TalkBass has been independent since 1998. Add your voice.
Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
Join free Log in
Want zero display ads or expanded classifieds tools? Compare plans.
But it’s a dry heat.
'Zackly.But it’s a dry heat.
downstairs unit....right next to the wharf that lost a section during storms a couple of winters ago....1 bedroom, 650 sq ft....2.2M....
View attachment 7291166
My 2015 Tbird with the DeCola pups gave me more fits on set up than any other bass I’ve ever owned. Until I got that bass I had never seen or heard of a pickup with magnets so strong that at normal heights would pull your strings out of tune or cause fret buzz. I finally figured it out but that darn bass requires a completely different set up routine than any other bass I’ve ever owned.So I have one of the Gibson 2013 EB basses, and I could never get it setup well enough to really like it, always with the annoying zingy-buzz with newish rounds, even with high action.
Took out the DeColas (with the super strong magnetic pull) and put in a set of TB+ that I had from my ‘97 ‘bird (actually just the bridge, the neck was done when I bought the bass, so the neck TB+ is a new Gibson “Modern”).
Now this is a fantastic player without the zingy fret buzz.
I have finally determined that I can’t have pickups with strong “pull”, it just creates a kind of fret buzz I hate. All of the aftermarket/boutique vintage style T-Bird pickups I have don’t have a strong pull, and the only set I tried that did, the Dunable D-Birds, caused this same grief my ‘99 ‘bird. Once I switched out those for the Gemini UK Devastators, problem gone.
This same issue is presenting itself on my Greco, but I have to keep those in it, because they do sound pretty sweet. The only solution is to bury the pickups really far from the strings. Which creates an interesting sound itself.
Built in apparently. I live in a No Honk zone.Is there a no honk button on it?
Just lower the pickups. The solution you discovered. It works on my EB and '15 Thunderbird.So I have one of the Gibson 2013 EB basses, and I could never get it setup well enough to really like it, always with the annoying zingy-buzz with newish rounds, even with high action.
Took out the DeColas (with the super strong magnetic pull) and put in a set of TB+ that I had from my ‘97 ‘bird (actually just the bridge, the neck was done when I bought the bass, so the neck TB+ is a new Gibson “Modern”).
Now this is a fantastic player without the zingy fret buzz.
I have finally determined that I can’t have pickups with strong “pull”, it just creates a kind of fret buzz I hate. All of the aftermarket/boutique vintage style T-Bird pickups I have don’t have a strong pull, and the only set I tried that did, the Dunable D-Birds, caused this same grief my ‘99 ‘bird. Once I switched out those for the Gemini UK Devastators, problem gone.
This same issue is presenting itself on my Greco, but I have to keep those in it, because they do sound pretty sweet. The only solution is to bury the pickups really far from the strings. Which creates an interesting sound itself.
My EB is burst. I have been thinking about a refin. Just thinking for now.I took it out and put a Genuine Gibson Vintage Re-issue in. I have EBCF 110-55 short scale set and tuned to D-standard and it plays perfectly, even in drop C.
View attachment 7291045
Now that I have the TB+’s in the 2013 EB, I’m happy with it. The action is so low now and no buzz whatsoever. But it needs a paint job, it’s a pretty ugly (to me) cream white/yellow. This is when it still had the DeColas:
View attachment 7291046
I am thinking of maybe an ultra dark red, or green like I did the Greco. Or maybe an ultra dark blue…
And that right there is the proper way to install DeCola pickups! Poles straddling the strings vs strings on top of poles. There’s enough magnetic field in these pups to easily impact with string movement even when not centered. Looks great too.View attachment 7291264
I played circa 35 shows plus all the rehearsals from mid-June to the 2nd of August at the outdoor theater in my hometown. All with this bass.
If I should (and thankfully I don't have to) keep just one I think this Franken-P would get the honors. 5-string Decola pickups are the latest addition and they do sound the best of all the pickup combos it has had during the last 15 or so years I have had it. Double-reverse-P, MM & reverse-P, ceramic T-Bird pickups and now these.
All Parts Tele neck, no-idea-but-supposedly-'75-ash-F-body, Schaller tuners, custom made anodized pickguard with a swimming pool underneath, Decola pickups, two volume pots, two outputs and a stereo/mono switch.
I might add a single coil switches to both pickups so I can emulate Chris Squire's old Telecaster bass in a stereo mode...
it's actually a knob, I set it between 2 and 3 for this one....
I think it is amusing that an early blackface Bassman was also my first “real” amp that gave way to a 200 watt Kasino with 215 to get the needed volume. I sorta wish I still had both, just for for the nostalgia.My first 'real' bass amp was a '63 Bassman piggyback(~45W>2x12). It gave me the tone I want(ed). I've had other rigs: SVT/810, the Kasino(200W>2x15), Ampeg 112 comb,, P______MAX110. None gave me the 7enderish tone I prefer. That's why I now have/use 7ender Rumbles.[also the fact they're light]
Tweetchie zone.
Just lower the pickups. The solution you discovered. It works on my EB and '15 Thunderbird.
You need a pool. Perhaps something here will meet your needs. $500K homes start around page 19.But it’s a dry heat.
My only bad experience with a Class D amp has been the reliability of my Ampeg PF350. It sounds great when it works though.I guess it depends on the amp. My Class D GK is a beast.
My tribute has a tap switch on the vol control.Yep, the Tribute is reportedly an untapped DeCola. As is the Rex Brown Thunderbird.