Yes, that’s what I’m doing with mine, I’m able to get more gain before distortion with the au7 than I did with the ax7 and I use the master to get the same output volume if the pedal is on or off.
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Whoa, are Sushi Box pedals being made in a giant Chinese factory now? That would have been nice to know, I still have a basement full of parts and I've been putting them together by hand like a sucker.
Quick question if I may please. My new UA arrived today, and I've been thinking about trying a couple different tubes in it.Yes, that’s what I’m doing with mine, I’m able to get more gain before distortion with the au7 than I did with the ax7 and I use the master to get the same output volume if the pedal is on or off.
Not really, the last stage of a circuit will determine the overall output level, so a higher gain tube in the last stage will be louder than a lower gain tube.Quick question if I may please. My new UA arrived today, and I've been thinking about trying a couple different tubes in it.
Would it be fair to say that the general overall output levels of the pedal using different tubes is still the same? I.e. using a lower gain tube let's you push more gain before distortion, but the input gain is now less, so overall the output level hasn't increased.
If you haven't ordered yet, grab yourself a 5751. A bit more gain than the AT, but still 30% less than the AX.Thanks Sushi Sensei! Will order 12AU7 and 12AT7 and let the games begin!!
Also has the same gain level as 6SL7, which has made it a popular aftermarket choice in Slampegg. 5751 is a great tube.If you haven't ordered yet, grab yourself a 5751. A bit more gain than the AT, but still 30% less than the AX.
I found the 5751 to have a similar response to the AT, in terms of gain-before-breakup, but sounded more lively. The AT sounded a bit flat by comparison.
It's a dark world over on the clone side of things, but that would be counterfeit or knock-off production which is even darker (like a black hole)...Whoa, are Sushi Box pedals being made in a giant Chinese factory now? That would have been nice to know, I still have a basement full of parts and I've been putting them together by hand like a sucker.
both guitarists regularly use Sushi Box pedals, and while the bassist is a bass-straight-into-amp guy live, he did use a preamp for recording.Man, I've always loved that finish, I wish it wasn't so dang finnicky to apply.So this arrived earlier in the week - picked it up from the classifieds. Didn’t have a chance to unbox and plug it in until this morning. My goodness it sounds awesome! I’ll never have trouble seeing on the pedal board either.
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Man, I've always loved that finish, I wish it wasn't so dang finnicky to apply.
That's one of the original Lab Rat designs, which had some neat features. If you leave the drive off and turn on the boost by itself it's basically half of a UA, easy way to get tube warmth when you don't need drive.
Sounds good. Thrown To The Wolves has a killer riff.![]()