• TalkBass has been independent since 1998. Add your voice.
    Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
    Join freeLog in
    Want zero display ads or expanded classifieds tools? Compare plans.

Thunderbird Club

I’m surprised Geddy doesn’t have it.
Likely will. The seller isn't crazy and has been doing this a long time. In my encounter, he doesn't like to budge much on price either, and doesn't list a crazy price to only come down to a normal price. He also doesn't seem have instruments setting for years, so people that want them do buy them, at some price. Geddy bought a Pelham Blue Thunderbird I asked him about, but was told it was part of his personal collection. I'm sure Geddy paid some serious jack for that one, and way above what I could have justified. I'm curious how long it's listed. I wouldn't be surprised that in 6 months it's gone.
 
originally a 350?…beautiful, congratulations….:thumbsup::)
Yes, though the numbers match thing went out the window decades ago


That on is a '69 unless my eyes deceive me. Mine is a '68, at least nominally. Most of it won't be pretty soon. It won't be quite as quick as that '69, but it will have similar power or maybe a little more from an injected LS3. T-56 transmission and Ford 8.8 in a 9" axle. It won't have a roll cage but it will sit on a full aftermarket frame with rack & pinion steering, 4 link rear, and 13" disks all around. It will have a fiberglass hood to get some more weight off the nose. It should turn and stop pretty well when it is done in a year or so. And it will get driven. Probably flogged around a road course a few time as well, to see what it can do.
Love to see pictures of it! Sounds like it will slalom some cones
 
WW
1.jpeg


Found the listing info on it.
1976 GIBSON Thunderbird IV "Bicentennial" Bass in Polaris White !!
One of the hardest Basses to find today is a nice clean '76 Thunderbird IV Bass in one of the Custom Colors, this one being "Polaris White" & in fabulous original shape, of the 4 color options in 1976, the White ones are impossible to find in any condition! (My note: none were listed as being made in '76.)

She's showing just a little fading to its beautiful Eggshell color, 2 killer sounding pickups, its serial # is stamped & is 6 digits making it one of the earliest from this series, it pre-dates the normal decals that all of these had that year under the finish, also stamped "Second" meaning it may have had a flaw in the woodgrain & so she was painted a solid color, super straight & 100% original having only 1 tiny stress crackle in the paintwork where a volute would be, it is only in the finish & not into the wood under this area, I guarantee this, no repairs have been made since it is purely superficial, still having a great patina, it took us 10 years to find this one...it'll be another 10 years finding another...if you're lucky, she's truly exceptionally clean having no mods or repairs ever, she has her original black hard case included.
 
While I agree that ,in general, instruments should be played rather than displayed, the only way I could justify spending $45k on an instrument would be as an investment. So, yeah, I’d carefully play it now and then, but mostly it’d just sit there quietly increasing in value (hopefully).And no, I’m not recommending anyone do that with that bass. Or any bass. Just sayin.
I think if I could cough up that kind of money, I would insure it like crazy and use it--with some limitations. No dive bars for sure. I can't afford it. I imagine that kind of money isn't the same as for those of us who can't afford or justify that kind of price, meaning $40k to some is a lot more meaningful than it is to others. But I certain'y understand collectors looking for investments. I'm not sure that paying top $$$$$ is going to pan out as a good investment in our lifetimes, however.
 
Last edited:
They're made for playing, not show pieces. My BC Rich Bodine is one of only 2-4. It gets gigged.

Keith Richards in the early '90s had the FCS do a clone of a Tele he had for the same reason. There's conflicting stories, but one is that it began the whole artificial "relic" movement on guitars/basses. The FCS later did a "Tractor" clone. (Almond Brothers Band bass-player Barry Oakley's modded Jazz bass) Don't know who did the work on it, but it appears that the Darkstar pu was installed cock-eyed!
View attachment 5273977
It's also interesting to note that Fender did a bass in 1990 called the HM that had two J bridge pu's similar to BO's 'Tractor'.
View attachment 5273978

My 85 eagle was ordered by Don Lace without pickups.

It was an early experiment with a double Jazz bridge pickup, the experiment didn't go far, but you will rarely see a 7enderish jazz with one...

I should list it on reverb for a ridiculous price and see if anyone bites…