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I’m in Calgary for a few days:
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I see 20 in frame. Does he play them?Not your everyday EB-0.
Uwe Hornung and a custom Slot Head.
I would note the number of Thunderbirds present as well.
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Yes, they are. Those employees are the largest employees available at the time, too. Lots and lots of hair in strange places is another qualifying attribute.Are those the boxes that are tested by throwing them from plane to tarmac by airport employees?![]()
I have never broken a bass string. Famous last words. The fretless Thunderbird is still waiting for me to get my thumbs out and reassemble it. The boy and the girl are in town this week, so chances of me getting much done are about zero.I remember the last time I broke a string, 1977, and that was because of my bridge, broke two D strings in a row, it was in a Who cover band and broke right before the start of a medley, got some looks because it had happened the night before and I hadn't addressed it. I haven't owned an active bass for years. Fretless yeah, you have to keep up on those.![]()
I am always serious.That's getting serious.
I see 20 in frame. Does he play them?
I’ve never broken a bass string but know people who have (including in those group). I broke lots of guitar strings. I’ve had even basic electronics act up at inopportune times.I have never broken a bass string. Famous last words. The fretless Thunderbird is still waiting for me to get my thumbs out and reassemble it. The boy and the girl are in town this week, so chances of me getting much done are about zero.
Of the Thunderbirds I have played, I would rank the Lulls in Veronica's orange Lull right up there with the absolute best. Even better than her '64. Yeah, I'm a heretic. Thunderbuckers (63N and 66S) in the Flamingo are right there, as are the stock pickups in my 2001 Thunderbird. There's something unique about those pickups. I'm coming to the conclusion that the pickups are a big part of the magic of that bass. Ken had some 2001 pickups that had a similar clarity and presence, even if they were a bit noisier than other Thunderbird pickups. With the tinnitus whistle that I have had since I was a kid, a little static doesn't bother me at all. The 2015 pickups are excellent, but I like the others just a little better when all of them have the same strings. I have lowered the Thunderbuckers in the Flamingo, and that seems to give them a slightly different character, a lot more like a '64. I don't recall seeing a '64 or '65 with the pickups cranked up under the strings like we usually do now. Maybe that's part of the magic.#tbird_pickups
1a) Original 64? Gibson p/u: I went in a bit skeptical, but they delivered. Full range, if you push them they get grindy. Something magical.
1b) 88-90 Greco p/u: Similar characteristics to #1 but can get even more grindy.
2) Thunderbuckers (TB66N and TB66S) in a VP: Similar characteristics to #1 but a bit more upper mids and highs. The 66S is the hottest on this list.
3-5) Basses I played at GTGs but can't recall which. Exact number unsure as well. Slacker.
--- The above were all fairly close.
6) Probucker 760s in a VP: Very full range, but lacking a bit of low end. More mids and highs than most pickups. #AngryPiano pickups.
7) EY Epi IV replacements: Very full range, a bit more lows than the 760s but not quite as nice in the upper registers.
8) TB+ p/u in a CP: Fairly dark. Lots of low and lo mids with decent upper mids and highs.
9) TB+ p/u in an Epi IV: Same name, different form factor from CP pickups. Slightly darker, so may not be the same despite the name. Or that could be pot/cap values and/or pickup positions, etc.
None of these are bad pickups. Some are just great. All of this is my opinion, with 1a, 3-5 (hah!), 6, and 9 being from memory. 1b, 2, 7, and 8 were compared to prepare this list.
I thought he said something like "You won't like me if I get angry."
Ugh. TB66B not TB66N.#tbird_pickups
1a) Original 64? Gibson p/u: I went in a bit skeptical, but they delivered. Full range, if you push them they get grindy. Something magical.
1b) 88-90 Greco p/u: Similar characteristics to #1 but can get even more grindy.
2) Thunderbuckers (TB66N and TB66S) in a VP: Similar characteristics to #1 but a bit more upper mids and highs. The 66S is the hottest on this list.
3-5) Basses I played at GTGs but can't recall which. Exact number unsure as well. Slacker.
--- The above were all fairly close.
6) Probucker 760s in a VP: Very full range, but lacking a bit of low end. More mids and highs than most pickups. #AngryPiano pickups.
7) EY Epi IV replacements: Very full range, a bit more lows than the 760s but not quite as nice in the upper registers.
8) TB+ p/u in a CP: Fairly dark. Lots of low and lo mids with decent upper mids and highs.
9) TB+ p/u in an Epi IV: Same name, different form factor from CP pickups. Slightly darker, so may not be the same despite the name. Or that could be pot/cap values and/or pickup positions, etc.
None of these are bad pickups. Some are just great. All of this is my opinion, with 1a, 3-5 (hah!), 6, and 9 being from memory. 1b, 2, 7, and 8 were compared to prepare this list.
That was Banner, not Hulk.I thought he said something like "You won't like me if I get angry."
if this one doesn't give away geographical location, dunno what would....
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Oooooohhh, My!Of course!
Not so much anymore though, the collection was largely at his office in Frankfurt with some pieces (the older Birds) at his home. The law firm moved to a new building about two years after I visited so the bulk of these are in storage now.
Definitely an extraordinary collection.
Happily, you can see it all in The Gibson Bass Book.
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EB-6
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Also an EB-6
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I would love to snag one of those Les Paul BFG basses. They just look "mean"!!Of course!
Not so much anymore though, the collection was largely at his office in Frankfurt with some pieces (the older Birds) at his home. The law firm moved to a new building about two years after I visited so the bulk of these are in storage now.
Definitely an extraordinary collection.
Happily, you can see it all in The Gibson Bass Book.
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EB-6
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Also an EB-6
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