The upside is most timelines don't include you at all:
linky
And it's with no mean irony that even in retirement, I find myself on conference calls. Will be on one in two hours, and Saturday on a two hour conference call followed by a two hour video conference.
Elsewhere here on the Isle of Everywhere the new bass sees a
lot of play because that's what else there is to do as I'm on the mend.
Here in this town I'm in the city in the country and pretty unknown to the local musicians. Now that I can actually play standing up again — gotta love that — pretty eager to make myself known here. This is how I came to investigate the open mike.
And foreknowledge of How Things Work, there is the Gator gig bag for my semi-hollow because public transit is the easist way for me to get there and back. And in a related note that has nothing to do with the tale as it opens, the pockets and handles on the Gator are really well thought out, and it comes with its own rain cover. Cute.
Arrive at said open mike. The host and I know each other slightly for we take coffee at the same watering hole. He's a luthier with a shop four doors down from the coffee oasis, and worked on my Ray some years ago before that excursion that lead me to a seaside town where after repeated appearances at the open mike The Guy says:
"You want to play bass for my new blues band?"
and I'm like Yeah, and next thing you know I'm here and quick to see this open mike is the luthier's showpiece as he backs others with his guitar. Good PA going in a hipster restaurant with expensive craft beers and all. No drums, no bass amp, this is a different deal. Didn't expect to play, and I don't, cause there's no bass amp.
We agree I can bring my VT Bass Deluxe and go right into the PA and use the wedge to hear myyself. Which brings me to the exciting topic of
COMBO AMPS
Because what it seems to me I need here is something small and light enough for public transport to use as a stage monitor. My little Ampeg BA108v2 might fit the bill with its tiltback construction but doesn't fit the bill for weight. And my BG400 is a lot of weight to haul for maybe 15 minutes of
absolute fame playing for the snake people eating their gourmet pizza with forks and knives.
A Fender Rumble of some description might fit the bill. My (alleged) tone is my fingers on these tapes on the semi-hollow Ampeg-y thunk courtesy of the VT Bass Deluxe. The Rumble 100 has an effects loop so I can dial in some real nastiness.
The PJB Bass Cub is lighter and smaller than the Rumble, and is twice the cost of a Rumble. Prolly not even as loud. But with the luthier's PA — and it's a good one! — I don't need my amp to fill the room.
Which brings me to that whole question of
how many watts do you need? because the common TB wisdom is "as many as you can haul".
And thinking too the Bass Cub has two inputs so I can use it to teach. For being such a bass noob that I am, I can actually read music and knows my theory and play from a Real Book and stuff, cause I was brought up playing in the band in school. And for some reason actually learned stuff at BIT (MI) before I took my master's and went to work and stuff. Hey.
Of course I
could get a micro head like an ELF and use it to push my Phil Jones C4 and that would rock too. But then I'm still carrying 30 pounds of cab.
Well shoot, lots of things going on here in Morrighanland and sometimes it sometimes feels like juggling priceless eggs in variable gravity but we haz coffee.