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TecAmp S212/Puma500 Ultra Light Rig

KJung

Supporting Member
Apr 9, 2005
44,587
1,566
Wisconsin
Since the other thread on the Puma was getting a bit 'long in the tooth', I thought I'd put a fresh one up for the entire rig.

I've spent a short amount of time with the S212, and so far, so good.

A brief reminder of the amp. It's the TecAmp Puma500. 500 watts into 4ohms, mute switch, dual speakon outs, 4 band EQ (with a VERY nice 250hz wide Q low mid control that just punches like heck), a voicing filter similar to the Thunderfunk Timbre control, and a pre/post switchable DI out. It's a touch over 5 pounds.

The S212 is a VERY lightweight (it's lighter than a single Aguilar DB112) 212 cab (about 40 pounds or so). It comes in 4ohm and 8ohm version (I have the 4ohm version for single cab usage with the Puma500). The power rating is 600 watts. It has a nice tolex covering and very high quality metal grill with nice metal piping around the edges. The TecAmp logo feels like brushed steel... very nice quality. It is 16" by 17" by around 29" high, so the same footprint as the 210 and 115 (nice for stacking). Edit: It looks like it has one small triangular port in the lower left front corner of the cab.

This cab has a few unique features. There are two 'multiway' handles that can be grabbed from all four sides. That's pretty cool. Also, you can see the unusual placement of the tweeter attenuator. It is on the inside cup of the right handle (see picture below). I like the fact that it is on the side of the cab, and seems well protected and not in the way when grabbing the cab.

Even the attenuator is a little different from normal, in that it has a 6 way 'click' sort of action (including full off).

Finally, the cover is also unique. It is VERY high quality and thickly padded. It has two 'tie down' elastic corner straps that fit over the rear lower corners of the cab, and two zippers on each of the front sides from top to bottom. So, I guess if you wanted to, you can leave the cover on when using the cab by unzipping the front and folding it back over the top of the cab. I can't really see doing this, but kind of cool anyway.

The sound.... very tight, punchy, but quite even. This company is definitely into articulation, and seems to appreciate the needs of jazz, fusion, and 'articulate slap' players. The tweeter is very smooth, and the cab has plenty of sparkle, but also a bit of upper mid grind that I always like in a cab. I would call the cab punchy, even, bright, smooth, a touch hi fi, and if I had to use one word... articulate. It feels and sounds like a big 210 to me more than what many would think of as a 212. I assume part of this 'tightness' has to do with the very small footprint, and hence small internal volume, given those two big 12" speakers. For you vertical array fans, the speakers are aligned one on top of the other.

All in all, a VERY high quality looking, feeling, and sounding cab.

I will do some A/Bing with my Aguilar DB112 x2 stack and a couple of 410's to see about volume over the next day or so, and of course, will get it on some gigs and post up in a week or two. I can tell already that it can't keep up with the 410UL as far as overall 'bigness', but I've yet to hear a 212 that can.

Here's a picture of the full rig, and a close-up of the handle that has the attenuator.

tec1.gif


tec2.gif
 
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This TecAmp stuff sure looks killer! Thanks for the initial review, and I look forward to hearing more about this gear! Btw, where can you buy this TecAmp gear? Straight from the manufacturer?
 
Ken, is there any particular reason you decided to go with the S212 over the M212?

The M212 is not available in the US as far as I know. However, the very small footprint was the primary interest for me in this cab. Many times I take a small cab to clubs with very small stages, and sometimes I wish I had a little more ooomph. I am going to see if this rig will work as my 'road rig', for use in all venue sizes. I'll have to see if it puts out at least some of the wallup of the AE410 or 410UL, which are my 'big room/dense mix' cabs at the moment. We shall see.

K
 
Hey Ken - great review. How is it's low end extension with the low B?

It's hard to tell in my small rehearsal/office space, but I don't hear any significant attenuation as I play from the D to the open B, so that's a good sign. I don't hear this cab as sounding 'massively big' down low, but it doesn't seem to have any peaks or valleys to me, which is good. My guess is (since I've gone through this with so many cabs:D) that it puts out 'Epi310UL' level volume, but with more mid punch and even voicing, and a touch less deep low end. This is not a bad thing with a relatively small cab.

I always like to get at least a week at home on these things, and then at least a few gigs before I really start talking about the tone in detail, but I can say already that it's even from 'reasonable' lows all the way up.
 
OK, here's something very cool. Lot's of 'unique' stuff with this gear.

The 6 position tweeter attenuator is devided into three 'soft attack' settings and two 'hard attack' settings (and 'off'). I originally thought this was just silly labels for a traditional tweeter attenuator that happened to have 5 detents instead of the more traditional operation. Well, it seems that the 'soft attack' setting results in a high crossover point, resulting in that 'airy' sort of Epifani type pure top end. The two 'hard attack' settings seem to reduce the crossover frequency so that you get a little more upper mids/lower treble coming from the tweeter... more grind and aggressive tone.. almost like the AE410.

I'm not sure if I have this completely accurate, but something is going on in the crossover points between the 'soft' and 'hard' settings. That's pretty cool, and similar to the very nice Mesa circuit and controls on the newer cabs.
 
Looks killer.
How would you compare this cab with the Bergs HT210S or the HT212?

A lot lighter! I can A/B it with my HT210S for you. From memory, this cab is tighter, punchier, and a bit more 'up front' than the very wide, deep and pure HT210s. I've only spent a few Music Store minutes with the old HT212, but remember it being HUGE down low, versus the tight articulate voicing of this small, neo 212.
 
I don't think you have ever played one, but I would be really interested in how this compared to the Genx Neo 212, seeing as they are both vertically stacked 2x12 cabs. I sure wouldn't mind using one for my gig, but I have no idea how it would work in a more rock oriented environment.
 
I don't think you have ever played one, but I would be really interested in how this compared to the Genx Neo 212, seeing as they are both vertically stacked 2x12 cabs. I sure wouldn't mind using one for my gig, but I have no idea how it would work in a more rock oriented environment.

My buddy Mikebass has one of those, but we haven't gotten together in a long time. If we ever do, we'll post up an A/B.
 
This TecAmp stuff sure looks killer! Thanks for the initial review, and I look forward to hearing more about this gear! Btw, where can you buy this TecAmp gear? Straight from the manufacturer?


These guys are the US distributors. Nice cats to do business with. They are in New York somewhere. They have the US available products and prices on the site.

It's also nice that an amp company has the covers ready at product introduction. TecAmp seems to be pretty buttoned up.

http://osiamo.com/home.html
 
Very cool looking with the Cab - it looks Modern but somehow pays homage to Vintage gear in a subtle way.

I am running an old pre Fender SWR Goliath II with an older Ampeg BSE15T with my LMII. I would like to move from these heavier cabs to a single or dual cab configuration that is lighter. The Ampeg is not so Bad - but the SWR is something like 90lbs and I am getting to old to hump it around.

I want to be still be able to punch through on Rock Stuff with a loud drummer. I play 4 and 6 Strings and play original and Classic Rock < this is a broad spectrum though to include Blues, R&B etc.... On the 6 I want to do more Solo Bass stuff - but to also use it for everything else.

I play almost exclusively with my Fingers and Slap some.

So would this be a good Cab for the LMII or is there some IYHO that would serve up as a good replacement to the big thumpers I have now? Sorry for the ramble.
 
I am running an old pre Fender SWR Goliath II with an older Ampeg BSE15T with my LMII. I would like to move from these heavier cabs to a single or dual cab configuration that is lighter. The Ampeg is not so Bad - but the SWR is something like 90lbs and I am getting to old to hump it around.

I want to be still be able to punch through on Rock Stuff with a loud drummer. I play 4 and 6 Strings and play original and Classic Rock < this is a broad spectrum though to include Blues, R&B etc.... On the 6 I want to do more Solo Bass stuff - but to also use it for everything else.

I play almost exclusively with my Fingers and Slap some.

So would this be a good Cab for the LMII or is there some IYHO that would serve up as a good replacement to the big thumpers I have now? Sorry for the ramble.

You know, this cab is great, and it's kind of a luxury purchase for me (I always love trying out the smallest, lightest, loudest new thing). With the LMII, and for the playing context and volume you are describing above, I just LOVE the relatively new Bergantino AE410. It's about 60 pounds, is 4ohm (which is key with the LMII), has a nice spray on coating (although it really does require the cover to keep it looking nice), and is one of the smaller 410's out there (only 16" deep). It's very tight and punchy, and has plenty of growl and sparkle up top, and it matches beautifully with the LMII. It's actually less money than the S212 (which again is amazing if 'the smallest and lightest' is very key, and you aren't on a budget).

If you get a chance to try the AE410, it really is killer, and has that low mid punch that really works with articulate fingerstyle playing. And, the aggressive upper mids that can be a bit much when slapping are beautifully tamed by the upper mid control on the LMII, which is perfectly voiced to remove the bit of gank around 1K.

That being said, if you have a spare $4,000 laying about, two of these S212's stacked vertically with the Puma1000 might be the best ultra light rig money can buy if you like it clean, accurate, articulate and punchy.
 
You know, this cab is great, and it's kind of a luxury purchase for me (I always love trying out the smallest, lightest, loudest new thing). With the LMII, and for the playing context and volume you are describing above, I just LOVE the relatively new Bergantino AE410. It's about 60 pounds, is 4ohm (which is key with the LMII), has a nice spray on coating (although it really does require the cover to keep it looking nice), and is one of the smaller 410's out there (only 16" deep). It's very tight and punchy, and has plenty of growl and sparkle up top, and it matches beautifully with the LMII. It's actually less money than the S212 (which again is amazing if 'the smallest and lightest' is very key, and you aren't on a budget).

If you get a chance to try the AE410, it really is killer, and has that low mid punch that really works with articulate fingerstyle playing. And, the aggressiv upper mids that can be a bit much when slapping are beautifully tamed by the upper mid control on the LMII, which is perfectly voiced to remove the bit of gank around 1K.

+1 all the way. Great rig!