I like the NR look just fine... but the reverse make me happeh in mes pantalones.I always thought the NR had a funky cool look. Nothing looks like them. Not so sure I don't like the looks better than the reverse.
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I like the NR look just fine... but the reverse make me happeh in mes pantalones.I always thought the NR had a funky cool look. Nothing looks like them. Not so sure I don't like the looks better than the reverse.
A year old or so, but lot's of Thunderbird on national TV. I'm thinking the camera guys get paid.
That would be good!
V you will appreciate this. Note the little sign between the two cabs. It's not readable but says "Ask me about my cats." Almost always there. He has a custom bass case made wood for tours that sits to the side with what he's using. On the ends it has a funky/cool looking cat (or two?) carved into/onto (don't recall) as part of the case. Very cool looking.
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I like the NR look just fine... but the reverse make me happeh in mes pantalones.
To my eyes the NR looks more mainstream, almost Fenderish, kinda Jaguar looking (but better with the less pointed upper bout). Whereas the standard reverse looks uniquely Gibson in my eyes.I always thought the NR had a funky cool look. Nothing looks like them. Not so sure I don't like the looks better than the reverse.
Are they different that the ones in your SS?The Tbird+ pickups in my ‘06 Studio are awesome.
Sure. It would most likely only burn you and throw you across the room.yeah, but a few mA instead of a few hundred...
Some, at least, did. The big difference was that unless you took something apart, you were unlikely to be exposed to what should be the grounded chassis or circuit in a TV, unlike with guitars and basses where a great deal of the exposed metal is directly connected to "ground".And no death cap.
Very cool!I have a great appreciation for Italian craftsmanship- I had some Venetian masks made, one of which was one of custom request- it's been a few years but one of them was La Fucina dei Miracoli out of Verona.
So I sent this one place a picture of this mask- which I was unable to find- so they made one out of scratch-
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And here am I modeling the one they made for me-
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I wanted them to make a replica of this one but they were having issues with creating the cracked porcelain look-
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Then I lost touch with them- wound up going with another company, but they weren't able to replicate the second one so I went with these made by Original Venice, from, you guessed it, Venezia.
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Then there was an individual working out of his own shop in Venice who made this for me and also a plague doctor mask which I don't have a photo of-
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I made another promo video:
Here's also a pre-save link when it eventually appears on streaming sites etc. Fear not, it's not all glissando guitars and forlorn synths and landscaping. Not that there's anything wrong with that.
https://distrokid.com/hyperfollow/oman21/81
I'm sure I like the reverse better, but we all know there are a few NRs I like here in the group.I always thought the NR had a funky cool look. Nothing looks like them. Not so sure I don't like the looks better than the reverse.
I’ve considered buying it a few times but I have other gear that’s a bit higher on my priority list. Like a vintage Rhodes bass keyboard to pair with my Ampeg B-18N or a Warwick I’ve had my eye on for a long time. But that NR sure is tempting.I can't believe the '68 is still around. It's waiting for someone here to bring it home.
I have not- tp be honest, I’ve never been to Italy although my parents spent some time there. I believe it would be a fun place to go though-Venice is a world apart....ever been to the carnival?
My wife would kill me if I brought something like that home. Everything on the shelves would be gladly welcomed, however.
@TBird1958
Is that the BaCH you dropped a Gibson reissue pickup in?
Somehow reminds me of this - the only Dean headstock I didn't hate- a Dean USA John Entwistle Hybrid Bass available at Musician's Friend for an undisclosed price-To my eyes the NR looks more mainstream, almost Fenderish, kinda Jaguar looking (but better with the less pointed upper bout). Whereas the standard reverse looks uniquely Gibson in my eyes.
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I love the looks of both.
The ergos are a bit different between the two with the NR feeling like a slightly longer reach to the tuning pegs and a smooth top, vs the relatively normal feeling reach of the Reverse and the handy raised center section/thumbrest. It would be interesting to hear the sound difference between a vintage NR II and a vintage reverse II. The better sounding one would probably be the tie breaking vote for me, I like deep lows and a low mid punch with clear but not harsh highs - @Chucky Stiletti , which one delivers my tone goals best?
I have a lawsuit era Rickenfaker that looks and sounds very much like a 4001. There are little tells that say it is Japanese. The biggest tell is the tuners. They work, so it is fine. It sounds like a Ric, too. You would not like it because the neck is a fistful, but I certainly like it.Some don’t like a Jazz bass. That’s my second favorite looking bass, better than a P-bass (to me) for sure, but my P-basses get more playing time because mine (with the two P-bass pickup config) sound better than my Jazzes.
A Ric is a strangely cool yet kinda ugly looking bass to me, I have always found it kinda odd how the fretboard stops at the body, and I have come to prefer the less elaborate “S” model over the 4001/4003. I do love how a good one sounds and at this time I do not own one. I had a 2019 matte black 4003 that I recently let go for pretty cheap, mostly because I didn’t care for the matte finish, and even more, the neck was too chunky. I hope to find a newer single truss rod one for a good price, and if I like the neck profile better, will have one back in the collection someday. I have a MapleGlo 4003s/5 and it is the only five string I have ever liked, but it isn’t really a “Ric” sound. Close, but not exactly that growl.
I am not a fan of matte finishes and thought about getting it refinished. Now, it has burnished to a warm, silk looking texture with lots of play time. So, the finish stays. There are areas, like the back of the headstock, that have not burnished yet. It makes for a striking contrast.