That color looks like Pepto Bismol. But that's a good thing because it's sick. *rimshot*![]()
Right it cured my GAS !!!
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That color looks like Pepto Bismol. But that's a good thing because it's sick. *rimshot*![]()
Very cool...I'm 35 fan myself (I think we are surprisingly in the minority) There is something pure and solid with Black & Maple. I have a M5v with that combo.ah.. forgot to say: 35"
35 fan here as well.Very cool...I'm 35 fan myself (I think we are surprisingly in the minority) There is something pure and solid with Black & Maple. I have a M5v with that combo.
You have a keeper DG...
Hey Holdsg, do you know what TC stands for?TC fan here, regardless of scale or number of strings
Can't say I have that feeling. If I did though I'd probably have saved myself quite a bit of cash since buying my Lull.Only problem now is no other 5 string is going to satisfy!!
You guys ever worry about that? Lulls play so nice I am worried if I have to play another bass I will be fumbling all over the place!!
I will admit for me its a technique thing first for me (cliff-note version, I plan cleaner)...However I dig the tone as well.FWIW, 34 fan here. Did the 35 thing, even still have a few, don't mind them at all, but 34 is just more familiar territory for me both physically and audibly. The myth that 35 is required to have a great B string has been long debunked by all the great builders/luthiers out there (including Lull), so it really is just a comfort/tone thing.
You misread my post. I said it's a myth that you have to have a 35" scale to have a great B string. I didn't say they'd sound the same. In fact I pointed out there would be tonal diffs.FWIW I don't think it's a myth: it's physics. They just sound and feel different because of the differences in thickness, tension etc...
34" or 35": it's a personal thing. I like both. And I really like Mike's basses.![]()
We're both right! HahahaYou misread my post. I said it's a myth that you have to have a 35" scale to have a great B string. I didn't say they'd sound the same. In fact I pointed out there would be tonal diffs.
SO NYAH!!! lol![]()
Did he give you an explanation as to what exactly those lines are? It feels to me as if the fingerboard between the frets is covered and that the lines are where the cover ends. Weird, but that's what it seems like.So Mike received my P4 today and I heard back from Paul. He said that like some of you indicated, the lines on the fretboard are normal, though he's going to buff the fretboard a little bit more and check the frets and it should be on its way back to me sometime this week.
Did he give you an explanation as to what exactly those lines are? It feels to me as if the fingerboard between the frets is covered and that the lines are where the cover ends. Weird, but that's what it seems like.