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Thunderbird Club

A year old or so, but lot's of Thunderbird on national TV. I'm thinking the camera guys get paid.



That would be good!

V you will appreciate this. Note the little sign between the two cabs. It's not readable but says "Ask me about my cats." Almost always there. He has a custom bass case made wood for tours that sits to the side with what he's using. On the ends it has a funky/cool looking cat (or two?) carved into/onto (don't recall) as part of the case. Very cool looking.

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I have to admit to not listening to enough current music, (I should probably get a set of headphones for my train commute time) so I took a moment and watched the video, he's quite good and I like the song, his bassist is a handsome fellow, which probably helps get him some camera time, the old II is not a slouch either, no hiding in the shadows for either the man or his bass!
 
I like the NR look just fine... but the reverse make me happeh in mes pantalones.

I love this!

I love them both, we have a show at the end of the month and as I'm putting the setlist together it's going to feel like we go from the '60s to the '80s, so I'll take my usual two basses to a show - A Non Reverse to start the night and a Reverse to finish, can't wait!

It sounds SO GOOD through my Ashdown!

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I always thought the NR had a funky cool look. Nothing looks like them. Not so sure I don't like the looks better than the reverse.
To my eyes the NR looks more mainstream, almost Fenderish, kinda Jaguar looking (but better with the less pointed upper bout). Whereas the standard reverse looks uniquely Gibson in my eyes.
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I love the looks of both.
The ergos are a bit different between the two with the NR feeling like a slightly longer reach to the tuning pegs and a smooth top, vs the relatively normal feeling reach of the Reverse and the handy raised center section/thumbrest. It would be interesting to hear the sound difference between a vintage NR II and a vintage reverse II. The better sounding one would probably be the tie breaking vote for me, I like deep lows and a low mid punch with clear but not harsh highs - @Chucky Stiletti , which one delivers my tone goals best?
 
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And no death cap.
Some, at least, did. The big difference was that unless you took something apart, you were unlikely to be exposed to what should be the grounded chassis or circuit in a TV, unlike with guitars and basses where a great deal of the exposed metal is directly connected to "ground".
 
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I have a great appreciation for Italian craftsmanship- I had some Venetian masks made, one of which was one of custom request- it's been a few years but one of them was La Fucina dei Miracoli out of Verona.

So I sent this one place a picture of this mask- which I was unable to find- so they made one out of scratch-

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And here am I modeling the one they made for me-

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I wanted them to make a replica of this one but they were having issues with creating the cracked porcelain look-

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Then I lost touch with them- wound up going with another company, but they weren't able to replicate the second one so I went with these made by Original Venice, from, you guessed it, Venezia.

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Then there was an individual working out of his own shop in Venice who made this for me and also a plague doctor mask which I don't have a photo of-

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Very cool!
 
I can't believe the '68 is still around. It's waiting for someone here to bring it home.
I’ve considered buying it a few times but I have other gear that’s a bit higher on my priority list. Like a vintage Rhodes bass keyboard to pair with my Ampeg B-18N or a Warwick I’ve had my eye on for a long time. But that NR sure is tempting.
 
@TBird1958
Is that the BaCH you dropped a Gibson reissue pickup in?

Mine has a Lull in it, I was very fortunate to get it, visit with Spencer and my being an endorsing artist (unpaid) helped, as did more than 15 years of being a customer.
If I were looking for a pickup today, I would have a Gibson re-issue with no regrets, I love them, and at the price you can't go wrong.
 
To my eyes the NR looks more mainstream, almost Fenderish, kinda Jaguar looking (but better with the less pointed upper bout). Whereas the standard reverse looks uniquely Gibson in my eyes.
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I love the looks of both.
The ergos are a bit different between the two with the NR feeling like a slightly longer reach to the tuning pegs and a smooth top, vs the relatively normal feeling reach of the Reverse and the handy raised center section/thumbrest. It would be interesting to hear the sound difference between a vintage NR II and a vintage reverse II. The better sounding one would probably be the tie breaking vote for me, I like deep lows and a low mid punch with clear but not harsh highs - @Chucky Stiletti , which one delivers my tone goals best?
Somehow reminds me of this - the only Dean headstock I didn't hate- a Dean USA John Entwistle Hybrid Bass available at Musician's Friend for an undisclosed price-

Dean John Entwistle.webp


And while we're here- A cool coffee table book, which among a number of his basses, features one of his "Fenderbirds"-

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Some don’t like a Jazz bass. That’s my second favorite looking bass, better than a P-bass (to me) for sure, but my P-basses get more playing time because mine (with the two P-bass pickup config) sound better than my Jazzes.

A Ric is a strangely cool yet kinda ugly looking bass to me, I have always found it kinda odd how the fretboard stops at the body, and I have come to prefer the less elaborate “S” model over the 4001/4003. I do love how a good one sounds and at this time I do not own one. I had a 2019 matte black 4003 that I recently let go for pretty cheap, mostly because I didn’t care for the matte finish, and even more, the neck was too chunky. I hope to find a newer single truss rod one for a good price, and if I like the neck profile better, will have one back in the collection someday. I have a MapleGlo 4003s/5 and it is the only five string I have ever liked, but it isn’t really a “Ric” sound. Close, but not exactly that growl.
I have a lawsuit era Rickenfaker that looks and sounds very much like a 4001. There are little tells that say it is Japanese. The biggest tell is the tuners. They work, so it is fine. It sounds like a Ric, too. You would not like it because the neck is a fistful, but I certainly like it.

Matte finishes are a funny thing. My 2013 EB originally had a matte finish. I am not a fan of matte finishes and thought about getting it refinished. Now, it has burnished to a warm, silk looking texture with lots of play time. So, the finish stays. There are areas, like the back of the headstock, that have not burnished yet. It makes for a striking contrast.
 
I am not a fan of matte finishes and thought about getting it refinished. Now, it has burnished to a warm, silk looking texture with lots of play time. So, the finish stays. There are areas, like the back of the headstock, that have not burnished yet. It makes for a striking contrast.

I polished the matte off of my Shorty T-bird and it is now uniform and a kind of medium gloss. My Shorty DC tribute is a matte cherry. The back of the neck is naturally polished, also a kind of medium gloss, from use, and I want the rest of the bass to be that way but haven’t taken the time to try to polish it out.

I just dry polish with a soft buffing wheel on a drill.

I tried this on the matte Ric, since the back of the neck was naturally polished from use, as were a couple of spots near where my right hand tends to be when I play. Polishing this finish (dry) proved to be much more difficult and I only really achieved the desired result on the back, roughly where ones belly would rest. Seeing how much work it could be to get a uniform kind of semi/medium gloss on the whole body, headstock, front back and sides, and since I wasn’t in love with the neck, I decided to just sell it.