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Thoughts on Pino Palladino

That's great!

I think so too!

BTW, I wasn't disputing what happened when you saw them. My point was just maybe it was the venue or the sound people when you went.

For the record Pino did not try to do an Ox channeling performace when I saw them last. He played the iconic parts and classic riffs in those places where it mattered. But the rest of the time he was just Pino on bass. Which I appreciated since I would have been disappointed if all he did was ape Entwistle. Even Pete plays a lot of things differently today than he used to. And Roger has adjusted his singing to match his current vocal range since he's not getting any younger either.

This is the current Who. Those who went hoping for an exact copy of them back in the '70s were destined to be disappointed. But those of us who were there and remember their glory days - but now wanted to hear what they're doing at this stage in their lives - had a great time.

As Daltry put it, you reach a point in your career, once you've been around long enough, to realize you can no longer do it (or write them) the way you used to. And when that happens you can either stop performing, or accept the limitations of age, adapt to it, and celebrate the fact you wrote a lot of really good songs. And that's what they decided to do - be what they are today. He said the last thing he'd ever want to see is The Who try to become its own tribute band.

I thought his remarks gave the evening a certain sweet poignancy to go with the good memories and spirit of celebration. Because all of us there - including the band - mainly came to raise a glass to a band, and an entire era, that's sadly gone for most of us - but still far from forgotten.

Maybe it's kinda sad. But it was a happy kind of sad all the same. And it was a great show.

Sorry your night with them wasn't that great an experience for you.
 
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In the 80's and beyond, Pino had an instantly recognizable voice via his fretless work with Paul Young, David Gilmour, Don Henley, Pete Townsend, Melissa Etheridge, Elton John... Does anyone besides myself ever question his decision to give up that voice and resign himself to sounding like "just another bassist"? Don't get me wrong, I'm not questioning his obvious talent, just his decision.

This is a subtopic:

What got me thinking about this was I "saw" him (note I did not say "heard" him) perform with The Who last night and, in my opinion, they may as well have had a cardboard cutout of a bass player on stage with them. That's how lacking the presence of the bass was in their mix.

I have to echo another poster's sentiment...if you think that Pino sounds like "just another bassist" now solely due to playing significantly less fretless, you really need to reconsider how well you know the instrument.

His work with D'Angelo was groundbreaking, and there is a reason he's currently the bass player for The Who, NIN, John Mayer, and a host of other A-list talent.

Personally I assumed he moved away from fretless due the ever changing voice of the industry itself; the sound of the fretless bass was an 80's pop hallmark, but I can't remember hearing fretless on a pop tune in the last two decades.

He didn't "give up" his fretless voice, people just don't call him to play fretless anymore.
 
Pino is a wold class bassist. Fretless is only part of what he does. ( And yes, he does it well ) The Who, Eric Clapton, John Mayer, D'Angelo, Herbie Hancock, Elton John, Common, just to name a few.
Solid groove, Deep tone, and always plays what the song needs. Is why he is one of the most in demand bassists of his era.
 
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I'm sure geddy Lee would jump at that chance to play with one of his heroes growing up. He plays a lot of nice basslines which would do John justice and honour. I don't think he would mind not singing for once and having to deal with all those keyboards and synths.

I'd love to see that one day. a Who concert with Geddy Lee as the touring bassist? Man. Dream come true
 
I'm sure geddy Lee would jump at that chance to play with one of his heroes growing up. He plays a lot of nice basslines which would do John justice and honour. I don't think he would mind not singing for once and having to deal with all those keyboards and synths.

I'd love to see that one day. a Who concert with Geddy Lee as the touring bassist? Man. Dream come true

Alternatively, we could just cut to the chase and get Tony Levin to do it. Now THAT would be ninety shades of awesome... :cool: :laugh:
 
I gotta ask this because I think there is some UNINTENDED disrespect going on here.

To say that Pino or any other bassist is a bad choice for this position is a slap in the face of the remaining members that asked him to sit in. If they thought he was good enough or a good to perfect fit, who are we to say they made a bad or inappropriate choice? Are the remaining members idiots that are not capable of making choices for a legacy that THEY helped build and maintain? It's really disrespectful to assert that the surviving members were not capable of choosing replacements to continue their legacy.
FF
They chose Kenney Jones as a replacement for Keith Moon. Have you ever heard what Townsend had to say about that choice?
 
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