I've seen pics of the odd 4x15 so it's plausible.
Here is a link and it has the 4x15 for sale.
[Invalid or Expired Link Removed]
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I've seen pics of the odd 4x15 so it's plausible.
Here is a link and it has the 4x15 for sale.
[Invalid or Expired Link Removed]
You may, welcome Danimal, member # 225.
I would only buy it to chop it in half and save the world from the woolly beamed up the wazoo sound. Ok if you're biamping it, but who would lump that donk around to use as a sub?
It probably sounds like a huge 1153 but only right in front of it. That's beaming for you.If it sounds like an 1153 I'd lump that thing around as a stand alone!
Keep your shoulder blades together when you pick it up. You could always chuck a 3015 in it.

Here's a question for the TE aficionados that have already recorded with these amps in the past:
My drummer is away for the summer so I got my main amp at home right now and I was thinking on recording a little with my humble studio gear. I can either send the DI output directly to my sound card or mic the cab with a cheap but quite good sounding condenser microphone (CAD GXL2200). What would you suggest?
Setup details:
Bass: 1979 Rickenbacker 4001
Amp: Trace Elliot GP7SM250
Cab: Trace Elliot 1524
Soundcard: M-Audio Fast Track Pro
Mic the cab. But I always think that sound moving through air is better than signal hitting a chip.And that's a nice bass that'll sound great through that amp.
Doing both a mic and DI together and blending to taste is an option.