If it could take standard Fender VI strings why would you need to use Jerry Jones style strings? Just buy the D'Addario Fender VI set....same gauges...?
Either way...I haven't heard what the final specs are, but given that he took suggestions from VI players on here and probably off of other existing models, I can't imagine he's real far off from a killer product, at the very least on par with the competition.
Regardless...he said that after V1.0 was available he would begin taking user suggestions for V2.0 similar to what he did with the Agile 8 string guitars... I am sure I will buy it unless it isn't at all good or the price is unreasonable...but I think it will at least be worth his asking price even if its not "perfect." I could justify a second VI at the very least for a backup...though if it ended up being real nice maybe I'd just use the Hellcat as a second...
My interest is in a new type of 'VI which can use
any available string set at
any price.
The Music Man
Silhouette Bass Guitar strings in particular have attractive gauges: 20w-30w-42w-54w-74w-90w (6 String Bass Guitar Slinkys #2837 - E Tuning) which come the closest I've seen to 'light tops, heavy bottoms'.
According to a post I read somewhere on the 'Net a few months ago, this string set's E 6th string is a bit too short to fit a Hellcat VI and thus will definitely not fit a Fender VI.
In my view the new Agile VI should be designed to overcome any dependence upon proprietary strings by being able to use the widest selection of string sets, thereby diminishing one of the Bass VI's major turn-offs for many prospective players--finding good strings.
Now if only Rotosound would make 'light tops, heavy bottoms' RS 77 Monel Flatwounds for the various Bass VI instruments...
EDIT: If the new Agile VI employed a reverse in-line 6 headstock, then one would be able to string its four bottom strings with [Invalid or Expired Link Removed] short-scale (or RS77M medium-scale, 'same string gauges: 40, 50, 75, 90), and MAYBE some flat-wound jazz guitar strings for the E 1st and the B.
Even if a balanced-sounding flat-wound string set
couldn't be cobbled together, a reverse headstock (yeah I know.., I don't like the way they look either) would yield the advantages mentioned in post #690.