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Thunderbird Club

Over a year ago, my brother was all hot and bothered to learn Taxman. I said "Yeah, really cool, let's do it!" I went ahead and learned the bass part and learned to play along with the track. Of course, he ends up saying "there are all these weird b7 chords I have to learn to play it, so I haven't gotten around to it". Fast forward to a few weeks ago -"hey I can play Taxman. Have you learned it yet?". Well, yeah, but I have also had the hand surgery since then...

So the last couple of weeks I have worked on it. I am not up to the same speed as the Beatles, anymore. It is more difficult to play and it slows me down. It really comes down to as much as I am adjusting to the new way my index finger works, it is tough for playing. But we have discussed it and we can play it slower.

That makes me think about the arrangement. I have re-learned it playing it on the D standard Thunderbird, rather than on an E standard bass. So it has a darker tone to it. Maybe more of a Queen's of the Stoneage or maybe Kings X vibe to it. I'm now thinking about trying it on the BEAD tuned EB3.

When we get a chance to play together I will report on how it sounds with a more angry tone to it.

Getting to the point. I wonder if I will ever be able to play like I could. I have to think about making my index finger work and it doesn't work like it used to. I think I need something to help with muting as when I play a low G the high G string will rings as I can't mute it like I used. Getting old and having body parts need repair sucks. But I'm making the most of it, no sympathy - just getting on with things as much as I can.
 
Due to the nature of my RNR, there's no belly cut. And I really like the feel of that. Possibly because I have no belly and belly cuts are never centered for me anyway.
nothing a little more cachaça and farofa won’t fix lol…for me it’s how it digs into the rib cage….I wear them somewhere between Entwistle and Way…
 
Nothing wrong with noticing our weaknesses in playing. But...you can't give up--unless you're trying to be a session player! In some ways I play better than I did in the 80s and other ways not. Hard to describe. But I try to do a good job, get no complaints other than those I make myself, and I try to enjoy playing. If it becomes like work I'll stop. I enjoy learning new things and ways to play, but I figure if it becomes a chore, I'm doing something wrong.

Those aren't it at all. It's the danger of comparison, regardless of whether you mean to. But just as facing down a tank with a pistor might seem futile, so can be listening to someone that talented - especially if they're just a kid - when your playing is way behind them. Those who don't surrender are the bass (whatever) players.
 
Over a year ago, my brother was all hot and bothered to learn Taxman. I said "Yeah, really cool, let's do it!" I went ahead and learned the bass part and learned to play along with the track. Of course, he ends up saying "there are all these weird b7 chords I have to learn to play it, so I haven't gotten around to it". Fast forward to a few weeks ago -"hey I can play Taxman. Have you learned it yet?". Well, yeah, but I have also had the hand surgery since then...

So the last couple of weeks I have worked on it. I am not up to the same speed as the Beatles, anymore. It is more difficult to play and it slows me down. It really comes down to as much as I am adjusting to the new way my index finger works, it is tough for playing. But we have discussed it and we can play it slower.

That makes me think about the arrangement. I have re-learned it playing it on the D standard Thunderbird, rather than on an E standard bass. So it has a darker tone to it. Maybe more of a Queen's of the Stoneage or maybe Kings X vibe to it. I'm now thinking about trying it on the BEAD tuned EB3.

When we get a chance to play together I will report on how it sounds with a more angry tone to it.

Getting to the point. I wonder if I will ever be able to play like I could. I have to think about making my index finger work and it doesn't work like it used to. I think I need something to help with muting as when I play a low G the high G string will rings as I can't mute it like I used. Getting old and having body parts need repair sucks. But I'm making the most of it, no sympathy - just getting on with things as much as I can.
I can only imagine how frustrating that is. (To be relegated to playing as poorly as I do is a concern.) But seriously, I admire your tenacity and I have no doubt it will be rewarded down the road. Even playing poorly can be fun. I'm proof of that. There is much enjoyment regardless of skill in the near future and I have no doubt you'll figure out a way to make way more average improvement. Hang in there.
 
The debate about bridges is all over the map - high-mass vs otherwise, aluminum vs brass vs steel, individual saddles vs two saddle-bar (early P-bass), individual-string bridge vs standard/combined, and what the saddles are made of (metal, brass, wood, or plastic). Then there is top-load vs string-thru and imbedded anchor plate/flanges vs standard flush-mount. They all work if installed correctly and offer the required saddle travel. The rest is nuance and individual preference based on ones ear and finally, aesthetics.

I was leery of the Supertone because it was aluminum. But several people here really liked them so I tried one - and was hooked.
 
If you play cobalts, you can't join... You must have princess fingers that will not tolerate the presence of cobalt.
What if he has basses with Cobalts that he can't even be in the room with because of the strings, which keeps him from taking them off?
 
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No joke, I put a set on one of my basses with a brass nut. In just the time that it took to install and tune the strings I ended up with a pile of brass dust at the nut. That was enough for me, never even played a single song with them, off the came and cut in half so I couldn’t accidentally install them on anything else. I did keep the cut strings and used them for nut files for a while. They’d shave a layer off a bone nut in seconds.

(Disco voice) Ow.
 
Two minutes in, and I am BURIED in cheese, from the acting to the monster suit to the music. I bet y'all can smell the gorgonzola from there.
What's wrong with the music? Bass trombones and tubas-gotta love it.
Addendum: Angry brass sound?
 
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An Epi bolt-on (not sure what year) didn't have (a belly cut) ...
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That was my main beef with my basic Epi IV. Yeah, the hardware was low end, but I expected that for the price. I didn't expect the "corner" to be digging in to my ribs. That was what got me playing the bird somewhat low early on, which I realized was how I wanted to play them all, belly cut or no.