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The CORT Club (Part 2)

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just got my new cort A5 Custom Z bass and i must say that I have been blown away. for starters i was under them impression that the cort artisian basses have very tight string spacing. this bass has around 18mm spacing, which has actually made me very happy cause i wanted something around the same spacing as my G&L l-2500(USA). i don't personally love the feel of the thin neck, but i can actually play better with it so that more than makes up for it. i haven't even replaced the preamp with my Bart NTMB yet and im in love with the tone im getting from this monster.

my G&L and Cort are completely different beast, but the cort has just stolen my G&L's position as my main bass.
 
Went this morning to the store ready to get my new bass and decision was tight between a EBMM Sterling Ray35 and a Fender Standard Jazz Bass V, after log time playing and testing them couldn't find a single Ray35 that I liked. B string was really fluffy, the neck was too narrow and setup was awful on the 3 I tested . MIM Jazz bass V sounded just undefined to me, no character, and the white pickguard and three tone finish looked so cheap that I couldn't buy that bass.

At the end the winner was... Cort GB5 Custom. I had a terrible experience with this model last year, 2 of them died suddenly while practicing, and I ended buying my amazing and beloved A5. But the GB5 sounds so great and looks so beautiful that I couldn't resist to try it one more time... Here some pics...

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I think I'm just a Cort guy... So now in my arsenal I have: Artisan A5 OPBC, GB5 Custom and Action V-DLX...

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As if I didn't have enough basses, I went out this morning with the intention of probably getting a Japanese Fender Jazz, with PJ pickups. I'd played this particular Candy Red bass, a couple of months ago and really quite fancied it.
First thing I realized when I got to the shop was, they'd sold it. @%*!! Well, they had the same bass in sunburst but I already have an amazing sunburst jazz. After sulking for a few seconds, I decided to try out every bass in the shop, that 1, I liked the look of and 2, was in my price range.

So I tried some great Fenders, including an unusual Precision, that had a lovely, Jazz neck, with a maple F/B and block markers. An Overwater (Inspiration 4, I think) that was beautifully made but had the skinniest neck (all the way up) I've played. No support for your hand. A US Musicman Sterling, that had a beautiful neck but like one I'd previously owned, I couldn't get a sound I liked. Far too aggressive. I even went out of my price range and tried a Yamaha 2024X, that was on special offer. Superb bass but just didn't have any magic. Then I spotted a Cort. A GB4 Custom. Some time ago, I'd owned a GB99, that was a beautifully made bass. It's only weakness was it's sweet toned, passive pickups had very little output. But the GB4 is active. Soon as I picked it up and
played (unamped), I liked it. It has a Jazz type neck (my favourite), though it's not quite as wide, up the top end. Lovely, low but solid action, with a lively, responsive feel. Also IMO, this bass is rather beautiful and the finishing is as good as pretty much anything else I've played. OK it doesn't quite have the quality of my old, hand made, English Overwater but it's up there with many a "high-end" bass.

Time to plug in and yes, there's plenty of power here and tone too. The volume, pan, 3 band EQ and "funk" switch, all come together to give you a very tasty range of tones. I dialled in my usual set up; Vol-full, Pan-55% mid pickup & 45% bridge pickup. EQ - Treble and middle-flat, bass +1 or 2, funk switch off. And wow! Through the shop's Mark Bass combo, things sounded delightful.

I'm ashamed to say that a little snobbery struck me then. All my recent basses were made in the US, the UK or Japan. What was I thinking, buying down market? Fortunately sense prevailed and I realised this was a great bass that suited me down to the ground. What was the problem? None at all, as it turned out and as another plus, I had some cash left and I'd been thinking of dabbling with a 5-string again.I tried a lovely G&L Tribute but nah! Then I picked up a Cort A5. Now here's a top 5-string, for not a lot of cash. It played beautifully but just didn't make me want a 5-string again. I was going to give up, when, on a whim, I grabbed a Cort GB75. It's cheaper than the A5 but as soon as I played it, I knew it was the one for me. Superb set-up, string spacing and neck. Very solid but surprisingly light. It just felt right, in my hands. Responsive and musical. Amped up it pretty much sounded like a 5-string version of the GB4 Custom. So I was there. 2 lovely, inspiring basses from an unexpected source. A good day indeed.
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Hi, any Cort C5H owner around here? What do you have to say about that bass? :-)



I will soon upgrade for a slightly better bass (currently: Cort Action and noname 5er), and there is a Cort C5H on the used markt around my place, going for around 300$ but I hope to take it down a bit.

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On almost every thread I've seen, people only say "go used and buy an A or B model", but that doesn't help knowing how good or bad the C5H is. And they don't seem to be going for the same sound (single coil clean sound usually).

I'm looking for a modern and slightly aggressiv mid-growly tone. Tight string spacing (my 5er has 15.5 cm spacing and I love it) and an at least okay balance.

My other possibilities:

A spector performer for around $200 (don't know which year, but probably a pre 2011)

Ibi roadstar II 850 for around $350 (1986)

edit: I forgot, I also could go for an ibanez EDB 605 for around $200

If I don't go used, I'll probably go for a Rockbass streamer standard 5


PS*: I'll probably post the same question in the Ibaez and spector club;)
 
Congratulations! And great story too! The label or name on the headstock must not necessarily say anything. :cool:

As if I didn't have enough basses, I went out this morning with the intention of probably getting a Japanese Fender Jazz, with PJ pickups. I'd played this particular Candy Red bass, a couple of months ago and really quite fancied it.
First thing I realized when I got to the shop was, they'd sold it. @%*!! Well, they had the same bass in sunburst but I already have an amazing sunburst jazz. After sulking for a few seconds, I decided to try out every bass in the shop, that 1, I liked the look of and 2, was in my price range.

So I tried some great Fenders, including an unusual Precision, that had a lovely, Jazz neck, with a maple F/B and block markers. An Overwater (Inspiration 4, I think) that was beautifully made but had the skinniest neck (all the way up) I've played. No support for your hand. A US Musicman Sterling, that had a beautiful neck but like one I'd previously owned, I couldn't get a sound I liked. Far too aggressive. I even went out of my price range and tried a Yamaha 2024X, that was on special offer. Superb bass but just didn't have any magic. Then I spotted a Cort. A GB4 Custom. Some time ago, I'd owned a GB99, that was a beautifully made bass. It's only weakness was it's sweet toned, passive pickups had very little output. But the GB4 is active. Soon as I picked it up and
played (unamped), I liked it. It has a Jazz type neck (my favourite), though it's not quite as wide, up the top end. Lovely, low but solid action, with a lively, responsive feel. Also IMO, this bass is rather beautiful and the finishing is as good as pretty much anything else I've played. OK it doesn't quite have the quality of my old, hand made, English Overwater but it's up there with many a "high-end" bass.

Time to plug in and yes, there's plenty of power here and tone too. The volume, pan, 3 band EQ and "funk" switch, all come together to give you a very tasty range of tones. I dialled in my usual set up; Vol-full, Pan-55% mid pickup & 45% bridge pickup. EQ - Treble and middle-flat, bass +1 or 2, funk switch off. And wow! Through the shop's Mark Bass combo, things sounded delightful.

I'm ashamed to say that a little snobbery struck me then. All my recent basses were made in the US, the UK or Japan. What was I thinking, buying down market? Fortunately sense prevailed and I realised this was a great bass that suited me down to the ground. What was the problem? None at all, as it turned out and as another plus, I had some cash left and I'd been thinking of dabbling with a 5-string again.I tried a lovely G&L Tribute but nah! Then I picked up a Cort A5. Now here's a top 5-string, for not a lot of cash. It played beautifully but just didn't make me want a 5-string again. I was going to give up, when, on a whim, I grabbed a Cort GB75. It's cheaper than the A5 but as soon as I played it, I knew it was the one for me. Superb set-up, string spacing and neck. Very solid but surprisingly light. It just felt right, in my hands. Responsive and musical. Amped up it pretty much sounded like a 5-string version of the GB4 Custom. So I was there. 2 lovely, inspiring basses from an unexpected source. A good day indeed.
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