With the combination of both cabs I can hear the RS210 right in my ear and also get some "bell-bottom-osity" from the rs212.
I agree, but it seems to depend on the venue. I played a big stage tonight and the 212/210 stack was perfect. There was lots of space behind the cabinet, and it just killed. In smaller areas where I'm closer to the wall, the extra depth (physically) of the 212 as well as the extra low end is a bit much, and a dual 210 stack would seem to work better and have a smaller footprint.
This combo really fills the room, as well as the stage, in a way I've never heard before in over 35 years of playing.
It sounds good up-close and far-away.
I always had to stand to the side of my Ampeg to hear it on stage and still have a decent sound out in the hall.
This set-up is "FOR REAL" folks!
If you come from Ampeg, I can certainly appreciate that. I never really met an Ampeg stack that I liked for anything other than loud, muddy rock music. It does what it does well, but other than that I hate it. I've been telling people that the TC rig does the Ampeg thing VERY well, but at the same time I hope I'm not conveying that it has a muddy, inconsistent project like those old fridges. I've used several different vertical stacks, so the TC is not the first to me. They ALL had great, even projection and provided the ability to hear the notes. So for me, there is nothing new here from TC. I do like the cabs very much, except for the finish. But honestly the cabs are just cabs to me. All the magic is in that little head. It's just wonderful!
The DI sounds better than any I have used.
I agree with this also, and I've used some good ones. It's warm and clean if you put it in pre-EQ, which many heads are as well. What really impresses me is the sound you get through the DI in POST-EQ. It doesn't hiss or suddenly get boomy. Even if you crank the tubesim, it stays nice and quiet unlike some other hybrid heads I've had that got really noisey if you tried to run post-EQ to get some tube grit in the DI.
The rh450 really shines in every single way. I've yet to find any huge flaws with the head. I have, on occasion, pressed the EQ preset when I meant to press shift, and lost whatever tone I had dialed in. Usually it's my own fault for getting in a hurry and not paying attention to what I'm doing, so I'm getting better at that. But when it happens, I wind up wishing there was a "back" button of some sort.
The funny thing is, I thought I would wind up putting in three different presets and never changing them. But it seems like I'm finding new sounds all the time, many of them during pre-gig setup, and I wind up storing them for the gig. Lots of fun if you're into that. If not, the Classic 450 looks to be great!