It didn't sound quite right to my ears until I disconnected that extra cap.It does look really good. From your recordings, your's sounded better than my Ric did. I attribute a good bit of that to the player. I think Will is going to be very happy.
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It didn't sound quite right to my ears until I disconnected that extra cap.It does look really good. From your recordings, your's sounded better than my Ric did. I attribute a good bit of that to the player. I think Will is going to be very happy.
Where do I get the T-bird that shoots lighting bolts out of the headstock?
Where do I get the T-bird that shoots lighting bolts out of the headstock?
Yours doesn't?
<ZappaVoice>Is that a real Thunderbird ... or a Sears Thunderbird?</ZappaVoice>
Not that far. Maybe a half hour drive. Maybe less. It depends a little on traffic.Sounds like we need to do a GTG in your neck of the woods next year. How far are you from our Queen?
You are already headed down to California for the GTG? Or Port Townsend for Labor Day gigs?Will is just north of downtown Seattle, I'm south maybe 14 miles by SeaTac if you're flying.
Happy Thursday, I'm hitting the road today!
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That's a great looking color. I was thinking the fretless should be refinished in Rallye Green Metallic. Like this:Ugh, don't remind me, I'm still waiting to get enough money to finish off my BaCH in Willow Mist Metallic...
It sounds pretty good on the Flamingo. So there's that.
Ask Ace Frehley.Where do I get the T-bird that shoots lighting bolts out of the headstock?
No lightening bolts from my ThunderCaster project, but it will shoot thunder out of its output jack. It’s still a work in progress but if I can finish it before the GTG I’ll bring it to Hollister. In preliminary testing it even shames a Greco on the bottom end.Where do I get the T-bird that shoots lighting bolts out of the headstock?
It's a J, but at least it's the proper color.I would have MJT do the finish - they use nitro and if you sent this pic/example, they would come very close to replicating it. Because I wanted to see an example of their relic'ing in person I had them do my J in Burgundy Mist Metallic and was very happy with the result. Cost was consistent with Pat Wilkins, but Pat doesn't do nitro or relic'ing and MJT specializes in both. You can request any level of relic'ing (from mild to heavy) and they send pic's for approval at every step. I requested a semi-mild relic'ing including checking and I added some of my own* after receiving it. (area near bridge pu) I do a number of other types of custom finishes (as you know) - but they do this look better. I can install the pu.
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*referencing this Guy 's '64 J
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Well, do you expect any different kind of behavior from people here?So you ride around in your truck with your clothes on the floor....
There does seem to be a bit of variability in the BaCH birds, maybe depending on which run you got. To be honest I rarely ever notice neck differences when playing different basses. About the only exception to that is when I was playing my new 2021 NR and reached over to the bass stand to pick up the BaCH (which I later sold to Marshall). I was actually shocked by the difference in neck thickness (front to back). The BaCH neck was substantially thinner and very fast and easy to get around on.
It’s an incredibly sleek neck but never felt “toothpicky” probably because the width was about the same as a standard Tbird. Never gigged it outside or transported it from house to venue, but in my temperature and humidity controlled house it was always good and stable. It was easy to get a low action on and the fretwork was all pretty nice. Just a pleasure to play.
My only reason for selling it was I was having a hard time getting used to only one pickup, and was constantly looking for something to rest my thumb on. I considered converting it to a dual pup bass but several club members here talked me out of carving into a relatively rare bass. It’s in a good home now where it will be appreciated for what it is.
I gotta say, Irv's music room is pretty epic.
It isn't quite perfect, but it's really close. The case isn't even beat up much. I suspect it spent most of its life in a closet, in the case. It won't suffer that fate any more. Everything I own gets played.I took a few pictures while I waited for him to come get it:
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Looks nice!I play many different 4-string necks (length, width, depth, profile, fretted & fret-less) but I do have favorites. My '63 & '64 II established that in 1974. It has what I would call a medium-depth profile and a narrow nut. (1.5", like a J) My Teiscobird's Goth neck is baseball-bat deep with a wider nut. The closest neck I found that was very similar to my II was a carbon-fiber Peavey B-Quad 24 fret neck, which was fretless. I hope to someday find and buy a fretted version - which I'd use for a killer 24 fret custom T-bird.
I love playing all the different necks which always inspire me differently when I play, but two of my recent favorites are my Coral Deluxe Bass, which has a 22 fret, flat D-profile and wide 1-3/4" nut, and my ESP/Grass Roots Bass IV with a 21 fret, 1.5" J nut and medium depth soft-V profile.
mid '90s Peavey B-Quad
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yeah, but I don’t want the flamingo..It sounds pretty good on the Flamingo. So there's that.