Those have so many EQ options I imagine it can sound like anything thing you want. Within reason. Has to be amazingly versatile. I prefer fewer knobs and thingies as I can get lost endlessly tweaking unless the magic happens early on.
TalkBass has been independent since 1998. Add your voice.
Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
Join free Log in
Want zero display ads or expanded classifieds tools? Compare plans.
Those have so many EQ options I imagine it can sound like anything thing you want. Within reason. Has to be amazingly versatile. I prefer fewer knobs and thingies as I can get lost endlessly tweaking unless the magic happens early on.
We did a listening session for the DJB recording project last night. All of the bass tracks were recorded with my VP/Cobalt flats. I keep reading posts where people say the 760s are a bit shy in the low end. Low end is not lacking at all.I like my Gibsons. I didn't like the VP I had. It's amazing how similar they sound in those guys' hands.
Tone is in the fingers, they say! Can I have a couple of your digits? They work better than mine! I don't have any issues, and I love big bass. I think all those other factors we mentioned really add up. Especially non-home or small room settings. Then there is amp and cabs. I've always found getting more bass is not near as much of a problem as eliminating boomy, undefined or hallow sounding bass, so fixing shy bass syndrome has never been a problem for me in my years of playing anything. And...the Sonic Stomp seems to add or enhance the depth of lows and/or make them seem more defined.We did a listening session for the DJB recording project last night. All of the bass tracks were recorded with my VP/Cobalt flats. I keep reading posts where people say the 760s are a bit shy in the low end. Low end is not lacking at all.
Maybe it's my fingers![]()
I’d pretty much agree, the 760ProBuckers are not bottom end shy in and of themselves.We did a listening session for the DJB recording project last night. All of the bass tracks were recorded with my VP/Cobalt flats. I keep reading posts where people say the 760s are a bit shy in the low end. Low end is not lacking at all.
Maybe it's my fingers![]()
I love having aspects of late 60s early 70s, but some of the modern touches don't seem to fit. But is it cool.
ET call home......j/k...

I love having aspects of late 60s early 70s, but some of the modern touches don't seem to fit. But is it cool.
It could be Epi has changed suppliers for the pickups in the new "VP"s. Do they have Epiphone stamped/engraved on the bottom?I’d pretty much agree, the 760ProBuckers are not bottom end shy in and of themselves.
I have two VP’s plus a NR bass I built using 760ProBuckers in vintage positions with individual vol/tone stacks. My observation (vs my Gibson Anniversary Tbird with stock TB+ pickups and my Eppi CP with stock Gibby TB+ pickups closer to vintage locations) is that the VP isn’t truly shy in the bottom end, it has plenty of balls. It’s more a case of the TB+ pickups being more excessive on the bottom end.
I find the VP tone knob to be fully useable throughout its entire range, whereas I usually can’t use the bottom quarter of the TB+ tone knobs without being overly thick. In essence, the VP gets me in P bass territory on the bottom end and Stingray territory on the top end. To my ears, the TB+ pickups are more a case of jazz territory on the bottom end and P bass territory on the top end.
FWIW - I do find the new 2024 VP (or what ever they are calling it these days) to be slightly darker than the first year run VP. Could be string selections, could be wood variations, could be pot or cap specs or tolerances, heck, could even be my imagination.
I have a 7ender P. I like it well enough, but don't play it much because the ergos are not my thing. So I built a P-Bird out of parts. It's a Precision in all ways except shape, which is pure Thunderbird. Funny thing is that I don't play it all that much, either, because it sounds thin to me relative to a Gibson Thunderbird.A nice Pbass is a must for most players. I use mine for bBooker T stuff and Shadows stuff. And some Clash. Because I can. There’s nothing wrong though with playing Thunderbirds all the time instead.
I'm not sure about sketches. Seemed like a mock-up, but I only watched a bit of it.So are these all visual sketches? I like certain of this retro versions but the current corvette more modern design is pretty cool as-is.
to quote Plaid...ZACTLY..Tone is in the fingers, they say! Can I have a couple of your digits? They work better than mine! I don't have any issues, and I love big bass. I think all those other factors we mentioned really add up. Especially non-home or small room settings. Then there is amp and cabs. I've always found getting more bass is not near as much of a problem as eliminating boomy, undefined or hallow sounding bass, so fixing shy bass syndrome has never been a problem for me in my years of playing anything. And...the Sonic Stomp seems to add or enhance the depth of lows and/or make them seem more defined.
It is beautiful, no question. But I had a VP that was apparently a good one, and I just flat didn't like it much. I don't know why not. It's another reason I'm some kind of heretic around here. The other reason is that I just flat don't want a NR. Go figure.First off, I agree 100% - how a bass sounds is in the players hands. In that regard...
As someone who owns a (Gibson) '64 II - I am impressed by how good the Epi VP T-bird IV sounds. Not going to compare the two, just acknowledging the way it sounds. I bought a NOS one for a very affordable cost to gild/refinish and sell. When I got it and played it - I was blown away by how it sounded, nearly enough to just keep it 'as is' and add it to my stable. Instead, I gilded it, had Pat Wilkins do his final-finish magic on it and offer it for sale as a great sounding bass with a unique Gildaxe finish. A win-win for whoever steps up to the plate.
View attachment 7082289
View attachment 7082290
View attachment 7082292
View attachment 7082293
Ah, but the Willbird is a different beastIt is beautiful, no question. But I had a VP that was apparently a good one, and I just flat didn't like it much. I don't know why not. It's another reason I'm some kind of heretic around here. The other reason is that I just flat don't want a NR. Go figure.
Other than the vocals - what two instruments DOMINATE this "groundbreaking?" Pop History song?
I love having aspects of late 60s early 70s, but some of the modern touches don't seem to fit. But is it cool.
The Willderbeast....Ah, but the Willbird is a different beast![]()
I don't know. They make 'em near here, but I'm not a Corvette person and ignorance abounds with respect to them.That isn't a C4 Corvette. Well maybe a few completely modified ones.