- Jun 30, 2010
- 49,588
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- Disclosures
- musician/artist/owner - Gildaxe
Paul's playing is some of my favorite, maybe because it's the closest to my early musical experience, from childhood.
And he's got some of the most unexpected approaches to playing a line- he almost *leaves the realm of bass playing* with his forays- but an interesting thing happens: what he plays redefines the term "bass line" in real time- as you're listening. You say, "Oh, yeah of course..." The dude invents playing bass again for the song he's playing. He's the only one who does that, seems to me.
I don't do that. But maybe the influence was profound enough to make itself evident somehow?
Only Paul is Paul... But it's fun to consider that a positive influence could express itself in your own art, that some of these characteristics could be shared among us all, here and there.
We've all got our own evidence of shared influence, for sure.
Totally agree - all of us are made up of our influences filtered through our own approach developed over many years. I don't think I ever tried to sound like/play like any one famous bass player, but I have always studied how a bass-line is structured within a song/composition. MacCartney's bass-lines are definitely one's I've studied, as well as James Jamerson, Carol Kaye, Bob Babbitt and more recently Colin Greenwood (Radiohead) and a number of well crafted pop songs of the '60s.

