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Thunderbird Club

I never got to see them. Which really pains me. Style-wise, they really charted their own course. I love most everything they did, even the later albums. Even when they as a band weren't on top of their game they were still great. I love listening to his parts, especially live. Such a cool tone as well.

The only time I saw them[1] was in 74, post-Duane-and-Barry. It kills me that I lived so close but never got to go see them play in Atlanta or Macon. If they came to Augusta, I didn't hear about it.

[1] I assume I saw them. I vaguely remember Marshall Tucker playing, but only vaguely. I was stoned out of my gourd. I missed a lot of good concerts that I attended. Idiot.
 
The only time I saw them[1] was in 74, post-Duane-and-Barry. It kills me that I lived so close but never got to go see them play in Atlanta or Macon. If they came to Augusta, I didn't hear about it.

[1] I assume I saw them. I vaguely remember Marshall Tucker playing, but only vaguely. I was stoned out of my gourd. I missed a lot of good concerts that I attended. Idiot.

ABB used to play at Boston Common often in 1970 except I had no idea who they were, half hour/ three quarter hour drive with no traffic.
 
Martin Turner...........

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I opened for them during the early 80's in a big club (Shaboo Inn, CT) but wasn't interested in the band and have no idea if he was there or if he was, what he played, ......bad attitude, I know. :laugh:
 
This is interesting. I take it the .068 in the Goth leads to a darker tone? And the .022 in yours makes it quite a bit brighter? Does this have an affect when the tone is set to 10? I am very new to this! With a baby on the way and selling my collection down to a single bass (my most sentimental Tbird, despite playing my old American Standard P more) I actually like the idea of making her a bit brighter and more versatile.
A tone cap in a passive bass is basically a filter that passes some of the frequency to the ground. You only actually hear the signal that is not filtered to ground. So if your tone pot is turned to zero more of the signal is available to the cap where the frequencies can be filtered to ground. The higher the caps value the more high frequency signal is passed to ground. So yes the .068 cap in the Goth will send more high end content to ground where you can't hear it vs a standard Tbird cap at .047uf. As the tone knob is turned closer to 10 (or max) less high end content is sent to ground and the bass sounds brighter.

I personally like the .022 cap on the Goth because the pickups are overwound and darker sounding than most Tbirds. The .068 cap in the Goth was just too much of a good thing in my opinion. The .022 cap opens up the Goth sound quite a bit and drastically increases the range of the tone knob.

A very worthwhile experiment would be to get a half dozen different value tone caps (they are dirt cheap) and try each one (just clipped in place not soldered) until you find what you like best.

I used a no-load tone pot on my Classic Pro to be able to get a brighter tone, but without sacrificing the darker sounds with the tone rolled off.
So "10" on the tone pot bypasses it, goes straight to output; 0-9 work as normal.
Worked out great! :thumbsup:
A no load tone pot should be standard on every bass. Just adds a whole new flavor to the bass.
 

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