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Thunderbird Club

The only way to lay out the body shape on the blank would be at an angle because the blank is just wide enough, but the body is offset. Looking at the face of the body (with the neck to right) the grain could not run horizontally. Not really a problem if it was a solid colour, but I wouldn’t build a new bass that way.
Or get a veneer to cover the top...
 
That kinda takes away from it being a 1 piece body.
The thing to do would be to cut half of it and glue one of the scraps to the other side.
…or just get a bigger board. 13” would work fine for a regular Tbird because of the neck through center block. But an NR with no seam and glue looks like it would take at least a 14” board.
 
Ah right. Speaking of WWII, here's a dive site off Tinian called Dump Cove, or Dump Coke (lots of coke bottles from the war), where parts of planes, tanks, jeeps, and ammunition were dumped.

View attachment 4835498
Not sure what 80 years of underwater exposure would do to undetonated munitions, but I don’t think I’d like to find out the hard way.
 
Disagree. There are a couple of things to say.

"Hey, what's that over there?" followed by "No there were only 7 there. I wondered why you were putting out an empty stand..."

That was actually my first thought, but I was pretty sure someone else would have said it by now. I was right!
 
That kinda takes away from it being a 1 piece body.
The thing to do would be to cut half of it and glue one of the scraps to the other side.
Is mahogany stable enough to leave it in one piece? I know often some material needs to be cut in smaller strips and glued (making it even smaller), with every other piece flipped to prevent warping, with some woods allowing for larger or smaller widths.

I know...
 
Is mahogany stable enough to leave it in one piece? I know often some material needs to be cut in smaller strips and glued (making it even smaller), with every other piece flipped to prevent warping, with some woods allowing for larger or smaller widths.

I know...
Should be stable if dried and aged properly and sealed and finish coated on all sides.
 
The only way to lay out the body shape on the blank would be at an angle because the blank is just wide enough, but the body is offset. Looking at the face of the body (with the neck to right) the grain could not run horizontally. Not really a problem if it was a solid colour, but I wouldn’t build a new bass that way.

I guess it depends if you feel the need to have an exact, side-by-side tracing of a late '60s NR. My last build (Juniper med-scale) used a tracing my friend in Poland made of an early '60s Italian Meazzi Jupiter (that he owns) but the 'hips' were wider than my mahogany slab. I altered the tracing so it fit the slab. Looks good. [note: it came with two types of bridges in different years - the string-stop cover on mine is from an early '60s Jupiter, which had the other version] Also - over the decades, both the '63-'65 R and '65-'68 NR have had multiple clones and none (other than possibly the '70s R) are the exact same shapes as the originals.

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Very true. He can still belt it out.
I never really cared for You Ain't Seen Nothin' Yet, but the rest was great.

But it contains one of the great rock n roll stutters.

B-b-b-b-baby you ain't seen nothin' yet.


That song was Randy Bachman poking a lot of fun at one or the other of his brother's (Tim or Robbie) stutter.