If the above two responses are correct then there is no "secret to great tone" because there is no tone built into the head which is pretty much what I'm getting at, for me if the amp is flat and imparts no tone then there is no secret.
TalkBass has been independent since 1998. Add your voice.
Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
Join free Log in
Want zero display ads or expanded classifieds tools? Compare plans.
What AI sells is extremely accurate reproduction of what goes in the input. That reduces the variables to your instrument and your pickup system.
I could be way off, but it's been my experience with the AI combos (the SIII Contra and now the Ten2) that they are actually putting out much more low end than what is perceived from the stage...
I can't say I've ever heard any "honk" in my AI combos, but I'm guessing this is more likely due to the pickup/bass than the actual speaker design?
I could be way off, but it's been my experience with the AI combos (the SIII Contra and now the Ten2) that they are actually putting out much more low end than what is perceived from the stage.
A while ago I had a friend sit in on a gig for a song. He played my bass through my rig and I was amazed at how much louder and full the bass was in the audience compared to what I was hearing on stage. It was borderline too much. I've found that is the trade-off with using AI combos. They are NOT the best stage monitors, but as far as putting an amazing sound out into a room, I don't think they can be topped (IMO).
I can't say I've ever heard any "honk" in my AI combos, but I'm guessing this is more likely due to the pickup/bass than the actual speaker design?
Could it be the bass itself that was producing more lows further out?
Pat, did you ever play your SIII Contra with a Contra X or with the Ten2X? I've always been impressed by the fat, deep sound @ 2 Ohms into one extension cab from my Coda SII.
I bring a square plank that I've painted with a very high gloss black finish to act as a "virtual stage" (or something like that) so there isn't such a drastic difference in perceived sound when playing on carpet or wood floors, etc.
I ran my SIII Contra on top of an SWR Goliath 4x10 before. Obviously, there was no problem being heard in that situation. The Ten2 does have more of a low end presence than the 1x10 configurations. When the money rolls in, I'm considering buying a Ten2EX for the louder gigs.
Have any Ten2 owners here tried this rig with instruments other than DB or EB?
AI amps are reputed to be good for use with jazz guitar. I'm wondering if that holds true for the Ten2 as well--especially re chord articulation in the lower mids.
Thank you.
Gary
The midrange honk i experienced with my combo (ask Chris Fitzgerald about his impression on AI combos) is MUCH less obvious with this cabinet. Finally, an AI cabinet I can use with my combo almost without equalisation. However, it's still little middy when used as the only cabinet, if I configure the rig as 3x10 inch, it's nice and honk-free. So I'm basically of the same opinion than the others here in this thread: great great cabinet.
Have any Ten2 owners here tried this rig with instruments other than DB or EB?
AI amps are reputed to be good for use with jazz guitar. I'm wondering if that holds true for the Ten2 as well--especially re chord articulation in the lower mids.
Thank you.
Gary
There is a link on the Acoustic Image web site to the wonderful guitarist, John Stowell, playing through a Ten2 and he sounds great. I wish his bassist was also playing through one. Here is the link. These amps sound good with any kind of acoustic instrument. A Gypsy-style jazz violinist here in Scotland has just upgraded his rig from an older AI amp + speaker to a Ten2 as well.
Erik Hansen
Scotland