This is number six, pic is long gone so here's a fresh one.
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Can I get a number?
I have an 85 MVP with messed up electronics. This poor guy has been through the mill. It was defretted by Michael because he couldn't get some fret buzz out. I changed the pickups to DiMarzio at some point. I had an "expert" change them back to the original Bartolinis a couple of years ago. Since, I have had the bass refretted by Shimala Guitars. Recently, I have acquired a German Warwick and an Alembic. The output of the Pedulla is pathetic, comparatively.
Does anyone have a schematic of what the 85 (non-EZQ) is supposed to be? This is the era of four knobs and two switches - V V T Preamp, Selector and Preamp switches, LED. The preamp is attached to the preamp pot. It looks like four wires (maybe 5). There are no markings on it.
If not, high resolution pictures of the cavity would still be helpful. I also own an 80 Buzz conversion and a 2008 Thunder Bolt. The 85 is my baby...
Thanks!
Tom
Can I get a number?
I have an 85 MVP with messed up electronics. This poor guy has been through the mill. It was defretted by Michael because he couldn't get some fret buzz out. I changed the pickups to DiMarzio at some point. I had an "expert" change them back to the original Bartolinis a couple of years ago. Since, I have had the bass refretted by Shimala Guitars. Recently, I have acquired a German Warwick and an Alembic. The output of the Pedulla is pathetic, comparatively.
Does anyone have a schematic of what the 85 (non-EZQ) is supposed to be? This is the era of four knobs and two switches - V V T Preamp, Selector and Preamp switches, LED. The preamp is attached to the preamp pot. It looks like four wires (maybe 5). There are no markings on it.
If not, high resolution pictures of the cavity would still be helpful. I also own an 80 Buzz conversion and a 2008 Thunder Bolt. The 85 is my baby...
Thanks!
Tom
To clarify, I don't consider mine to have a "dead spot" per se; the notes sound just fine, it's more the reaction of the hard finish and the string seems to be less reactive. I expect you'd agree with that description.I have the same problem. First frets on G. Hoping for a response here because I'm in denial that my Pentabuzz may have a dead spot.
Yeah, that's my situation. I didn't consider there might be a change in the finish there. I've also straightened the board, tried different strings. It's probably not a difference a listener would notice unless I pointed it out.To clarify, I don't consider mine to have a "dead spot" per se; the notes sound just fine, it's more the reaction of the hard finish and the string seems to be less reactive. I expect you'd agree with that description.
The further straightening did improve the situation a little, and I got the truss rod moved till I'd gone too far, which was the difference of about 1/10th of a turn.
Well, perhaps I should consider it a feature.
I can’t help but wonder if those frets see the least amount of vibration and therefore just sing less for that reason.This topic actually has come up on this thread before, and I’d call it an aggravation. Certainly a big disappointment for a bass that cost as much as this. Fortunately I seem to seldom play songs that require significant sustain from those particular notes.
Regards,
Wayne A. Pflughaupt
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