Jazzdogg
Less barking, more wagging!
Yes, but... what preamp will you play the recording through?![]()
I'd try inputting the signal into the effects loop, thereby bypassing the amp's preamp.
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Yes, but... what preamp will you play the recording through?![]()
I'd try inputting the signal into the effects loop, thereby bypassing the amp's preamp.
I've been using a Basswitch IQDI for years. Sounds incredible. You guys have me wanting to plunk down some serious cash for what could possibly be a lateral move.
Classic Talkbass!
I've been using a Basswitch IQDI for years. Sounds incredible.
I've never tried the IQDI but from what I've heard it sounds stellar.
Interesting. Does the IQDI add some color to the basic sound? I have a local friend who uses one as well, but have never had the chance to try it out.
5sg.
Sorry I was just teasing - as in should we create a new thread: "Best Preamps to compare Bass preamp samples". I think using decent cans to compare recordings (and it's really the comparison I'm personally interested in rather than a sample's absolute abstract value) may be more revealing than using bass amps and cabs that will introduce their own coloration and dynamics. Plus you'd still have to get the signal to POWER AMP IN level...
I've been curious in the past about those as well. I like how you can control the mix of the loop and your dry signal. I like that in effects units as well. I'm kind of in a tube phase right now, with my LA-1A as my "gateway" tube unit. I'm not looking at hard for a preamp, but maybe a tube DI for live and recording. I think I'd go big or go home. Something like a REDDI. Then I can leave my small pedal board as is and just add that on for supported DI/IEM gigs and leave it home for rig gigs.I've been using a Basswitch IQDI for years. Sounds incredible. You guys have me wanting to plunk down some serious cash for what could possibly be a lateral move.
Classic Talkbass!
I've been curious in the past about those as well. I like how you can control the mix of the loop and your dry signal. I like that in effects units as well. I'm kind of in a tube phase right now, with my LA-1A as my "gateway" tube unit. I'm not looking at hard for a preamp, but maybe a tube DI for live and recording. I think I'd go big or go home. Something like a REDDI. Then I can leave my small pedal board as is and just add that on for supported DI/IEM gigs and leave it home for rig gigs.
Yeah, I don't want to much break up. I want a big, full sound - especially for my IEM's. I've added an Effectrode Leveling Amp (the LA-1A as well call it) with tubes and it made such a huge difference in my sound - FOH and IEM. I'd like a DI that has the same effect.I actually sold a Reddi to fund the Basswitch because I needed a preamp more. The Reddi had a great sound but not necessarily better than the Basswitch, just different. I haven't been disappointed with the Basswitch. I think I was looking for more tube breakup from the Reddi and all it gave me was a rich clean tone.
But the bigger point is that on a gig if you can tell an ounce of difference between these similar preamps the way you would set them live you have some bat-like hearingMy primary interest is getting a preview of what gear might sound like on a gig, thus my goofy idea.![]()
And maybe an ALiX.But the bigger point is that on a gig if you can tell an ounce of difference between these similar preamps the way you would set them live you have some bat-like hearing![]()
Nice tone and playing!I am using the TC SpectraDrive and have been able to get some nice tones out of it. I use the Captain East toneprint for compression. For a while, I used the Clean Boost under the Drive section but it was a bit noisy so I quit using it. I did use the Big Muff Sustainer TonePrint on the first song of this recording that I posted earlier:
The Great Bass Preamp/DI Comparison
Not sure if this was serious or sarcastic but really - live with enormous differences in room acoustics and FOH mixing (or in ear monitoring) anyone thinking they can appreciate a major difference between these awesome preamps is drinking something I want some of.Gee, thanks; you just saved me a bunch of money.
You are quite right. With IEM it is easy to tell the difference live, but again, the punters aren't using IEM, so the difference to them is minimal. The Oracle and Zephyr look and sound great, but my SVP Pro sounds fantastic thru my IP310, so that really negates the need for a Zephyr. My TH DI, VTBass Deluxe, and MXR M81 with Fairfield Modele B are all great live, and with IEM so I really have no justification for GAS, Yet here I am researching every preamp someone mentions in this thread. Shoot me now!Not sure if this was serious or sarcastic but really - live with enormous differences in room acoustics and FOH mixing (or in ear monitoring) anyone thinking they can appreciate a major difference between these awesome preamps is drinking something I want some of.
If you're talking trying to appreciate these differences in a controlled room for your enjoyment or recording it's a different story.
But live, you're just kidding yourself.