meh:
He did say it sounded the best of my 4 basses.
Those Brantley's seem quite special.
And I'm quite certain that the pickups respond sonically very differently than they would if they had all those nasty resistors loading up the signal, and the caps shunting all of that lovely treble to ground!

The wood species used here ( sorry wood doesn't matter folks) must ring with harmonic complexity with each pluck. I'm certain that the Bubinga neck the string contact back to the body with a fair amount of energy.
I know that body came from a board that rang like the bar of a Xylophone when rapped by my knuckles.
And Bubinga is loosely grouped as a rosewood type, which is what is used to make the bars on Xylophones and Marimbas.

I wish we weren't so geographicly distant I'd love to experience the whole effect (and meet you IRL of course)

Well thought out , and executed plan.
The whole is certainly greater than the parts.
 
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Those Brantley's seem quite special.
And I'm quite certain that the pickups respond sonically very differently than they would if they had all those nasty resistors loading up the signal, and the caps shunting all of that lovely treble to ground!

The wood species used here ( sorry wood doesn't matter folks) must ring with harmonic complexity with each pluck. I'm certain that the Bubinga neck the string contact back to the body with a fair amount of energy.
I know that body came from a board that rang like the bar of a Xylophone when rapped by my knuckles.
And Bubinga is loosely grouped as a rosewood type, which is what is used to make the bars on Xylophones and Marimbas.

I wish we weren't so geographicly distant I'd love to experience the whole effect (and meet you IRL of course)

Well thought out , and executed plan.
The whole is certainly greater than the parts.
Well stated!
 
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sorry wood doesn't matter folk
I totally believe this bass rings like a bell. It was made from hard stuff and built well. Wood definitely matters. I doubt a pine bass would sound like that. If you told me that you swapped the fingerboard to rosewood and it changed how it sounded (all else the same), ....that.....I don't think I would believe.
 
All went….ok…:meh:
The top got damaged while making more room for the mini switch…dang it…
I’m in the(not in a hurry) process of fixing it…
Not really happy with myself.
Still POed at myself. I repaired the top of my bass the only way I could think of. I was making room for a different stereo/mono switch and the top of the bass cracked…
I’m still not very happy…but as they say. It is what it is.

#%&$@*&)! And %^*!
FA2FFCE2-66CC-4A8E-AC30-14B9F059E176.jpeg
 

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