My NBD was last week... but I've been having so much fun playing it over the past few days, I'm just now getting around to putting together this note for TB.
Here are the deets:
V21-J5 #245
34-inch scale
solid alder body in Shoreline Gold with parchment pickguard
asymmetrical maple neck with carbon stabilizer bars
rosewood fretboard with clay dots and mother-of-pearl side dots
stainless steel frets in 6230 fretwire
unbleached bone nut (1 3/4" width)
Nordstrand Fat Stacks with Nordstrand 3B preamp
Hipshot Ultralite tuners
Hipshot B bridge in brass (19mm spacing)
Dunlop straplocks
total weight: 9 pounds
control layout:
1) master volume (pull for humbucking, push for single-coil)
2) blend
3) VTC (pull for passive, push for active)
4) treble/bass (boost and cut)
5) toggle for midrange boost
My thoughts:
This bass packs and ULTRA-versatile array of tones that sound killer and are useable! I ABSOLUTELY LOVE the electronics in this bass. Hats off to Nino for pulling everything together and assembling an ideal control panel... and a big salute to Carey Nordstrand and his crew for making such sweet components. This preamp and pickups is a phenomenal combo. I'm wow'd every time I plug in.
As others have described, the Nordy 3B preamp is very natural. It's super, it delivers and it gives you just what you need without being excessive. It's not too "modern" sounding, nor is it dark. I would DEFINITELY buy this preamp again.
Before this bass arrived, I had seat time with Nordstrand's Big Splits and NP4 but not with the Fat Stacks... and a fella can only listen to so many YouTube links... so that was the component I was most anxious to take for a spin. After plunking around for a few days, I can tell you these pickups are truly fantastic! The single-coil tone is organic, raw and edgy without being overly clangy. In humbucking mode, you get the expected output drop and the elimination of hum (mind you, this thing is quiet even in single-coil mode), but I'm happy to hear the character doesn't change that much. I especially enjoy panning over to the neck pickup in single-coil mode, rolling back the tone and treble and giving the bass a tiny boost = a delicious P-Bass tone!
As expected, the solid alder body and rosewood fretboard is warm and mellow with the perfect amount of attack.
I'm thrilled with the feel. For a 5-string solid body, this is a comfortable weight. I DIG the asymmetrical neck! I've owned a couple of instruments with asymmetrical necks and don't see why more makers don't make this a standard feature. It may not be everyone's cup of tea but it makes perfect sense to me. Also, thanks to the shaping on the back of the lower horn, access to the upper register is so dang easy. I could drive my car up to the 21st fret on this puppy!
NOTE -- after considering adding Luminlay side dots (which I'm sure is a fine product), I gotta tell everyone that I'm especially pleased with my choice to save a few pennies and go with mother-of-pearl. Maybe I got lucky with mine but in a low-light scenario, the iridescent mother-of-pearl reflects the available light and shows up brilliantly.
Terrific job, Nino! I look forward to playing this bass and bragging about your services for years to come!
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