• TalkBass has been independent since 1998. Add your voice.
    Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
    Join freeLog in
    Want zero display ads or expanded classifieds tools? Compare plans.

The Combo Club

There is a lot of disagreement about perceived volume vs actual volume. For example my 300 watt amp is noticeable louder than my 225watt amp was. Twice as loud? 25% louder? Hard to say. All I can say with any certainty is that is just louder.
Perceived volume has a lot to do with the individual’s hearing as well as what part of the music they are actually paying attention to. And of course I think having more cabinets does matter. It’s like the equivalent of lighting a room with a single beam of light versus putting a diffuser in front of it. Same amount of light but one is going to be perceived as much brighter.
:headphone:

I have two indicators of loud volume, percieved or not:

1. My wife, whose percieved volume is always high and,
2. My hearing aids complain when actual volume is high.

:help::headphone:
 
LOL! I am in the RF industry. For the last 35 years I have fought off customers who want 100 watts not 50 watts! I'm like sure thing, sir, and it isn't gonna help. Trying to explain db/dbm to the uninitiated is an exercise in futility. ;)
A radio station I worked at years ago had a 1KW transmitter with the antenna maybe 125’ above ground. After I’d moved on I learned that they moved the transmitter to a place where the antenna could be much higher. Power was reduced to 100W (90% lower) but the coverage (potential listening audience) grew by 30%.

I’ve tried for a decade to persuade the organizers of an outdoor event that raising the PA speakers far above pickup bed height would do wonders for the attendees’ ability to hear and understand the announcements. So far their response has been to add a couple more speakers.

Who’d have thought that Tim “The Tool Man” Taylor would still have an outsized influence?
 
I wanted the guy from "Blinded Me With Science". Couldn't find it:(. Nye'll do.
4BAD3C95-5543-4895-AC25-F7D2BD20C7EA.gif


Yeah, I didn't find a good Thomas Dolby "Science" gif, either! What up wit dat?

tumblr_lok7kc5HMp1qbhaplo1_r1_500.gif

.
 
Fuzz. Puffer fuzz. In “dramatic cool”

4C2B542D-F55B-4BE3-BD9D-62E515A4034D.jpeg

I know there’s a combo amp somewhere in this picture. I’ll keep looking and sooner or later it’ll turn up!


How could you miss that beautiful vintage Ampeg diamond vinyl that the picks and, uh, ... other stuff, is sitting on? :drool: Photos don't do it justice. It shimmers with just the slightest move of your viewing angle (at least in the store lighting).

PSX_20210808_095407.jpg
.
 
Last edited:
GP. Are you saying here that you daisy chained the Rumble 200c to a Rumble 100c? Why did you cut the volume and was the volume cut on the R200c only?
Yes. Going R200c>R112(cab)gives you 200 potential watts, all coming from the R200c. R200c>R100 gives you 240W(140 from R200c; 100 from R100-2 separate amps. All controls coming from the R200c since the R100's preamp is bypassed. BTW, it works the same going R100>R200c. It just seemed louder w/o having adjusted the R200c's volume.
 
Well, auditioned for a couple more bands yesterday. Thank God i had my GK with me. First band (which I'll probably end up playing with) was a somewhat typical classic rock band with the somewhat typical rather loud guitarist. Not obscenely loud, but as the only guitarist, loud enough. Good singer and great drummer...which is why they top my list. GK didn't even break a sweat and i got great response to my tone. Gain at about 1 o'clock and master around 8. (Barely up) Horn off, slight boost to the bass and low-mid, slight cut to the high-mid, bit more boost to the treble. Carvin LB75 with EB super slinky rounds. Punched right through the mix. Everyone was astounded by the (lack of) weight.

Apparently there is a dearth of bass players hereabouts. I put an ad on cl and have been inundated with jam/audition invitations. Hard to choose but I don't have the time for all of them. Trying to decide between two completely different situations was making me a little crazy until my lovely (and brilliant) wife reminded me that I'm retired now and could probably juggle both! So it's my usual "classic rock" genre in one band (above) and an old blues/Americana type thing in the other. Maybe I can find space for the new fretless in the blues band!
 
A radio station I worked at years ago had a 1KW transmitter with the antenna maybe 125’ above ground. After I’d moved on I learned that they moved the transmitter to a place where the antenna could be much higher. Power was reduced to 100W (90% lower) but the coverage (potential listening audience) grew by 30%.

I’ve tried for a decade to persuade the organizers of an outdoor event that raising the PA speakers far above pickup bed height would do wonders for the attendees’ ability to hear and understand the announcements. So far their response has been to add a couple more speakers.

Who’d have thought that Tim “The Tool Man” Taylor would still have an outsized influence?
They do realize there’s a reason that PAs are sold with pole mounts right?
 
Well, auditioned for a couple more bands yesterday. Thank God i had my GK with me. First band (which I'll probably end up playing with) was a somewhat typical classic rock band with the somewhat typical rather loud guitarist. Not obscenely loud, but as the only guitarist, loud enough. Good singer and great drummer...which is why they top my list. GK didn't even break a sweat and i got great response to my tone. Gain at about 1 o'clock and master around 8. (Barely up) Horn off, slight boost to the bass and low-mid, slight cut to the high-mid, bit more boost to the treble. Carvin LB75 with EB super slinky rounds. Punched right through the mix. Everyone was astounded by the (lack of) weight.

Apparently there is a dearth of bass players hereabouts. I put an ad on cl and have been inundated with jam/audition invitations. Hard to choose but I don't have the time for all of them. Trying to decide between two completely different situations was making me a little crazy until my lovely (and brilliant) wife reminded me that I'm retired now and could probably juggle both! So it's my usual "classic rock" genre in one band (above) and an old blues/Americana type thing in the other. Maybe I can find space for the new fretless in the blues band!
I'd move to Maine but
images?q=tbn:ANd9GcRvgQkCBWxU9X9E9OGbazFcXS0-S1axQlyEYA&usqp=CAU.jpg
 
Well, auditioned for a couple more bands yesterday. Thank God i had my GK with me. First band (which I'll probably end up playing with) was a somewhat typical classic rock band with the somewhat typical rather loud guitarist. Not obscenely loud, but as the only guitarist, loud enough. Good singer and great drummer...which is why they top my list. GK didn't even break a sweat and i got great response to my tone. Gain at about 1 o'clock and master around 8. (Barely up) Horn off, slight boost to the bass and low-mid, slight cut to the high-mid, bit more boost to the treble. Carvin LB75 with EB super slinky rounds. Punched right through the mix. Everyone was astounded by the (lack of) weight.

Apparently there is a dearth of bass players hereabouts. I put an ad on cl and have been inundated with jam/audition invitations. Hard to choose but I don't have the time for all of them. Trying to decide between two completely different situations was making me a little crazy until my lovely (and brilliant) wife reminded me that I'm retired now and could probably juggle both! So it's my usual "classic rock" genre in one band (above) and an old blues/Americana type thing in the other. Maybe I can find space for the new fretless in the blues band!
Yeah. People are always looking for a bassist. And drummers. Seems like a good drummer is really hard to find.
 
Around here, people look to replace the bassist with a keyboardist's left hand.:banghead:
Yes. That was what I encountered with my recent “audition”. And in fact when my son has played keys in rock bands they basically use him as the bassist. Which he doesn’t mind. He is very much a rhythm keyboardist.
But if the keys are up for it they’ll use the bassist to let them explore the upper end and that’s why there so many awesome bass drum and keys trios out there.
 
Yes. That was what I encountered with my recent “audition”. And in fact when my son has played keys in rock bands they basically use him as the bassist. Which he doesn’t mind. He is very much a rhythm keyboardist.
But if the keys are up for it they’ll use the bassist to let them explore the upper end and that’s why there so many awesome bass drum and keys trios out there.
I have a POS electric piano/harpsichord that has a switchable bass section. I used to use it on a few tunes in our previous lineup, but in many of the places we play(ed), there's not enuff room. Plus, it's still a POS.
 
Well, auditioned for a couple more bands yesterday. Thank God i had my GK with me. First band (which I'll probably end up playing with) was a somewhat typical classic rock band with the somewhat typical rather loud guitarist. Not obscenely loud, but as the only guitarist, loud enough. Good singer and great drummer...which is why they top my list. GK didn't even break a sweat and i got great response to my tone. Gain at about 1 o'clock and master around 8. (Barely up) Horn off, slight boost to the bass and low-mid, slight cut to the high-mid, bit more boost to the treble. Carvin LB75 with EB super slinky rounds. Punched right through the mix. Everyone was astounded by the (lack of) weight.

Apparently there is a dearth of bass players hereabouts. I put an ad on cl and have been inundated with jam/audition invitations. Hard to choose but I don't have the time for all of them. Trying to decide between two completely different situations was making me a little crazy until my lovely (and brilliant) wife reminded me that I'm retired now and could probably juggle both! So it's my usual "classic rock" genre in one band (above) and an old blues/Americana type thing in the other. Maybe I can find space for the new fretless in the blues band!

So very cool! I'm sure that Fretless will sound amazing doing some jazzed up blues.