Ouch. So I guess most of you guys will be flipping it to Pre-EQ then? I wonder if there is any way to install an aftermarket switch to change between the two.
This is one of the diffs between the SA450 and the LMII.
I'm actually probably going to be doing this.
On the pre/post thing, I strongly prefer pre for DI out, and IMHO for a great reason... (note: assuming full PA)...
From stage, we have NO idea what FOH sounds like, so how in the heck could we possibly "eq for it"? The answer is, we can't. We tune our eq's to sound good on stage, because what our rig is, very simply and basically, is a stage monitor.
Give the production crew pure unadulterated bass sound, and let THEM blend, compress, and eq everything as needed. That's their job, and IMHO, trying to do anything to interfere with it only hurts the band's sound and the audience's experience.
IMHO, if you think you need to feed FOH post because you don't trust your production crew to eq FOH correctly, then I'd say that's a very different problem... you need a new production crew. Again, trying to eq FOH from stage is, IMHO, just crazy talk.
Obviously, I'm a hard core stickler about not interfering with FOH. I even set my rig up to fire across stage to help avoid that interference in smaller venues. The drummer can hear me better that way as well, which he (foolishly) likes.
So why would I ever use post? Simple. If I wanna' drive a power amp with it, in which case I'd use an outboard DI like my Sansamp Para Driver to feed FOH.