Last show I used a friend's SVT, and ran the mids at about 3:00.
On my D-180, since it's an FMV tone stack, the mid knob has been all the way up for years, because at least for me, there is no other useful setting.
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Thunderbird Club
- Thread starter TBird1958
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- club thunderbird
On my D-180, since it's an FMV tone stack, the mid knob has been all the way up for years, because at least for me, there is no other useful setting.
Sadly I went to bed early last night but it was worth waiting for
"you guys are babies! 
Probably followed by - neener, neener, neener under his breath.Sadly I went to bed early last night but it was worth waiting for
Works best with the mid switch on 800, then at 3 o'clock like @Sartori said.
My female spousal unit advised me against having the Gain at 100% if the Master is already at 1 o'clock. At least thats what i think she said. The look on her face as her lips were flapping and door was slamming suggests thats what she said....
I just saw the 2012 NR in the Gibson Bass Book. Wow! I love it. And 2012 makes it a (50th) Birthday Bass for me.
Approximate only, but this is the sort of response you might expect with the passive tone controls on a Fender amp.
green = mid @ 100%, bass and treble @ 0%
orange = mid and bass @ 100%, treble @ 0%
red = everything @ 100%
green = mid @ 100%, bass and treble @ 0%
orange = mid and bass @ 100%, treble @ 0%
red = everything @ 100%
Aha. I guess the Eminar is probably the same; and the Traynor?
I've seen post about how to set a 'Fender Tone Stack' to flat. So guessing this is in the same pond as that?
Flat confuses me. Why flat? Wouldn't it be better to know how to set it to be how you want it?
They're all more or less the same. Marshall copied the Fender tonestack, etc. Fender, Marshall and other schematics are all easily found online if you are interested.
I think part of the thing about setting a 'flat' passive tonestack is many people assume that 'flat' is the midpoint on any given control, and either side of that you are boosting or cutting, whereas with passive tone controls, it's all cutting.
update: and also what @Sartori says below about knowing where your starting point is.
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When he turns the amp up with 800hz boosted all the way, yes.
Maybe only at shows....
Yes, FMV = Fender tone stack.
It's good to know what the flat settings are, because flat is a good starting point for adjusting the sound.
It also helps you know what the amp will do, and what it won't do. As you can see, a FMV circuit is incapable of producing an actual boost in the midrange. So if that's what you want, you may want a different kind of preamp circuit.
This is a neat utility for helping to understand these circuits and the way they interact.
TSC
... all in the interests of getting the very best in angry piano-ness from Thunderbirds, obviously.
TSC
... all in the interests of getting the very best in angry piano-ness from Thunderbirds, obviously.
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I found another video clip from my t bird debut show. I had the contour button on on the rumble, and I forgot to do my 91% isopropyl soaked rag pinch and drag on my strings after the last rehearsal, so my strings were a little dead too, so the tone is um, well, boomy. Which is OK for system of a down I guess. Xlr out of the back of the amp straight to PA. Can actually see the bird a few times too. I kinda want to put a white pickguard on it.
Looks cool. Wouldn't work on my computer, unfortunately.
well this worked out great... My friend went to Japan for Christmas and returned with thunderbird pickups (64 reissue im guessing). I was very skeptical about this cause the thunderbird I had was a soapbar style instead the "rounder" more thunderbird looking pickup.
Attachments
Gaolee
Official leathers tester and crash dummy
The thing about tone shaping is that every speaker cabinet and every amp has specific overtones, cancellations, and all kinds of other stuff that goes into the sound. Same with rooms, instruments, and everything else. You can take an Ampeg and EQ it all you want, and I'll probably still not like it all that much. Unless it's a 1965 fliptop or something, but you get the point. The angry piano sound isn't just EQ. It's all the overtones that stack up on top of the EQ. I get everything from mud to really clear angry piano out of the 'Bird and 360 stack. The only drawback is that it's directional, which makes it somewhat difficult to hear on stage at times. Or completely overwhelming. But those are a different issue to deal with. I have had the same problems in some rooms with the little Carvin combo, too.
All this is a far cry from my gigging days, it was just a case of plugging in and wanging everything up to max (other than gain), no pedals nothing, just go for it. Mind that was mid/late 70s punk
