• TalkBass has been independent since 1998. Add your voice.
    Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
    Join freeLog in
    Want zero display ads or expanded classifieds tools? Compare plans.

The Sushi Box FX Secret Society

There’s certainly room for all the differing scenarios and you have to respect the creator/builder/owner’s prerogative to run a business the way that works for them. We’re talking about one man shows here, and they have day careers and families that are more important to them than other people’s pedal GAS. I have the utmost respect for the people that are creating these wonderful toys for us to play with. Life is way to short and already stressful enough these days to worry about what isn’t available at the precise instant that I desire it.
Finally some reasoning. I don’t know who started the Broughton vs. Sushi Box thing but it doesn’t need to happen. Josh and Nathan run their businesses in different ways. They both have their pros and cons. That being said, there is no need to bash one or the other because of how they are run.
 
Finally some reasoning. I don’t know who started the Broughton vs. Sushi Box thing but it doesn’t need to happen. Josh and Nathan run their businesses in different ways. They both have their pros and cons. That being said, there is no need to bash one or the other because of how they are run.

I think I inadvertently started it and it really wasn't my intent. I have the utmost respect for both and their right to run their businesses how they please. One way of doing things works well for some and not for others, and vice versa. Let's put it to bed and get back to talking about toobz and bacon and such.
 
Sooooo on another topic, I'll just leave this here...
20201127_164607.jpg
 
Glad I could be your rebound pedal builder ;)

So this is something I've wanted to do for a while and finally got around to finishing it. I've had a lot of people ask me specifically how certain steps of my build process are done, or more just generally how I build pedals the way I do. Well to answer those questions I decided to film every step of the build process for one of the November Slampegg builds and speed it up to a watchable length of 6 minutes (the regular speed video is about 2 hours, nobody wants to watch that).

Oh and I decided it needed background music but I didn't want to deal with copyright stuff so I put in an original song without the vocals and looped it :)


Firstly, thanks a LOT for this, it was fascinating. And I have a new appreciation for the work you and your contemporaries put into your products.

So, was that you on drums, did you play the other instruments, and did you use any of your own effects?

Also, I like the color scheme of that pedal and want it for my March SlamPegg - which color is it? Is that your future etching method?
 
Last edited:
  • Like
Reactions: Sushi Box FX
That reminds me... I watched a video of the Preverb this morning. What an awesome concept. I would love to see Nathan expand on it with additional controls.
Well there's a blast from the past, that was one of the first mini tube pedals I ever did. Basically a clean tube preamp with digital reverb in it. I've thought about doing something similar with the same effect processor I use for Robot Butterfly and Echosaurus, but never got excited enough to actually do it. Still could happen though.

It blue. What it do?
That's the first ever Sunnday Drive. I'll get it finished soon so you can see less mysterious pictures of it :P
Firstly, thanks a LOT for this, it was fascinating.

So, was that you on drums, did you play the other instruments, and did you use any of your own effects?
Thanks, glad you enjoyed it :) and yes, that was me on guitar, bass, and drums. There's vocals to it too, but where I was looping it I decided to leave them out. The song is called "Monster" and I wrote it about 10 years ago and to date have recorded 11 versions of it :P

As @Sonicblaze mentioned that is matte black, and that's now my former method of doing artwork :P that was laser engraved, everything starting next month will be UV printed. I guess I'll have to get a video of that next.
 
That was Matte Black. There's some fun examples on the colors page, https://www.sushiboxfx.com/enclosures
So what I like about this is there is subtle contrast between the case color and the engraving color.

I ordered a Sparkle Black thinking that would have less contrast than matte but now rethinking this.

Do you happen to know how the new engraving method will look?

Anyway, these are all secondary things, I consider the ability to choose colors a very special kind of bonus and I'll be happy with whatever I get.
 
Do you happen to know how the new engraving method will look?
To be clear, the new UV stuff isn't engraving. Its basically a color printer that'll print on the pedals.

A few posts up was an example @Sushi Box FX posted on facebook (and I stole/reposted here). Thats the only example I'm aware of so far

Edit: another example from @Sushi Box FX, white printed on bare enclosure
received_980872515737487.jpeg
 
Last edited:
To be clear, the new UV stuff isn't engraving. Its basically a color printer that'll print on the pedals.

A few posts up was an example @Sushi Box FX posted on facebook (and I stole/reposted here). Thats the only example I'm aware of so far

Edit: another example from @Sushi Box FX, white printed on bare enclosureView attachment 4068678

So I’m assuming there’s clearcoat applied over the printing to prevent it wearing away over time? Or is it robust enough on its own?
 
I’ve also been considering getting a Sunnday Drive sometime...you’ve only made one so far??
I've technically made three (two for November batch and one for me) but none of them have gone through final assembly yet. This should be the first one.

So what I like about this is there is subtle contrast between the case color and the engraving color.

I ordered a Sparkle Black thinking that would have less contrast than matte but now rethinking this.

Do you happen to know how the new engraving method will look?

Anyway, these are all secondary things, I consider the ability to choose colors a very special kind of bonus and I'll be happy with whatever I get.
Frankly I can print in whatever color I want. A UV printer is basically just a very specialized inkjet printer, except it uses 5 colors of ink instead of the typical 4 you would expect from a regular printer (it has the ability to print in white as seen above).

So I’m assuming there’s clearcoat applied over the printing to prevent it wearing away over time? Or is it robust enough on its own?
That's a good question I don't have a solid answer for. I have two UV printed enclosures I've done, and so far nothing has scratched or damaged them, but I also haven't tried to damage them. I'll do some testing for robustness before I decide.

The illusion finishes and the fractured cherry require a clear coat to get the color to show the way it's supposed to, I may be able to print it before the clear coat, but there are plenty of colors that don't require a clear coat, so I would love to not need to coat everything, but if that's what it takes to keep the artwork looking good, I will do it.

And on that note I'm going to sign off for the evening, I have a lot to do and I'm going ti start shipping november builds tomorrow morning.
 
So, was that you on drums, did you play the other instruments, and did you use any of your own effects?
I know I said I was signing off for the night, but I just remembered I only answered half of this question.

The clean guitar uses an Echosaurus for the delay, the dirty rhythm guitar and lead both use a Black Eye. There are plenty of fancy things you can do with a rig these days, but honestly Black Eye into the "Classic Rock" patch on a Two Notes Torpedo then straight into the interface is an incredibly usable recorded sound.
 

Latest posts