I typically use either a Tecamp Puma 900 or Aguilar TH500 through a Bergantino AE410 or AE210. Have also used Ampeg SVT Pros (mostly the III and IV) with great success.
TalkBass has been independent since 1998. Add your voice.
Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
Join free Log in
Want zero display ads or expanded classifieds tools? Compare plans.
Greetings from Indonesia,
this is my #1434 535
ash/myrtle
ash/bem
I’ve noticed mike didn’t make lot of ash neck these days, compared to maple, any idea why ?
forgive me for being too lazy to read previous pages
View attachment 3060358 View attachment 3060359 View attachment 3060360 View attachment 3060361 View attachment 3060362
I have an ash neck as well and love it. But Mike asked me when I was building do you really like the feel of the ash neck. It seemed to me that the ash necks get a different texture to them, mine is almost sticky but still very quick after many years of play.
Gorgeous bass you have there. From what I understand, Mike originally offered ash as an alternative to wenge (which was becoming increasingly difficult to obtain). The trend recently has seemingly been on the more "traditional" end of the spectrum so I'm assuming he's making a lot more maple necks. There's also the whole issue of the Emerald Ash Borer which may be interfering with the availability of decent ash.Greetings from Indonesia,
this is my #1434 535
ash/myrtle
ash/bem
I’ve noticed mike didn’t make lot of ash neck these days, compared to maple, any idea why ?
forgive me for being too lazy to read previous pages
View attachment 3060358 View attachment 3060359 View attachment 3060360 View attachment 3060361 View attachment 3060362
Gorgeous bass you have there. From what I understand, Mike originally offered ash as an alternative to wenge (which was becoming increasingly difficult to obtain). The trend recently has seemingly been on the more "traditional" end of the spectrum so I'm assuming he's making a lot more maple necks. There's also the whole issue of the Emerald Ash Borer which may be interfering with the availability of decent ash.
Mike is pretty picky about the wood he uses. No worries there.Thanks, I'm so relieved now, my 535 was made on oct 2006, almost 12 YO.
I was assuming there's long-term issue with ash neck in term of stability or durability, glad to know that I don't need to worry with my 535.
Good question, I have wondered the same. Could it be a some kind of glue layer instead of wood?I wonder what material Mike uses for the black layer between the body and top wood ?
Looks like ebony but the colour is so consistent I have doubts...
Looks like the wait is nearly over. Just got off the phone with Mike. Aside from being one of the most talented builders, he is also one of the greatest people out there. This was a new project for him. Different preamp to learn about, coil taps and all that stuff. But, by his evaluation, the effort was well worth it. Should provide some nice options for his builds going forward.Well...the time has finally come. Mike, bless his heart, is working on a 534-24 for me.
Walnut top
Light Northern Ash body
Ebony board, roasted Birdseye maple neck
Nordstrand Fat Stacks w/ coil tap
Pope Preamp
17.5 mm
Target 9 pounds or less
Here’s the top
View attachment 2828396
The downside is I’ll be moving my Hollywood Signature 5, a bass I’ve put a lot of time into on the gig and at the bench. If this were anyone but Mike, I’d be terrified. I’m not.
View attachment 2828404
BTW, guess I should have posted this on the previous page....
Looks like the wait is nearly over. Just got off the phone with Mike. Aside from being one of the most talented builders, he is also one of the greatest people out there. This was a new project for him. Different preamp to learn about, coil taps and all that stuff. But, by his evaluation, the effort was well worth it. Should provide some nice options for his builds going forward.
Just a few more days waiting...
View attachment 3077964
Pope preamp, Nordstrand Fat Stacks with coil tap, selected light ash body, roasted birds eye neck, walnut top. I was looking for a big, open, transparent sound; and I expect that’s what I will get.Beautiful bass. What’s different about the pre amp? And what woods did you go with?
That top That topdrooldrooldrooldrool what a stellar MTD, could you please make some sound clips?Looks like the wait is nearly over. Just got off the phone with Mike. Aside from being one of the most talented builders, he is also one of the greatest people out there. This was a new project for him. Different preamp to learn about, coil taps and all that stuff. But, by his evaluation, the effort was well worth it. Should provide some nice options for his builds going forward.
Just a few more days waiting...
View attachment 3077964
Besides the bass being an absolute stunner, I think your electronics selection will make it your best sounding bass!Looks like the wait is nearly over. Just got off the phone with Mike. Aside from being one of the most talented builders, he is also one of the greatest people out there. This was a new project for him. Different preamp to learn about, coil taps and all that stuff. But, by his evaluation, the effort was well worth it. Should provide some nice options for his builds going forward.
Just a few more days waiting...
View attachment 3077964




Looks like the wait is nearly over. Just got off the phone with Mike. Aside from being one of the most talented builders, he is also one of the greatest people out there. This was a new project for him. Different preamp to learn about, coil taps and all that stuff. But, by his evaluation, the effort was well worth it. Should provide some nice options for his builds going forward.
Just a few more days waiting...
View attachment 3077964
This is all your doing! Yours, and yours alone! LOL. Thanks, BTW.Wow! What a beauty!![]()
![]()
![]()
![]()
This is all your doing! Yours, and yours alone! LOL. Thanks, BTW.
Mike told me that prior to this build, he had only installed a non-Bart preamp once in 40 years, and based on the performance of that particular preamp, he would never use it again. So, this was both a gracious consent on his part, and a bit of a stiff test. Fortunately, his evaluation after getting the bass up and talking with the Pope was that it was a “magnificent sounding instrument.” My sense is that he still prefers the Bartolini voicing; but, this gives him another choice. A different style of fine wine, if you will. We will see where it goes.