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The Combo Club

It's definitely possible that the hearing aids are helping, since they will likely be amplifying the frequency ranges where your tinnitus is.

As far as combo amps go, I don't have one and no one has answered my original question:

How are SWR Baby Blue II's considered against the current crop of combos these days? I play in a group that's pretty quiet (it's mostly about the vocals), but includes a drummer. I have large rigs for my other bands, but I'm looking to get something reasonably small and reliable which has a very clear, hifi tone. There's one available not too far away and the amps seem deeply respected, especially the preamp. People have also upgraded the speakers for more depth and headroom. I've only played one once, but it was with a loud drummer and couldn't keep up. I figure that for gigs with this band, I could run it through a bigger cabinet when I need more oomph.

The Baby Blue II, last made in 2003, is probably considered obsolete today by most standards. At 44lbs it's a bit heavy today for a "small" 160w combo, and a review I read said it had a clean but 'sterile' sound. ~So it has much competition today in lighter weight, better sounding combos I would think? -However if you can get a great price onnit and it sounds good to you, hey, why not?
I had a small SWR Working Mans 10" combo with extension cab that I sold years ago. What with all the new smaller sized PJB, Mark Bass, Elf and Barefaced combos and amps, I can't say I miss it at all. The stuff coming out today is just so much better IMO... ~But of course it's a lot more expensive than getting a good used buy!
 
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The Baby Blue II, last made in 2003, is probably considered obsolete today by most standards. At 44lbs it's a bit heavy today for a "small" 160w combo, and a review I read said it had a clean but 'sterile' sound. ~So it has much competition today in lighter weight, better sounding combos I would think? -However if you can get a great price onnit and it sounds good to you, hey, why not?
I had a small SWR Working Mans 10" combo with extension cab that I sold years ago. What with all the new smaller sized PJB, Mark Bass, Elf and Barefaced combos and amps, I can't say I miss it at all. The stuff coming out today is just so much better IMO... ~But of course it's a lot more expensive than getting a good used buy!
Of course there is the subject of warranty...
 
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Hey GonePlaid, that reminds me, I keep calling to remind you that the warranty has expired on your Kasino, and to offer you an extended warranty, for a price of course, but you always hang up on me?

Don't listen to that hack! Our warranty includes: free electron changes every 50,000 notes; a 93 point circuit check annually; and replacement costs for all electronic parts except resistors, capacitors, tubes, semiconductors, sockets, pots, transformers, plugs, sockets, lights, and wires.
 
Don't listen to that hack! Our warranty includes: free electron changes every 50,000 notes; a 93 point circuit check annually; and replacement costs for all electronic parts except resistors, capacitors, tubes, semiconductors, sockets, pots, transformers, plugs, sockets, lights, and wires.

So, blown speakers are covered, right? That will give him a lot of comfort...
 
So, blown speakers are covered, right? That will give him a lot of comfort...

We consider those electro-mechanical parts, per IPSO standard Ξ₯Ñ-1377.20ä , hence not covered by our warranty, but covered under a separate warranty Pontiac Thrasher provides for $1/year as a loss leader.
 
Question: Am I a "combo" player, if I mainly use my combo amp with an extension cabinet (or two cabinets)? This BG-400 combo allows me to run direct into a single 8 Ohm cabinet, while also driving the internal 4x5 speakers. Fine, really great, sounds amazing. Band-mates dig it. BUT, the combo also has a pre-amp line out that I can plug into a power amp input.

Here, I am plugging the line-out from the BG-400 combo into the return on the back of a Fender Bassman 800, which is is strictly an amp head -- but which I can then use to drive a pair of 112 cabs at 8 Ohms each.

For you home-gamers, this means a total of 1100 watts RMS onstage driving 2x12s (i.e., 800 W at 4 Ohms total, through the Fender amp) into the BareFaced cabs, plus the internal 4x5s (at 8 Ohms, I thinks).

View attachment 4887952

The amp is a combo. You're using it as a combo. Therefore I'd say you are a combo player.

Want a number?
 
Certainly, and thanks for asking.

Sir Gold Coin, you are member #305 of the Combo Club with all rights and impertinences thereof. Welcome aboard! We recommend you wear your number in your TB signature. Why? No one knows. But 4 out of 5 Combo Club Bassists recommend it.

We'd love to hear more about your combo and bass journey, and anything else you want to tell us about yourself.

Combo Club Membership Notes | TalkBass.com
 
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NAD on the horizon… Other gear, too! 8^)

Technically NCD. Well, hopefully. I ordered the combo two nights ago. Supposedly it's in stock. No word since accepting my order. Come on, Well Known Amp Company, you can do this!

EDIT: Within twenty minutes of posting that, I got an email that the amp has shipped. Which means the label has been created. But I should have it in 7 business days or less!
 
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Thanks for asking! As a bass beginner, I started playing through a Fender Rumble 100 combo. It wasn’t terrible, but then again, it also wasn’t great. The local jazz band practice where I started to visit also had a combo, which was a GK 210 of some sort, and that was fine, but I decided to upgrade to the Fender Bassman half-stack that’s in my profile photo: it’s a Bassman 800 HD and a 115 Neo cabinet.

Played a couple years through the Bassman rig (which I still have), and it sounds very good — at practices. But at stage performance levels of sound, I found the single 115 was getting lost in the mix. (We play Big Band jazz with plenty of horns, saxes, etc.). I considered just stacking a second 115, and I’m actually still considering that option. I think it would sound great. In the meantime though, I picked up a pair of Barefaced 112s, the Big Baby 3 model. These BFs are awesome — and also quite a bit smaller and lighter than a 115 Neo (which is 54 lbs., I think).

I’ve been playing the Bassman 800 through the BF cabs, with no complaints. Plenty loud. Flexible EQ and separate overdrive channel. Onboard variable compressor. What’s not to like? But I also wanted a smaller rig, for smaller settings, which has now led me to the BG-400 “suitcase” combo from Phil Jones Bass. Immediately, I also started to experiment using the other gear together with the BG-400 itself on top of the stack.

The BG-400 is very clean, very loud, very flexible with 2 channels of EQ, and it also has a fixed 3:1 limiter onboard (with a variable threshold control), but no overdrive. It does benefit from pairing it with a bigger extension cab, to really get a full low-end sound. I’ll snap some pics of the entire rig on Monday night at our next performance.
 
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The BG-400 is very clean, very loud, very flexible with 2 channels of EQ, and it also has a fixed 3:1 limiter onboard (with a variable threshold control), but no overdrive.


Yep

20221007_212110.jpg
 
I like the size and looks of the BG400, but not especially the 40lb weight... ~And why does it have two(?) pre amp/eq controls? -What do most folks use that 2'nd channel for? Is it mostly just to keep another bass plugged in and ready to go? ~S'alright for fancy stage work I guess, but I think I'd rather forgo that second preamp and instead have reduced weight...
 
I like the size and looks of the BG400, but not especially the 40lb weight... ~And why does it have two(?) pre amp/eq controls? -What do most folks use that 2'nd channel for? Is it mostly just to keep another bass plugged in and ready to go? ~S'alright for fancy stage work I guess, but I think I'd rather forgo that second preamp and instead have reduced weight...
With SS, an extra preamp doesn't add much weight. Even accounting for the extra chassis weight, that shouldn't even add a pound. (With tubes, it might have added 1-2 pounds.) 3x the power of a Rumble 100 at less than 1.5x the weight seems like a good deal to me if the sound is right. It's only a few pounds more than the R500. (Yes, I know about the R800).
But hey, we all have different requirements and preferences!
 
I like the size and looks of the BG400, but not especially the 40lb weight... ~And why does it have two(?) pre amp/eq controls? -What do most folks use that 2'nd channel for? Is it mostly just to keep another bass plugged in and ready to go? ~S'alright for fancy stage work I guess, but I think I'd rather forgo that second preamp and instead have reduced weight...

Two channels make doublers happy. And pickups for DB are notoriously finicky.
 
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I like the size and looks of the BG400, but not especially the 40lb weight... ~And why does it have two(?) pre amp/eq controls? -What do most folks use that 2'nd channel for? Is it mostly just to keep another bass plugged in and ready to go?
Yes, it's heavier than some full-sized cabs, but lighter than others. It's also really, really compact. Photographs on the web somehow don't capture how small it really is. That makes it easier to carry, despite the weight.

The 40 lbs. of weight doesn't come from having two EQ channels. Rather, it comes from using ceramic magnets in the 4x5" drivers, instead of lighter neodymium that most manufacturers are using (including PJB on many of their cabs, I believe). But that is also what gives the clear, powerful tone on the BG-400. It just sounds very good.

Having two channels lets you plug-in both a bass guitar and an acoustic upright, with ready-to-go EQ customized for each instrument. Easy switching between songs or sets. Note: there is a separate mute switch on each channel.

(PS: I don't play acoustic upright. Maybe one day.)
 
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