It's a theoretical EQ in a vacuum, it doesn't soundIt all depends, how does it sound?
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It's a theoretical EQ in a vacuum, it doesn't soundIt all depends, how does it sound?
Since it doesn’t exist, the EQ frequency points are inconsequential.It's a theoretical EQ in a vacuum, it doesn't sound![]()
YesWednesday morning no-context question with no counter-questions allowed:
In a theoretical 4-band EQ with switchable mids frequencies that is going in nothing in particular, is 250Hz/440Hz for lo-mids and 800Hz/1.2kHz for hi-mids a pretty good set of options?
Simple yes or no answers will suffice, I won't be expounding at all on the question.
Exactly, just an academic exercise regarding a theoretical EQ that doesn't existSince it doesn’t exist, the EQ frequency points are inconsequential.
Exactly, just an academic exercise regarding a theoretical EQ that doesn't exist
...but might exist in a month or so
I can neither confirm nor deny the existence, present or future, of "Vapor X."Ah, the Vapor X, right?![]()
The treble and bass controls are shelving filters whereas the lo-mids and hi-mids are peaking filters, so it makes more sense to call out the center frequencies of the mids and not the treble and bass.If you want to go bonkers, a low eq with switchable 40/90 Hz and treble eq with switchable 4kHz/10kHz (frequencies tbd) might make some folks drool even more. But that might make the user interface a bit of a puzzle![]()
Those frequencies are fine, will it be shelving or bell type and how many +/- db?Wednesday morning no-context question with no counter-questions allowed:
In a theoretical 4-band EQ with switchable mids frequencies that is going in nothing in particular, is 250Hz/440Hz for lo-mids and 800Hz/1.2kHz for hi-mids a pretty good set of options?
Simple yes or no answers will suffice, I won't be expounding at all on the question.
Let those companies with design and development departments do your Bonkers,If you want to go bonkers, a low eq with switchable 40/90 Hz and treble eq with switchable 4kHz/10kHz (frequencies tbd) might make some folks drool even more. But that might make the user interface a bit of a puzzle![]()
Yes.Wednesday morning no-context question with no counter-questions allowed:
In a theoretical 4-band EQ with switchable mids frequencies that is going in nothing in particular, is 250Hz/440Hz for lo-mids and 800Hz/1.2kHz for hi-mids a pretty good set of options?
Simple yes or no answers will suffice, I won't be expounding at all on the question.
Treble and Bass are shelving, hi-mids and lo-mids are peaking/bell. All controls are boost/cut so with everything at noon response will be flat. Range of level for mids controls is about +15dB/-25dB (I think).Those frequencies are fine, will it be shelving or bell type and how many +/- db?
I can work with thatall I want is for you to make me beautiful. How you achieve that is up to you.
Vapor X (not actual title) is already up to 9 knobs and 4 toggle switches and it's not even real. Someone may have to tell me to stop.
Vapor X (not actual title) is already up to 9 knobs and 4 toggle switches and it's not even real. Someone may have to tell me to stop.

Stop.
Kidding aside, 9 knobs can feel like too much. I will say that I do like it when pedal manufacturers make some of the switches smaller, others larger, based on what is used the most. 9 knobs sounds like a bunch, unless you are creative with the layout and make it feel like 6. Just some thoughts. Clearly you get it though.
I say go for it there are plenty of options for guys wanting less knobs I like having more options
Definitely a “it depends” situation.
If we’re talking about a 4 band EQ, level, and gain… then we’re already at 6 knobs. If there’s two channels then easily 8 knobs. Add a blend option or whatever, then there are 9 knobs that are probably useful. Fortunately I’m not a knob terrier. When I find my spot I usually leave most of them alone. Just a few minor tweaks here and there. As long as it’s not a 125B enclosure then I’d be ok with that.