Well I gigged my Finally v3 for the first time (have already used it recording and it sounds great). Not an ideal live sound scenario--BIG boomy room, hard surfaces everywhere and the band is on a hollow wooden stage that has a life of its own. Even the Tele through a Deluxe with the bass knob almost totally off was making the stage howl. Every time the lead singer would stomp his foot, it sounded like somebody hit a low gong. No subs for the PA, just Mains with 15"s but up on stands. I gotta say the Hi Pass saved the day, 'cause it was a mess. Rolling the bass knob down on my amp (with a 2x12 cab) at first didn't really help. In all my years this is the first time I have ever had a device with a controllable Hi-Pass like that on my board (dang it TB, you were right!
).
In this case it was obviously good that I was sending the hi-passed signal also to FOH, but I could envision it would be cool in a future version if the hi-pass was switchable to be for either both outputs or just the 1/4" out.
And the Ground lift switch came in handy too. Yep, it was one of those gigs...
Not a good environment to experience how it sounded, but I already knew from using it my studio it sounded great, so this just confirms I made a solid choice with this box.
In this case it was obviously good that I was sending the hi-passed signal also to FOH, but I could envision it would be cool in a future version if the hi-pass was switchable to be for either both outputs or just the 1/4" out.
And the Ground lift switch came in handy too. Yep, it was one of those gigs...
Not a good environment to experience how it sounded, but I already knew from using it my studio it sounded great, so this just confirms I made a solid choice with this box.